A rare arts and crafts silver spoon, possibly a jam spoon, made for the iconic Liberty's department store in London. The spoon is very unusual, with a design and decoration we have not seen before. The spoon is hand made, and has a very heavy gauge, this is a lovely spoon to hold and use. The spoon has a "knob" on the stem, which adds to the attractiveness but which also has a practical use in increasing the grip. The engraved decoration is very simple floral design, the circles have been punched in. The small circles, both on the handle and in the bowl, were used to simulate rivets. The hallmarks are very clear, the L&Co makers mark in diamond punch is clear but slightly worn. The spoon also has it's own unique design number, 2339, perhaps some-one with access to the Liberty archives will be able to do further research. It is also interesting to note that this spoon was made early on during the First World War, before production was diverted to the war effort. Liberty used his shop to showcase the work of le...

A Liberty Cymric silver matchbox holder, set with a single cabochon of turquoise, typical of the designer Archibald Knox for Liberty. The hallmarks are clear, although the makers mark is only partially visible, but clearly identifiable as Liberty. This box is not stamped "Cymric", although it undoubtably belongs to the Cymric range.

A rare Dryad Metal Works Arts & Crafts silver jam spoon, made by Collins & Co, the Art metal workers of Dryad Works, Thornton Lane, Leicester, in 1915. The spoon has a stylized Arts & Crafts tree with 7 leaves on a hand hammered background, and also has a rat-tail, the join of stem and bowl is also quite unusual, but has a lovely shape. The spoon is stamped DRYAD with an interesting font (note capital A), alongside the Birmingham hallmarks for 1915 and makers mark for Collins & Co. Dryad, which is a female wood nymph from Greek mythology, was formed in 1906 by Harry Peach and Benjamin Fletcher (head of Leicester School of Arts), it initially produced cane furniture, but branched out to other Arts & Crafts. Dryad Metal Works was established in 1915 when William Pick (of Collins & Co), and a former pupil, joined Harry Peach in partnership. The Collins and Co. mark was used between 1915 and 1919, although it is unlikely much was produced during the Great War of 1914-1918. We believe this spoon is one of the ear...

An Arts and Crafts silver sugar bowl with fitted lid, the lid has a foot and can also be used as a dish. It is a copy of an early Georgian design, circa 1735 (Miller's Silver and Plate Buyers Guide, pg 27). This is a lovely bowl, hand hammered in typical arts and crafts fashion leaving a planished finish, it is also very good quality and a pleasing weight. This would make an ideal Christening present. The Chester hallmarks are clear, the lid is also hallmarked.

Unusual set of 6 Arts and Crafts coffee spoons, made by Liberty, each set with different semi precious stones - malachite, amethyst, sodalite, turquoise, garnet and a green stone we cannot identify. The spoons are still in their original box, showing they were retailed by Mappin and Webb, Regent St, London. The spoons were made the year after Liberty closed their Cymric business (1901 - 1926), which was a partnership with William Haseler. The hallmarks are very clear on all spoons.

A practical and interesting set of Arts & Crafts handmade sterling silver ice tongs, made by Leonore Doskow of New York. The tongs consist of a square silver rod that has been twisted in a circle to create a spring, with two 2 pronged grips, which are curved inwards, with sharp points, very suitable for picking up ice cubes (definitely the most practical ice tongs we have ever used). One arm is hallmarked "LEONORE DOSKOW HANDMADE STERLING", this is well struck and clear. Leonore Doskow (1911-2008) turned a hobby into a career during the Great Depression, a sugar bowl she made was exhibited in the Metropolitan Museum of Art in 1940. Her business grew to employ 75 staff during its peak, mostly producing silver novelties and silver containing monogrammes. She was featured in a Silver Magazine article in 1973.

A lovely American Arts & Crafts sterling silver caddy spoon, made by respected silversmith Katherine Pratt. The spoon has an unusual but striking curved shovel shaped bowl with a flat terminated bowl edge, most caddy spoons have rounded bowls. The bowl edges are slightly raised, this is a well made spoon. The handle is long and elegant, and very practical for use. The spoon is stamped "STERLING" and "PRATT". These are in different fonts, the Pratt font is quite distinctive and typically Arts & Crafts. Katherine Pratt (1891-1978) has been described as "America's foremost 20th century woman silversmith" although information on her is sparse and her silver is rarely seen on the market today. She graduated from the Boston Museum School in 1914, and trained under both George Hunt and George Gebelein, both leading Arts and Crafts silversmiths. She worked at the Handicraft Shop, and was recognised by the Boston Society of Arts (Craftsman 1916, Master 1918, and the prestigious Medalist Craftsman in 1931, the only fe...

