A Cape silver konfyt fork in the Fiddle pattern, with 3 tines. The fork has the original owners initials PJS, quite quaintly engraved in Colonial style.The fork has excellent hallmarks, they could not be better. They include makers mark MLS and the leaf device, with the veins clearly visible (Welz mark 117). Smith was a Dane who arrived in the Cape as a VOC employee in 1757 aged 35, he died in 1806. He led an interesting life, he married 4 times, and had 10 children.
A pair of Cape silver Fiddle pattern table forks, with traditional pseudo English hallmarks, which are clear on both forks. 5 hallmarks are present (Welz mark 4 in his Cape silver book, although struck in different order), they include makers mark LB, pseudo lion passant (quite fat with "camel hump"), pseudo Georgian duty mark, pseudo 3 turreted castle town mark (copy of Edinburgh town mark), and date letter a (which is struck upside down). Lodewyk Beck worked between 1847 and 1867 from Shortmarket Street and Greenmarket Square (still a vibrant market today), he was one of 6 Cape silversmiths who used pseudo English hallmark punches.
An interesting set of 6 Fancy back or Picture back sterling silver teaspoons, these are replicas or Georgian silver originals circa 1750 to 1770. Each spoon has a different die stamped bowl decoration, these 6 spoons are replicas of some of the rarest designs. They include: 1. Fleur de Lys, a stylised French lily used in heraldry. 2. Milkmaid in period garb, with yoke and 2 pails. 3. Fox and crop, with fox head above 2 crossed riding crops. 4. Stag, with antlers, running across grass. 5. Birdcage with bird on top under "I LOVE LIBERTY", commemorating the release of John Wilkes from unjust imprisonment. 6. Urn of flowers, with a Georgian garden urn filled with flowers. All 6 pictures are well struck in perfect condition, with no wear. All 6 spoons are also clearly hallmarked. The set comes with original leaflet entitled "Reproductions of Georgian Sterling Silver Teaspoons", with explanatory notes and explanation of hallmarks.
A rare Iona silver scarf ring, in the Celtic Arts and Crafts style. The ring is very good quality, and has a classic Ritchie Viking longship motif, with celtic knotwork side panels, and terminals of wolf like celtic beasts. The ship is copied off an 11th century stone carving in Iona's Abbey museum, and the beasts are similar to those found in the Book of Kells. The hallmarks are very clear, "AR IONA" incuse, along with makers mark ICA (Iona Celtic Arts) and Birmingham hallmarks for 1934. Ritchie registered the ICA makers mark in 1931 in Birmingham. Alex Ritchie's work was inspired by the ancient Celtic and Viking carvings on Iona. He is regarded as one of the most respected and sought after Scottish silver jewellers of the 20th century. (All information courtesy of Alexander Ritchie website, see link on our links page. A similar scarf ring is shown on the website.)
Beautiful, solid, engine turned box with vacant cartouche. Excellent hinge and very snug closure. This box is a very good weight and slightly larger than other snuffboxes. Attractive thumbpiece and gilt interior.
An antique Dutch silver vinaigrette (zilveren lodereindoosje) in the form of an armoire (kabinet). These have also been described as pomanders, scent boxes, and also incorrectly described as snuff boxes and peppermint boxes. The box is rectangular in shape, with an engraved armoire, complete with drawers, it also has a pierced rim on the lid. The back is decorated with an engraved flower, while the base, sides and lid have engraved wrigglework decoration. The lid is clearly hallmarked with maker mark IS under star (makers mark 10121 in the book "Netherlands Responsibility Marks since 1797") for Johannes Jacobus Smits, who worked in Schoonhoven between 1823 and 1824. The lid also has a very clear date letter O for 1823. The rim of the box also has makers mark and Minerva head office mark (duty mark). Loderein comes from the French "l'eau de reine" translated "water of the king", as only the wealthy could afford the perfumed cologne.
An interesting set of 4 silver ingots with hallmarks from 4 different assay offices, with an explanatory silver plaque, all in the original box. The box lid reads "The British Hallmark Assay Office Specimen Set" (this is faded and worn but still legible), the interior reads "Mayfair Coin Company London W.I." The plaque reads "The British hallmark is the acknowledged guarantee of quality accepted all over the world. The marks show makers initials, quality, assay office and date. Hallmarks were first used in 1300 A.D. The four British assay offices are: London, Birmingham, Sheffield, Edinburgh". The plaque is also clearly hallmarked for Birmingham 1970, along side set number 282. The four ingots have clear hallmarks (London 1970, Birmingham, Edinburgh and Sheffield 1969), with the name of each assay office underneath the hallmarks. The ingots are about 11 grams each, the plaque is 29 grams. Turner and Simpson worked between 1912 and 1979 in the heart of the Birmingham Jewellery Quarter, they were a large firm b...
