A Chinese Export silver table spoon in the Fiddle pattern, with engraved initials WRB in Gothic script. The spoon is good quality, easily comparable to an English Georgian example. The hallmarks are very good, and include pseudo duty mark, pseudo date letter P in incuse rectangle with cut corners, pseudo crowned leopards head (London town mark pre 1821), pseudo lion passant and makers mark WE WE WC. This is an imitation of the makers mark for William Eley, William Fearn and William Chawner. The Chinese Export silver collectors guide (4th edition, pg. 763-767) says this maker remains unidentified, but was responsible "for an astounding production of silver items, almost all in the European neo-classical style. The work of WE WE WC is par excellence, it can rival the best of English, European and American silversmiths of the Georgian era. There is no such thing as a poor piece of WE WE WC silver. To have the wherewithal to create silver that rivaled the finest European and American silversmiths of the Georgia...

A beautiful Arts and Crafts hand made silver bowl in Art Deco style, made by the highly respected Chicago silversmith Lebolt & Co, who competed against the Kalo shop. The bowl is circular with a flat base, with 2 flat shaped side handles that form 2 of the 4 feet. The bowl has an applied monogram MS (in an Art Deco diamond shape) on the front, this is a common feature of Lebolt silver, which would have been commissioned for a specific owner. The exterior side of the bowl is planished (hand beaten), with the individual hammer marks giving it a wonderful texture that will glitter in candle light. The base is clearly hallmarked "LEBOLT HAND BEATEN" below the Lebolt logo of Lion holding a diamond around L, and "STERLING 464" which was probably a pattern number. Lebolt founder J. Myer Lebolt added a handwrought silversmithing department to his family's Chicago jewelry store in 1912 (source www.chicagosilver.com), it was sold from their stores in Chicago, New York and Paris. They and the Kalo Shop are remembered fo...

A rare Scottish provincial teaspoon in the Oar pattern, which is unique to Scotland. The teaspoon was made by Charles Fowler in Elgin, and is clearly hallmarked with makers mark CF, town mark ELn, and pseudo date letter C. The spoon is engraved with original owners initials in script (possibly DI). The makers mark and town mark are very clearly struck, they could not be better, close examination of the C pseudo date letter shows the start of the outline F on the right hand side, so possibly Fowler used his makers mark punch, but struck from the side to only show the C (further research required). Charles Fowler worked from 1809-1824, most of his silver is marked ELn (as opposed to ELGIN in full, which he used occasionally). He used a variety of different punches, including pseudo date letters A, B, C, D, E and F, and occasionally he used punches showing St Giles and the Elgin cathedral wall (see our sold soup ladle S 1300). A good summary of his marks is shown in the book Scottish Provincial Silversmiths by ...

A Georgian silver mote spoon, made by Philip Roker III in either 1766 or 1767. The mote spoon is the traditional shape, with a pierced bowl, tapered handle and diamond point finial, which is quite sharp. The piercing has a central starburst design, surrounded by symmetrical scrolls and holes. The spoon has a long drop, which is also pierced. The spoon has 2 hallmarks, a lion passant and makers mark P. ROKER, which was only used by Philip Roker III for 2 years, hence our ability to date the spoon so precisely. This is mark 3753 in Grimwade, who ascribes the mark to Philip Roker II (who died in 1757, so we assume Grimwade is incorrect. The Roker family were specialist spoonmakers, and have left behind some wonderful spoons. Mote spoons originated in the early 18th century, and were used to skim off floating particles of tea leaves and motes (tea dust) from a cup of tea (Newman, Illustrated Dictionary of Silverware, page 217). The long thin handle with sharpened point was used to clear the spout of a teapot (wh...

A rare surviving matched set of 12 Georgian Irish silver knives in the Fiddle, Thread and Shell pattern, 6 are table knives and 6 are dessert knives. The knives are in good condition considering their age, and are suitable for use. The steel blades are in good condition, and quite sharp, we believe these are later replacements fitted into the original silver handles, they are not marked at all. The pattern is repeated on both sides, and has shells at the top and bottom, with a scroll in the centre. We have described these as Fiddle, Thread and Shell, but have been unable to confirm this, all assistance welcome, other examples we have seen have no shell at the bottom of the handle, so perhaps this is a different pattern or an Irish variant. Both sets of six are a set, whilst both sets are the same pattern, there are a few differences, hence our description a matched set, the 2 sets of 6 were matched together at some time. The 6 table knives have no engraving, the 6 dessert knives have a beautiful engraved fam...