A very rare Arts & Crafts hand hammered silver sugar bowl, with twin handles, resting on a circular reeded foot. The bowl is by Philip Frederick Alexander, who has been described as "one of the greatest Arts & Crafts silversmiths" (www.antiquesilvercompany.com). The bowl has beautiful spot hammering throughout, leaving a planished appearance, with solid D shaped handles, it is also a pleasing weight. Alexander worked between 1900 and 1920, from Church Row, Hampstead, London. He also lived in Walberswick, Suffolk, both prior and after World War 1. He would have known Charles Rennie Mackintosh, who spent a year in Walberswick during the war. He had a Master of Arts degree from Oxford (unusual for a silversmith), he was also an author of geographical discovery books, including "The Discovery of America and The North West and North East Passages", still available on Amazon (www.styles-silver.co.uk, who also have a few pieces of his work, all unfortunately sold). The hallmarks are excellent, including makers mark...

A cast silver commemorative wine label engraved "RUM", made to celebrate the coronation of Queen Elizabeth in 1953. The label is curved rectangular shape, with central peak topped with the Royal crown, and beautiful applied lion supporters on each side. The label is lovely quality, quite heavy, a pleasure to hold. These wine labels were distributed by the wine merchants Saccone & Speed, as can be seen in the photograph of the advert (courtesy of www.steppeshillfarmantiques.com). The hallmarks are very clear, and include the coronation mark, and makers mark LGD for Leslie Durbin. Leslie Durbin was one of the most admired silversmiths of the 20th century, his silver is in the Royal collection, he was also honoured with a 1 man exhibition at the Goldsmiths hall entitled "50 Years of Silversmithing" in 1982. He produced the silver components for the Stalingrad Sword during WW II, he also designed British coinage. He apprenticed with Omar Ramsden, his students included Benney, Mellor and Robert Welsh. Durbin is a...

A rare Liberty Cymric toothbrush, with silver handle set with two turquoise cabochons, and wooden (ebony) toothbrush set with bristles. The hallmarks are clear, including L&Co makers mark, but the CYMRIC mark is not present (as is usual on small items). This toothbrush matches the Liberty Cymric vanity set (S1360).

A rare Iona silver letter opener, in the form of a sword, in the Celtic Arts and Crafts style, made by Alexander Ritchie of Iona. The letter opener is a substantial size and weight, a quality item, and is a pleasure to use. The sword is decorated with Celtic knotwork on the handle and blade. The hallmarks are very clear, "A.R." incuse makers mark, "IONA", and Glasgow hallmarks for 1929. Alex Ritchie's work was inspired by the ancient Celtic and Viking carvings on Iona. He is regarded as one of the most respected and sought after Scottish silver jewellers of the 20th century. (All information courtesy of Alexander Ritchie website, see link on our links page. An identical letter opener is shown on the website, http://www.alexander-ritchie.co.uk/other, it is described as "substantial, the design similar to one used on his much smaller sword brooches".)

An interesting pair of cast silver acorn spoons, very good quality, with lovely naturalistic detail. The spoons have cast acorn bowls, the bowls are quite deep, the stems are modelled as a textured branch with nodes of baby acorns, the finial is also an acorn between 2 leaves. With the texture these spoons are pleasing to hold, they could be used for condiments, they could also be used as coffee spoons (although they are quite long). The hallmarks on both spoons are very clear, including makers mark G.W in diamond punch for Graham Watling. Watling began his career as a Royal Marine Commando, then moved to teaching Arts & Crafts, before becoming a silversmith around 1970, based in the National Trust village of Lacock in Wiltshire. He died in 1996, his children have continued the business in Lacock (www.watlings.com). Watling is represented by no less than 8 pieces in the Pearson Collection of post war British silver (www.pearsonsilvercollection.com), a testament of his ability. Watling features in the newly pu...

Small Arts and Crafts basket, possibly Norwegian, with swing handle. The basket is spot hammered and has an attractive embossed 5 dome design. The base is stamped 830, and both the interior and the handle are hallmarked with a script V, the Dutch import mark (post 1906).

A fabulous Arts & Crafts silver child's spoon, with a hedgehog finial, made by Francis Cooper, son of the famous John Paul Cooper, who was one of the leaders of the Arts and Crafts movement. Silver by Francis Cooper is quite rare, and is seldom seen (see www.antiquesilverspoons.co.uk for a beautiful tea strainer by Francis Cooper). The spoon has a well modeled hedgehog finial, mounted on a disc with 6 supports, one support is part of the spoon stem detail. The bowl is hand hammered at the back but smooth in front, with the drop and rat-tail part of the bowl. The spoon is exceptionally well made, and given it's superb gauge is a delight to hold (if you have small hands!). The hallmarks are very clear, and include gothic script FC makers mark and the Queens head Silver Jubilee mark for 1977. Francis Cooper (1906-1980, so this spoon was one of the last he produced) worked for his father as a metalworker from 1924 until his death in 1933. John Paul Cooper was an architect turned metalworker, who headed up metal...

