A set of three sterling silver tablespoons in the popular Fiddle, Thread and Shell pattern, with engraved Marais Family coat of arms, which is very clear. The spoons are a substantial size and weight, 105 grammes each, the quality is excellent (tablespoons over 100 grammes are rare). The hallmarks are very clear, including makers mark D&J W, for Daniel & John Wellby, who worked between 1827 and 1974 from Garrick Street, London. The Marais family coat of arms is described as "Azure, a chain sable fesswise, in chief a crescent reversed and a base of two hills vert" - Pama, Heraldry of South African Families, page 53, depicted on Plate 18, no 280, of the Bell Krynauw Collection. It dates back to Charles Marais of the farm Plasir de Merle, who arrived in the Cape in 1688, and was "murdered by a Hottentot on the farm in 1689". Note - we have other matching items with the Marais Family armorial.

A matching antique sterling silver knife, fork and spoon, made as a Christening present. They are dessert size, and in an unusual scrolling pattern, possibly an Onslow pattern variant. This scrolling pattern reminds us of the Auricular style, a 17th century German Mannerism style, rarely seen today. The knife has a pistol grip, the blade is also hallmarked sterling silver. They are gilded with a rich golden colour, this gilding is original. All 3 items are clearly hallmarked, the knife handle has an additional FH makers mark for Francis Higgins, so the knife handle was outsourced. F.B. Thomas & Co. was a well known firm of retail silversmiths, established in 1759. Francis Boone Thomas joined the firm aged 21 in 1851, he took control in 1871, he died age 71 in 1900. The firm traded until 1941 when it was severely damaged in an air raid during World War II.

A set of 6 Prussian silver teaspoons, made in Danzig, now Gdansk, Poland. The spoons are a lovely shape, with long elegant pointed terminals and elongated bowls, more similar to grapefruit or fruit spoons, or lemoen lepels in Dutch. The spoons have bright cut engraving, designed to reflect in candle light, and cartouche for initials. The original owners prick engraved initials G.V. J are very faintly visible. The spoons have 3 hallmarks, most marks are clear, some partially obscured. They include Danzig town mark (2 maltese crosses below crown) in irregular shield, used between 1790 and 1799, makers mark JGS in script, and a large cursive E, we believe this is the assay master mark rather than a date letter, all suggestions welcome. We have identified a Danzig silversmith Johannes Gottlieb Stegmann whose makers mark was JGS, he worked between 1772 and 1804, but his published mark (www.agraart.pl/silver), is different, not the script style as here, so it is possible we have mis-identified the silversmith, all...

Two early Georgian silver Hanoverian tablespoons, engraved with the Davy family crest. The spoons both have a strong front rib and double drop, both features of early Hanoverians. Both are clearly engraved with original armorials for the Davy family of Beckley, Sussex, on the back of the spoons (spoons were displayed bowl down during this period). The crest is described as "sable a fess or between three cinquefoils argent, the lozenge is tied at the top with a lovers knot that denotes the arms of a spinster", see heraldic report which accompanies these spoons. The spoons probably belonged to an unmarried daughter of the Davy family of Beckley, Sussex. The first spoon has clear hallmarks, including WH makers mark for William Hunter, and date letter i for 1744. The second spoon has squashed marks, but the makers mark JL for Jeremiah Lee is clear.

A pair of Georgian Silver Hanoverian Tableforks, dated 1806, with the Douglas family crest, and motto "Jamais Arriere", translated "Never Behind". The crest is beautifully engraved, on the back of the forks in 18th century style, and is described as "on a chapeau, a green salamander surrounded by fire", with the motto above the crest (which is only done in Scotland). The crest is under an Earl's coronet, so these forks probably belonged to the 9th or 10th Earl Hamilton. The hallmarks on both forks are clear, the makers mark is worn but visible.

A rare Irish Provincial teaspoon in the Fiddle pattern, made in Cork by Samuel Green circa 1800, with a very rare Irish retailers mark. The teaspoon is quite long with a narrow bowl, and is hallmarked with incuse makers mark SG for Samuel Green, incuse STERLING guarantee mark, and retailers mark L.O.H in a rectangular punch, which is believed to be for Laurence O'Hagan, a watchmaker and presumably retailer in Limerick. Laurence O'Hagan, Watchmaker appears in the Hibernian Journal in 1791 on his marriage to Miss Quinn and again in 1804 on his marriage to Miss Bryan (source Silver Forums at 925-1000.com, on the Limerick and Irish Retailers marks pages). All the hallmarks are clear, especially the retailer mark, the G from STERLING is only partially struck. Irish provincial silver is quite rare, and often the hallmarks are worn or poorly punched, so this spoon is a nice example. Cork did not have an assay office, so the silversmiths adopted an unofficial STERLING mark to denote the 925 quality standard. This i...