Elegant, plain, oval shaped boat shaped salts with beaded rim, on an oval pedestal. Interiors are gilt. Very clear hallmarks. These are good quality salts by a well regarded maker.
A Chinese Export silver table spoon in the Fiddle pattern, with engraved initials WRB in Gothic script. The spoon is good quality, easily comparable to an English Georgian example. The hallmarks are very good, and include pseudo duty mark, pseudo date letter P in incuse rectangle with cut corners, pseudo crowned leopards head (London town mark pre 1821), pseudo lion passant and makers mark WE WE WC. This is an imitation of the makers mark for William Eley, William Fearn and William Chawner. The Chinese Export silver collectors guide (4th edition, pg. 763-767) says this maker remains unidentified, but was responsible "for an astounding production of silver items, almost all in the European neo-classical style. The work of WE WE WC is par excellence, it can rival the best of English, European and American silversmiths of the Georgian era. There is no such thing as a poor piece of WE WE WC silver. To have the wherewithal to create silver that rivaled the finest European and American silversmiths of the Georgia...
A Cape silver butter knife in the Fiddle pattern, with scimitar shaped blade, and reeded border across the top of the blade. The handle has original owners engraved initials in a fancy script, possibly JCLDLV. The knife has clear Cape silver hallmarks, makers mark W.M for William Moore, and Cape silver stub mark with 4 pseudo hallmarks, lion passant, date letter A, duty mark and leopard's head town mark - see our Cape Stub article in our articles section.
A rare Cape silver tablespoon by unknown maker M.I.V., with a good makers mark. The spoon is Fiddle pattern, in good condition but with wear to the tip from use, and no engraving. The makers mark M.I.V. is fairly well struck but slightly worn, note the specific placing of the dots (first 2 higher than last). This is makers mark 178 in Cape Silver by Welz (page 158), where the specific placing of the dots is clearly illustrated. This mark is also recorded by Heller in Further Researches in Cape Silver Vol. 11, mark N.M.M 56, page 126, also with the unusually placed dots clearly illustrated. Note - We have a second example of this spoon, with a slightly clearer makers mark, see S 11464.
An interesting Indian Colonial silver menu holder, awarded as a military trophy by the Viceroy of India. The trophy reads "Viceroy's Shield 1926". The holder is in the form of a shield, with a mounted soldier in the centre, surrounded by a highly ornate design of foliage, flowers, bamboo and scrolls. The shield has an attached clip at the back, to hold a menu or nametag at a dinner table, and it stands on a secure rectangular silver base with rounded front. It is engraved on the rear with the recipients details, "B" Right L/Cpl. A.H. Greatrex". The shield is hallmarked "JB&Co, Silver". the mark is legible but not clearly struck. We believe this to be the mark of J. Boseck & Company, which was established in Calcutta (Kolkata) in 1922, and still exists today. J. Boseck & Company are known as manufacturers and retailers of high end gold and silver products in India, in fact they supplied the watch presented to Sir Edmund Hilary after he successfully climbed Mt Everest in 1953. They started as an Anglo Indian fi...
A pair of full figural Indian sterling silver souvenir spoons, with bowls decorated with Mudlavia, Kramer, Indiana. The spoons are a good weight at 30 grammes each, and very pleasing quality, The detail on these spoons is excellent, the Indian is carrying a bow and tomahawk, his feathered headrest hangs to his waist. The bowls feature the Mudlavia Hotel in Kramer, Indiana, once again the detail is excellent (one spoon bowl is very clear, the second has some wear and is not as crisp). Both spoons are clearly hallmarked "Sterling", they also have a Dutch duty mark V in shaped shield, this mark was used 1906-1953 on imported silver, so at some stage these spoons were imported into the Netherlands. No makers mark is present. The Mudlavia Hotel was a spa built in 1890 by Harry Kramer to use the natural spring water, it drew visitors from around the world until it burnt down in 1920. Today the springs are owned by Perrier for use in their bottled water. The book "Collectable Souvenir Spoons" by Wayne Bednersh desc...