A Georgian silver tablespoon in the Fiddle pattern, by perhaps the most famous of English goldsmiths, Paul Storr. The spoon is good quality, with a fatter extended drop, and a generous bowl size. The spoon also has an engraved family crest of a birds head above a tower, this has some wear but is still visible. The London hallmarks for 1819 are very clear, the makers mark PS in shaped punch is also clear but has some wear on the S. This is Paul Storr's 9th mark, with no dot between letters, with the punch outline more oval than circular, he registered this mark in 1817 (Paul Storr, 1781-1844, by N. Penzer, page 82). A crescent mark is also clearly visible next to the makers mark, this would have belonged to the journeyman who made the spoon in Storr's workshop. Penzer described Storr as "the last of the great goldsmiths", he worked between 1793 and 1838.

A Cape silver butter knife in the Fiddle pattern, with scimitar shaped blade, and reeded border across the top of the blade. The handle has original owners engraved initials in a fancy script, possibly JCLDLV. The knife has clear Cape silver hallmarks, makers mark W.M for William Moore, and Cape silver stub mark with 4 pseudo hallmarks, lion passant, date letter A, duty mark and leopard's head town mark - see our Cape Stub article in our articles section.

An interesting set of 6 Fancy back or Picture back sterling silver teaspoons, these are replicas or Georgian silver originals circa 1750 to 1770. Each spoon has a different die stamped bowl decoration, these 6 spoons are replicas of some of the rarest designs. They include: 1. Fleur de Lys, a stylized French lily used in heraldry. 2. Milkmaid in period garb, with yoke and 2 pails. 3. Galleon under full sail, with flags flying. 4. Basket of flowers. 5. Birdcage with bird on top under "I LOVE LIBERTY", commemorating the release of John Wilkes from unjust imprisonment. 6. Urn of flowers, with a Georgian garden urn filled with flowers. All 6 pictures are well struck in perfect condition, with no wear. All 6 spoons are also clearly hallmarked. Note - We have a similar set, also by Francis Howard but with 2 different pictures, see S 1710.

A lovely and practical pair of South African sterling silver ice tongs, made in 1997 by silversmith SM (as yet unidentified, all assistance welcome). The tongs have cast silver grips with 3 prongs, modelled as leaves rather than the more usual lion paw or chicken feet design, and are very practical for gripping ice cubes. The bow of the tongs is decorated with a cast silver bud, and the arms are quite long, longer than tongs used for sugar cubes. The quality is very pleasing, these ice tongs are a pleasure to use. The tongs have 4 hallmarks, all clearly visible, these include S925 sterling standard mark, springbok head for South Africa, in use since 1975, makers mark SM in shield and date letter X for 1997.

A Boer war antique silver vesta case, presented as a memento by General Sir Leslie Rundle, the Commander of the 8th Division of the South African Field Force. The vesta case is the usual rectangular shape, with spring hinged lid and gilded interior, and striker on the base, and a connecting ring so it could be attached to a fob chain. The case is good quality and in remarkably good condition, we think this was preserved by the owner and not used, many vesta cases of this period were well used and condition is often poor. The case is engraved on one side with a flag and "VIII" for 8th Division, the other side is engraved "S. AFRICA 1900 from L.R". The vesta case and lid are both clearly hallmarked for London 1900, and makers mark HBA for John Batson & Sons, who worked between 1851 and 1936, they were noted as "Army accoutrement makers" - source John Culme, Gold & Silversmiths, page 34. General Sir Leslie Rundle GCB, GCMG, GCVO, DSO (1856-1934) was a British Army General in the Boer War and First World War, whe...