A set of 6 sterling silver grapefruit spoons, with pointed bowls for easy access to the fruit. The spoons have a threaded border pattern with pointed terminals, sometimes referred to as French pattern. The spoons are very pleasing quality and weight, they have a solid feel in the hand, as is often the case with pre-war silver. All 6 spoons are clearly hallmarked with Sheffield hallmarks for 1939 and makers mark EV for Viners Limited, started by Adolphe Viner in 1901, the E refers to his son Emile. Viners was a leading 20th century British cutlery brand, known for good quality, they were acquired by Oneida in 2005. These spoons also have an additional set of 3 hallmarks, smaller but clearly struck, these are Irish import marks that were struck on foreign silver. These marks include the Dublin assay office Boujet mark, .925 sterling standard mark, and Dublin date letter X for 1939, meaning these spoons were exported to Ireland as soon as they were made. The Boujet mark is a stylized representation of a medieval...

An interesting and practical silver double stamp case, with a twin stamp compartment that swivels into a rectangular case, for easy access and carrying. The case has an engraved linear design, and ring attachment for attachment to a Albert chain. The interior compartment swivels on a pin, has a pin and hole clasp to hold it shut, and a thumbpiece for easy opening, an ingenious design. The box is clearly hallmarked, but the makers mark J&W is worn. The box is also stamped "PAT APPd FOR 18816", which indicates the makers had applied for a patent to protect their design. One of the most practical stamp cases we have seen, we really like this box.

A lovely pair of octagonal silver trencher salts, these are replicas of a highly desirable early Georgian style, circa 1720. The salts have gilded interiors, the gilding is in very good condition. The salts are really good quality, a very pleasing weight, and they both have clear hallmarks. High quality replicas of earlier styles were quite popular in the early part of the 20th century. These are almost an exact copy of the pair depicted in the "Price Guide to Antique Silver, Peter Waldron, pg 103, number 303. William Comyns & Sons is an important firm of manufacturing silversmiths, established in 1859 and still in existence today (John Culme, Directory of Gold and Silversmiths, pg 93). William died in 1916, his son Charles Comyns died in 1925 while attending a Christies auction (so dedicated until the end!). An advert of 1923 recorded "Reproductions from the Antique a speciality". William Comyns & Sons also made all the coronets for the Queen's coronation (V&A website), they also hold over 30 thousand silver...

A pair of Fiddle pattern toddy ladles, along with an Old English example, but all made by the same maker in the same year. Given Edinburgh hallmarks, the maker WC could be confused with William Cunningham of Edinburgh, but his makers mark is always in a shaped cartouche. The hallmarks on on all 3 are very clear. Note the switching of the order of the duty mark on the pair.

A beautiful set of 6 teaspoons and matching sugar tongs in the Rose pattern, which is a rare pattern that is not often seen. The pattern has trailing roses, the detail is lovely. The spoons are single struck (pattern is only on the front), and the spoons are bottom marked (hallmarks near the spoon bowls). All 7 items are clearly hallmarked, 3 are 1901 and have makers mark TS/WS/HH (Hollard, Aldwinckle & Slater, this mark used 1894-1901) 4 are 1903 with HA&S mark (also Hollard, Aldwinckle & Slater, this mark used 1902-1906), we are not sure what caused the date gap but the spoons are identical, by the same maker. so must have been kept in stock. The 4 1903 spoons have an additional P hallmark, perhaps the journeyman who made the spoons. Hollard. Aldwinckle & Slater were an important firm, they worked between 1838 and 1922, they took over the leading firm of G.W. Adams (the old Chawner & Co.) in 1883, which included all the spoon dies - hence there production of Rose pattern. Ian Pickford, in his book Silver Fl...

A collection of six silver miniature animals, with lovely detail. 5 of the animals are sterling 925 silver, the smallest one is 800 grade (the mouse). The 2 dogs and pair of geese are from Germany, clearly hallmarked 925 and the post 1888 moon and crown German standard mark. The snail is Italian, made by Sorini of Arezzo post 1984, the hallmarks are small but clear. The other 5 animals we believe to be older.

A fine and heavy cast silver commemorative caddy spoon made to celebrate the investiture of the Prince of Wales in 1969. The caddy spoon bowl is made up of the 3 Prince of Wales feathers, joined to the handle with a Royal crown and the motto "ICH DIEN", translated "I Serve", the handle has a Welsh dragon. The bowl is quite deep, the feathers have been shaped, the detail of the feathers is also very fine. The spoon is fully hallmarked with clear hallmarks, including makers mark G&Co Ld. for Garrards, the Crown Jewellers (founded in 1722, it retained the Royal Warrant until 2007). The back of the caddy spoon is also marked "Garrard & Co Ltd 112 Regent St W". Another example of this caddy spoon is shown in the book "The Story of the Caddy Spoon 1775-2015" produced by the Society of Caddy Spoon Collectors, page 63. It also was part of the John Norie Collection, Part II, lot 384.