A rare and beautiful Tiffany sterling silver melon (or pickle) fork, in the Greek Handle or Greek pattern, made between 1870 and 1891. The pattern has a geometric 3 petalled flower on wavy stalk, the flowers increase in size up the handle. The bowl is long and elegant, with shaped centre tine, the handle is tubular, increasing in diameter towards the top, the end is monogrammed with script initials MEL, we assume the original owner. The fork is clearly hallmarked "Tiffany & Co M Sterling 332", the M was used by Tiffany between 1870 and 1891, to denote Edward C Moore, who headed Tiffany's silver operations. The number 332 is a pattern number. This Greek Handle pattern is extremely rare, and does not feature in many of the Tiffany flatware guides. We have noted 2 other examples, one on the Peter Cameron website, his examples include pickle forks, melon forks and fruit knives, the forks with gilded bowls, he describes this as Greek pattern, dated 1870-1875. The second example is on the Antique Cupboard website, ...
A sterling silver wine taster made by Anthony Elson, one of the 50 leading silversmiths featured in the book "Designer British Silver 1930-1985" by Andrew and Styles, a book we highly recommend. The wine taster has the traditional circular bowl with raised base, and a lovely cast silver handle of textured vine branches, with some pruned ends. The handle is a delight to hold, the thumb rests easily and the grip is secure, so very suitable for use. The taster is clearly hallmarked, including makers mark A.G.E, and also has an engraved number 278 on the base (we know this taster was a limited edition commissioned by the Heritage Collection in 1976, so perhaps each is individually numbered). Anthony Gordon Elson trained under Dunstan Pruden, he worked for William Comyns from 1964-1968 before establishing his own operation, ecclesiastical goods and also limited editions for leading retailers, including Asprey, Spink, Hennell's and Garrards, this taster is one of these. After the boom (he had around 30 staff) creat...
A Dutch Arts & Crafts silver bowl, with hand hammered (planished) texture, which creates a very appealing finish. The bowl is circular, on a small base, with decorative band 2/3rd's of the way up (slightly wider here). The handles are circular, with tapered thumbpiece on top, with turn up at end for good grip. The top of the handles are planished as well. The bowl is very similar in shape and style to English porringers, but could also be used as a sugar bowl. The hallmarks are clear, Minerva mark with clear C for The Hague, Lion 835 standard mark, date letter Y for 1933 and makers mark V over moon for Zilverfabriek Voorschoten. This mark was used by Koninklijke Van Kempen & Begeer, founded in 1764 and still in existence today. This bowl would make an ideal Christening present.
A fabulous sterling silver letter opener, with an impressive cast silver Leopard's head, the detail is superb. The letter blade has well struck large hallmarks along the front, these form part of the decoration. The quality is excellent, it has a lovely feel in the hand, and when you leave it on your desk you cannot resist picking it up. The animal may not be a leopard, my wife suggested Jaguar, please see the photograph's.
A Charming Cape silver Konfyt (preserve) fork, in the Old English pattern, with 3 tines. The fork has a large oval drop, which along with 3 tines (later forks had 4 tines), shows it's age. The fork has makers mark only, quite clear, it appears to be HNS, this is mark 175 in Welz, Cape Silver. This mark is recorded as "unknown" by Welz, but is now thought to be a worn punch used by Daniel Heinrich Schmidt, the greatest of all the Cape Silversmiths (Heller and Welz) - see the similarity with Schmidt's DHS mark, Welz mark 110.
Note - The Delft spoon has been sold, only the Amsterdam spoon is available. Price listed is for Amsterdam spoon only. Two 18th century Dutch silver Memorial or Figural spoons, very similar in style so we have grouped them together. Both spoons have figures mounted on pedestals, auricular style triangular handles, rudimentary rat tails and deep gilded spoon bowls (deep lemon colour). The first spoon from Amsterdam has a figure holding a long implement with notches (all suggestions welcome), and has a hole under his arm (possibly a missing piece?). The handle or stem is triangular, with zig zag scratches, the 4 hallmarks grouped on back of bowl at left side are clear (as is usual for Amsterdam spoons of this period). The marks include makers mark JS in oval punch (very clear), for Johannes Selling, date letter V (1780), Dutch purity lion for first grade (934) silver, and Amsterdam town mark. The spoon has a later well struck mark struck in the bowl, the axe or hatchet mark, used between 1853 ...
A rat tail Hanoverian pattern tablespoon, with clear hallmarks. The spoon the traditional rat tail used before 1730, the Hanoverian rib on the front of the stem, and original owners engraved initials W*C on the back of the stem, as is usual for 18th century spoons. 3 hallmarks are very clear, the crowned leopards head has excellent detail. The makers mark W.S in oval punch is partially worn, the W slightly worn. William Soame was freed in 1720, he was a largeworked, he died in 1772, after being retired "many years". (Grimwade page 665, mark 3295).