Magnificent pair of Arts and Crafts spoons by Sibyl Dunlop, one of the leading female practitioners of the Arts and Crafts movement. The spoons are in the shape and style of 16th century spoons, with fig shaped bowl, hexagonal stem and shaped finials. The spoons are cast, with hand hammered bowls, and have a cast finial that resembles a pineapple with scrolls on either side, resting on 3 rings. A furrow runs down the front end of the shaft of each spoon. These spoons are very good quality, with pleasing weight, lovely to hold and use. The hallmarks on both spoons are very clear, including the SD makers mark. Dunlop (1889-1968) was born in Scotland, trained as a jewellery designer in Brussels, and opened a shop in Kensington Street, London. She specialised in Arts and Crafts silver and jewellery, often naturalistic in style. These spoons have been depicted and described in the book "Artists' Spoons" by Simon Moore, page 383, where they are described as "finely crafted, in classical mood (15/16th century) with ...

A magnificent pair of Arts & Crafts silver Apostle spoons, made by George Henry Hart of the Guild of Handicraft. The spoons are clearly made by hand, with cast finials and hand hammered bowl, with clearly visible hammer marks. The quality of these spoons is fabulous, we love them! The spoons have a stylised beaded rattail, quite unusual, but a lovely feature. The Apostle figure wears a hooded cowl, and has his hands crossed in front of his body. The figure sits on a traditional hexagonal seal top, the stem of the spoon is rounded. The hallmarks on both spoons are very clear, including makers mark "GofH", (without Ltd, in use between 1900 and 1908). The Guild of Handicraft went into liquidation in 1908, the business was continued by George Henry Hart, who designed these spoons, possibly for Prinknash Abbey. The business is still operating today, and run by Julian Hart, great grandson of George Hart (see www.hartsilversmiths.co.uk), in the beautiful village of Chipping Campden, well worth a visit. We rec...

A pair of Arts & Crafts Danish silver tablespoons, in a modernist Georg Jensen style Martele pattern, with matching cheese knife. The pattern is planished, or hand hammered, (Martele is French for hammer, Gorham uses the Martele brand for its hand hammered range), this creates an uneven surface which reflects the light, so a very pleasing pattern. The pattern also has balls and scrolls. The spoons are hand hammered on the front side of the handle only, but the bowls are planished on both sides. The spoons have original owners initials CC engraved on the back, the knife has no engraving. All 3 items have 2 clear hallmarks, the Danish 3 tower silver guarantee mark for 826/1000 grade, with date letters (the spoons are 1925 and the knife is 1927). They also have assay masters mark CFH for Christian F. Heise, who worked between 1904 and 1932.

An Arts & Crafts planished (hand hammered) cream jug, with reeded handle that branches out into 6 cast wheat sheaves, with a cast silver mouse on top looking in. The pouring lip is broad, and the jug sits on a circular foot. The hallmarks are excellent. Sarah Jones is one of the 50 leading silversmiths profiled in the book "Designer British Silver, 1930-1985", by Andrew & Styles, a book which we highly recommend. "Her work is quirky and amusing, she is a superb modeller who produces charming animal studies. Her work is in the Royal Collection, a flower study is on Her Majesty Queen Elizabeth's dresser table (pages 266-271). Note: A similar beaker, made by Sarah Jones in 1984 with applied cast silver mouse on wheatsheaf, can be seen on the Styles silver website www.styles-silver.co.uk.

An early Keswick School of Industrial Arts silver caddy spoon, instantly recognisable as Keswick from its distinctive arts and crafts design and finish, with planished bowl, fish tail handle and mock rivet punches. The Keswick silver hallmark was only registered in 1905, so this is one of their earliest silver spoons. Close inspection shows the rivets are not evenly spaced, so clearly struck by hand. The hallmarks are very clear, including makers mark KSIA in oval punch. The Keswick School of Industrial Arts was established in Keswick, Cumberland in 1884 by Canon Rawnsley, Vicar of Crosthwaite and Canon of Carlisle, and his wife Edith, as a metalwork class following the teachings of John Ruskin and William Morris. Many famous artists, including Harold Stabler and Leslie Durbin, were part of the faculty. Hand finished metal work proved a difficult competitor to machine finished work and the School closed in its centenary year, 1984. Although they produced furniture and furnishings, it is for their metalwork t...

An interesting Arts & Crafts copper ladle made by of of South Africa's leading Arts & Crafts silversmiths, the Austrian immigrant Kurt Jobst. The ladle has a long tapered handle, and a circular bowl that is quite flat, the bowl connected to the handle with a rat tail. The bowl (front and back) and the top of the handle are planished (hand hammered leaving a wonderful textured finish), in classic Arts & Crafts fashion, the back of the handle is smooth. The hallmarks are well struck and clear, and include his trademark "unicorn" KJ mark, along with "Jobst". Jobst was born in Austria in 1905, he served his apprenticeship in Hanau, Germany, his influence was the Bauhaus movement. He emigrated with his family in 1936 from Austria to South Africa to escape Hitler, and became one of Johannesburg's leading silversmiths. He was commissioned by the South African Government to make the official wedding present for Queen Elizabeth in 1947 (a silver box with diamond necklace), he also made silver for Ernest Oppenheimer (c...