An interesting 17th century style silver notched 2 pronged fork and matching spoon, the fork a replica of the earliest known English table fork. Both are faithful replicas of the puritan style, with 3 notches at the top of the flat stem. Both carry 2 family crests, the top a griffiths head and wings, the Montagu family crest, the second is a peacock in pride, the crest of John Manners, 8th Earl of Rutland of Haddon Hall, the owner of the original fork. This fork, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. Frances Montagu was the wife of John Manners. The hallmarks are exceptionally well struck, they could not be better. They include makers mark "GOF Lo under star" for George Lowe & Son of Bridge Street, Chester, who date back to 1770 and who still trade today. They also include the Chester wheat sheaf town mark (struck in the spoon bowl as is usual for 17th century spoons), date letter and lion passant. The original box, marked "Lowe & Sons, Silversmiths, Bridge St Row, Ch...

Rare set of 3 Old English tablespoons made in Carlisle, with Newcastle hallmarks, which are very clear. These spoons all have the same engraved initial B as the 4 tablespoons with the incuse duty mark (item S 1184). John Brown worked between 1822 and 1826, he was an ironmonger and jeweller of English Street, Carlisle, who made a variety of small silverware.

An extremely rare Cape silver konfyt (preserve) fork with tubular handle, by Cape silversmith Lodewyk Beck. The fork has 4 tines, the only decoration is the baluster shape where the tines join the handle. The handle is similar to the Cannon handle pattern of early English flatware. The fork is clearly hallmarked with makers mark LB at the end of the handle. Similar forks are illustrated in Heller's History of Cape Silver (Vol 2, pg. 82) by Johannes Heegers, and Welz's Cape Silver (pg. 68), these are by Johannes Combrink. Lodewyk Beck worked firstly from Shortmarket Street and then moved to Greenmarket Square, still today a vibrant market in the heart of Cape Town. Konfyt forks were made and sold as individual items, and are described by Welz as "having a great deal of charm" (pg. 65, Cape Silver, Welz). Note - We have a matching fork S11421.

An extremely rare Cape silver konfyt (preserve) fork with tubular handle, by Cape silversmith Lodewyk Beck. The fork has 4 tines, the only decoration is the baluster shape where the tines join the handle. The handle is similar to the Cannon handle pattern of early English flatware. The fork is clearly hallmarked with makers mark LB at the end of the handle. Similar forks are illustrated in Heller's History of Cape Silver (Vol 2, pg. 82) by Johannes Heegers, and Welz's Cape Silver (pg. 68), these are by Johannes Combrink. Lodewyk Beck worked firstly from Shortmarket Street and then moved to Greenmarket Square, still today a vibrant market in the heart of Cape Town. Konfyt forks were made and sold as individual items, and are described by Welz as "having a great deal of charm" (pg. 65, Cape Silver, Welz). Note - We have a matching fork S11422.

A Victorian cast sterling silver grape vine and leaf serving spoon, realistically modelled in naturalistic style. The handle features a grape vine with bunches of grapes and leaves, the bowl is a shaped vine leaf, with very fine engraving. The spoon is gilded, the gilding is worn in places, especially the bowl, but still quite a bit of gilding is present. The spoon is fine quality, heavy to hold, clearly the work of a master craftsman. The hallmarks are clearly struck on the bowl, including makers mark HW&Co for Henry Wilkinson and Co, who worked between 1831 and 1892 when they were purchased by Walker & Hall.

A Patrick Mavros silver sculpture of a pair of guinea fowl on a hardwood base. The guinea fowl are realistically modelled, the guinea fowl is one of Africa's best known game birds. The black hardwood base is also lovely, each base is unique. The base has a silver PM button trademark, with PM above Sable Antelope in triangle, both guinea fowl are also fully hallmarked with PM makers mark and the Zimbabwe sable standard mark. Patrick Mavros has built a luxury Africa themed silver sculpture business over the last 35 years, he is based in Harare, with outlets in London, Mauritius and Nairobi. His customers include the Royal Family, Prince William and Kate are collectors. Other customers include JK Rowling and King Carlos of Spain. This particular sculpture is still available on the Patrick Mavros website (www.patrickmavros.com), he describes it as a medium sized sculpture.

A fabulous Victorian silver prize medallion, one of the finest we have encountered. The medallion is oval, surrounded by a cast rim of flowers. A silver suspension loop is attached to an ornate scroll. This medallion is large and heavy, the quality is exceptional. Both oval plaques are engraved, the first reads "TAIN ROYAL ACADEMY AWARDED TO G.ERNEST ROSS FOR EXCELLENCE IN CLASSICS", the second reads "PRESENTED BY D. FOWLER ESQ. PROVOST OF TAIN JULY 1899". The hallmarks are small but clear, very well struck. Donald Fowler was Provost (the Scottish equivalent of Mayor) of Tain between 1898 and 1910, he was a chemist by profession.