A beautiful pair of French sterling silver salad servers in the Sceaux pattern, that carries the marks of 2 of France's greatest silversmiths - Christofle and Cardeilhac. The quality and weight of this pair is outstanding, they are a joy to use. They are the traditional shape, the fork has 3 fat tines, and both have a matched shaped cut-out where the bowls join the handles. They are double struck (pattern repeated on both sides), and they have not been engraved. The Sceaux pattern was produced by Christofle Cardeilhac between 1983 and 1999, it is similar to the classical Fiddle, Thread and Shell pattern. Cardeilhac produced a print advertisement aimed at the US market featuring the Sceaux pattern in 1983, with the tagline "Even in France only a few own Cardeilhac Sterling", this ad can be seen on Ebay. Both pieces are clearly hallmarked with 4 hallmarks in the bowls, these include 1. the Christofle makers mark (diamond punch, 3 stars with bee below, OC for Orfevre Christofle), 2. the Cardeilhac makers mark (c...

An Irish Georgian silver basting spoon, in the Fiddle pattern, with a wonderful engraved family crest of a unicorn, this engraving is very clear. The spoon is quite large, with a generous sized serving bowl. The unicorn engraved family crest can be described as "a unicorn's head, couped, maned and horned", this is the family crest of the Cunningham family (or Conyngham), we think the Irish part of the family used Conyngham, whilst their Scottish counterparts used Cunningham. The spoon has 4 hallmarks, the crowned harp, Hibernia (Dublin marks) and date letter I for 1805 are clear and well struck. We note the punch shape on these marks is cavetto, with indented corners, more usually seen in the 1820's with Dublin hallmarks, but the absence of the Duty mark confirms a date before 1807. The makers mark JP is clear, but is overstriking another mark that is no longer visible. John Power worked between 1792 and 1819, from Trinity Place, Dublin, his father and son were also silversmith.

A fabulous early Georgian Rococo shell shaped punch ladle, in the shape of a conch shell. The ladle is embossed and engraved in typical Rococo style with a bird (peacock?) eating fruit (grapes and a pear), alongside a brick chimney with flames? at the top, surrounded with scrolls, shells, flowers and leaves. The shape of the shell and quality of the embossing and engraving is very pleasing. The shell is connected to the silver handle base with cast silver scrolls at right angles to the shell, the handle itself is turned wooden handle. The ladle is held hanging vertically, the the shape of the shell and pouring lip makes it very practical to use. The base of the handle is engraved with original owners initials A over T.T. The ladle is hallmarked with London hallmarks for 1752, and makers marks PR for Philip Roker II (Grimwade mark 3754). As all 4 marks are struck on a curved surface they are all unevenly struck, clear on the right but slightly obscured on the left, all visible enough but the makers mark could ...

An interesting Scottish silver prize medallion, quite large in size, presented by Mr Smeaton's Institution in St Andrews. The front is engraved "Mr Smeaton's Institution St. Andrews July 1856", the back is engraved "To the best Essayist James Annandale". The medallion is circular, with a reeded rim, with a cast silver scroll for attachment to a chain. The medallion only has a makers mark which is clearly struck, M&C in a shaped shield for Mackay & Chisholm of Edinburgh. David James Smeaton ran a large private boarding school for about 80 boys in Abbey Park, St. Andrews, which was also described as an "Academy for young gentlemen". He was born in Fyfe in 1834, and is buried in Edinburgh. He fathered 12 children with his wife Elizabeth, his son Donald Smeaton was elected Liberal M.P. for Stirlingshire in 1906.

A Chinese Export (or China Trade silver) silver dessert spoon, in the Fiddle and Shell pattern, which is an attractive pattern. The spoon is single struck (shell on one side only), and has engraved owners initials NSL, this is beautifully engraved in an interlocking pattern. The hallmarks are clear, and include pseudo lion passant, pseudo crowned leopard head, very clear makers mark CU co-joined, and pseudo Georgian duty mark. Cutshing is a well known China Trade silversmith who worked in the 2nd quarter of the 19th century, he used at least 3 different makers mark (he also used CUT and CU not co-joined). The Fiddle and Shell pattern is rare, most English ones come from Newcastle or Scotland. No examples of this pattern are depicted in the book Chinese Export Silver, all the examples shown are the commoner Fiddle, Thread and Shell patten.

An interesting sterling silver Puritan spoon made by the celebrated Arts & Crafts jewellery designer and silversmith Amy Sandheim. This is a replica of a Commonwealth period (1649-1660) Puritan spoon, when the United Kingdom was run as a Republic under Oliver Cromwell, after the execution of King Charles I in 1649. The spoon has a plain rectangular stem and ovoid bowl, without adornment, reflecting the Puritanical nature of the period. The hallmarks are clear for London 1933, the AS makers mark is only lightly struck, but still clearly visible, with some scratch marks over the punch. Amy Sandheim worked between 1923 and 1943 from Notting Hill Gate, she is primarily remembered for her Arts & Crafts jewellery, where she was regarded as a pioneer, alongside Sibyl Dunlop and Dorrie Nossiter, She also made silver spoons in the Arts & Crafts style (see Artists Spoons by Simon Moore, pages 391-396), but was clearly also interested in 17th century styles.

An interesting sterling silver Presidential Mint Julep cup, made by Mark J. Scearce of Shelbyville, Kentucky during the Presidency of Dwight D. Eisenhower. It is a copy of an early Kentucky silver mint julep cup, with beaded top and bottom borders, the cup is a substantial size and weight, the quality is very pleasing. This example has no engraving. The base is engraved "Mark J. Scearce, Shelbyville, Kentucky, Sterling", and has a Presidential eagle hallmark above the letters DDE, all the hallmarks are very clear. Scearce was fascinated by early coin silver mint julep cups, and started to produce these replica's during the Presidency of Harry Truman (1945-1953), they are still produced today, each with the eagle hallmark and initials of the current President. This cup has the initials DDE for President Dwight D. Eisenhower, who served between 1953 and 1961, so it is one of the earlier versions. As tradition goes, each new President receives one of these silver cups with their engraved initials, other famous r...

A very interesting Antique silver Slip-Top jam spoon, dating back to the Great War (World War I), which would have been sold exclusively by Harrod's. The spoon is a replica of an early 17th century slip top spoon, complete with a V shaped rat-tail, these spoons are also called "slipped in the stalk' and "slip-end" spoons. The slip top on this spoon almost resembles a screwdriver head, and could be used practically to open tin lids. The spoon bowl is egg shaped, we think it was originally intended for jam. The quality is very pleasing, you cannot resist picking up and using this spoon, we absolutely love it. The hallmarks are clear, and include makers mark RB for Sir Richard Burbridge, 1st Baronet, who was the Managing Director of Harrods at the time. Harrods today still describes itself as "The World's Leading Department Store". The spoon date of 1915 is interesting, probably made just before silver and other valuable resources were directed at the war effort. An identical spoon is photographed in the book "A...

An Irish Provincial silver serving spoon made by Richard Garde of Cork, but hallmarked in Dublin in 1835. The spoon also has a rare retailers mark "R. CAVE", who is currently classified as unknown with location unknown, but as this mark has only been seen on silver by Richard Garde we can assume he was a Cork retailer. The spoon is Fiddle pattern with a Rat-tail, which is only seen on Irish silver during this period. The spoon is engraved with original owners initials WMC in script. The hallmarks are all very clear, the retailers mark could not be better. Given it's large size we have classified this spoon as a serving spoon, but it could have been a large tablespoon - it is certainly suitable for use as a serving spoon.

A Chinese Export silver teaspoon in the Fiddle pattern, with clear Chinese export pseudo hallmarks. The teaspoon is engraved with owners initials HH over P, the P appears much cruder than the HH, so we assume it was added earlier or later by a different engraver. The hallmarks include pseudo lion passant, pseudo crowned leopards head, pseudo date letter C (or possibly a makers mark for Cutshing) and pseudo duty mark. This mark is shown in the book Chinese Export Silver by Forbes (page 243 figure 215), where it is described as rare and unidentified, other authors have ascribed this mark as possibly Cutshing, who used a variety of different makers marks. Cutshing is "widely recognised as producing some of the finest silver from the early China Trade period (1785-1840)" - www.chinese-export-silver.com, article on Cutshing.