An Iona sterling Silver Prioress Anna Disc and Shield brooch, made by Alexander Ritchie of Iona, one of the most respected and sought after Scottish silver jewellers of the 20th century. The brooch is a classic Ritchie design in Celtic Arts & Crafts style, a convex shield with Celtic cross, and central knotwork boss. The 4 arms feature a copy of the stone effigy of Prioress Anna Maclean of Iona, the central boss reads "Prioress Anna - Iona". The original stone carving of Prioress Anna is still visible on Iona. The brooch is cast, the pin is in full working order, and the original safety pin chain is still intact and working. The hallmarks are worn, makers mark AR is just visible, as is "IONA" which is legible but worn. A second AR and IONA is present but badly worn. No date letter or townmark is present. We assume this means this was an early Ritchie piece, made before he started using the Chester assay office in 1910. A registration number (to protect the design) is clearly visible, Rd No 664083. Alex Ritc...

A lovely set of Georg Jensen Beaded pattern mocha spoons (6), perfectly preserved in their original box. The spoons are small and dainty, but exude the quality you expect from Jensen. The original silk lined box reads "Georg Jensen, Silversmith, 15a New Bond St, London W.I, Member of the Salon Paris". The beaded pattern (Kugle in Danish, Jensen pattern # 7) has a beaded pattern around the lower edge of the handle, it was designed by Jensen himself in 1916, described as "an elegant composition, that remains contemporary in design while imparting a timeless quality" - Georg Jensen, Tradition of Splendid Silver, page 267. All 6 spoons are clearly hallmarked with Danish marks GJ in circular bead with 925 standard mark, and English import marks for 1925, with importers mark GS for George Stockwell & Co, (imported Jensen silver between 1909 and 1931).

A set of 6 sterling silver Arts & Crafts salt or condiment spoons, made by Kurt Jobst circa 1950. The spoons have spiral design finials, round bowls and hand hammered "square" handles, they are a pleasure to hold and use. They are great quality, each individually made by hand by a master craftsman. All 6 spoons have clear hallmarks, and include his trademark "unicorn" KJ mark, along with "Jobst, Sterling and .925" marks. Jobst was born in Austria in 1905, he served his apprenticeship in Hanau, Germany, his influence was the Bauhaus movement. He emigrated with his family in 1936 from Austria to South Africa to escape Hitler, and became one of Johannesburg's leading silversmiths. He was commissioned by the South African Government to make the official wedding present for Queen Elizabeth in 1947 (a silver box with diamond necklace), he also made silver for Ernest Oppenheimer (cigar box, bowls and dishes). He died in a car crash in 1971 aged 66, in 1977 a book of his work was published. Nadine Gordimer (Nobel Pri...

A good quality antique silver replica of what is commonly referred to as "The Tudor Cup", which became famous when it was sold (as part of the Dunn-Gardner collection) at Christies auction in 1901 for GBP 4100, the highest price ever paid for a piece of silver at that time. John Dunn-Gardner, of Soham Manor, had a legendary collection of silver, the sale covered 6 volumes. The original cup of 1521, with scallop shell makers mark, is also known as the Holms cup, named after a previous owner. The original cup is now part of the collection of the Royal Scottish Museum, who purchased it in 1958 for GBP 9500. The museum's resources were augmented by the National Art Collection's fund, the Pilgrim Trust, the Worshipful Company of Goldsmiths, H.M. Treasury and 2 private donors, enabling the cup to be kept in Great Britian (Ian Finlay, Silver in the Royal Scottish Museum, Connoisseur June 1959), where the original cup is pictured. The original cup is also pictured in the book "Old London Silver" by Howard (pg 100). ...

An Arts and Crafts Swedish silver sugar bowl with lid, with circular hand hammered body on a raised circular foot, the lid with a ring finial. It is a simple but beautiful design, and is a very good weight and excellent quality. The hallmarks are very clear, having been protected by the raised foot. They include the Swedish State mark (3 crowns) and 830 silver standard (S in hexagon), Goteborg city mark (crowned G), date letter for 1962 (M9) and sponsors mark for Thore Eldh (SFS). Thore Eldh was a highly regarded Swedish designer who worked between 1935 and 1967. In addition to the hallmarks, the bowl is stamped "Cecilia" in script form, we assume a pattern name.

A Danish silver Skonvirke (Arts & Crafts) pastry or cake server, made by the respected Danish silversmith Evald Nielsen in 1925. The server is the No 4 pattern, which has organic flowing scrolls in relief, so quite pleasing to hold. The server is hand hammered, with the planish marks visible on the blade and the stem. The blade is nicely shaped, and has a raised lip which increases away from the pointed tip, so very practical to use. The server is 830 grade silver, as is usual for Danish silver. The well struck hallmarks include "Evald Nielsen" in an attractive script, with "No 4" indicating pattern, date letter "ANNO 1925", the letter "S" surrounded by dots in shaped punch for silver, and "830" in oval punch surrounded by dots for grade of silver. Evald Nielsen worked between 1905 and 1958 from Copenhagen, he designed all his own designs (as opposed to his contemporary Georg Jensen). He won numerous awards internationally, and his silver can be seen in numerous museums, including the Metropolitan in New York...

An early Keswick School of Industrial Arts silver caddy spoon, instantly recognisable as Keswick from its distinctive arts and crafts design and finish, with planished bowl, fish tail handle and mock rivet punches. The Keswick silver hallmark was only registered in 1905, so this is one of their earliest silver spoons. Close inspection shows the rivets are not evenly spaced, so clearly struck by hand. The hallmarks are very clear, including makers mark KSIA in oval punch. The Keswick School of Industrial Arts was established in Keswick, Cumberland in 1884 by Canon Rawnsley, Vicar of Crosthwaite and Canon of Carlisle, and his wife Edith, as a metalwork class following the teachings of John Ruskin and William Morris. Many famous artists, including Harold Stabler and Leslie Durbin, were part of the faculty. Hand finished metal work proved a difficult competitor to machine finished work and the School closed in its centenary year, 1984. Although they produced furniture and furnishings, it is for their metalwork t...

Small Liberty cymric bowl set with turquoises, probably designed by Archibald Knox. Knox was renowned for his use of semi precious stones with silver.

A sterling silver bowl with a genuine embedded diamond, made to commemorate the centenary of the De Beers diamond company in 1988. The bowl (or dish) is circular, and is engraved in the centre with "DBCMLd" in Gothic script (the logo of De Beers Consolidated Mines Limited), the rim is engraved with 4 bands. The edge is engraved 1888 - 1988, with the brilliant round cut diamond between the dates (diameter of the diamond is 3.5 mm, it sparkles beautifully). The dish is clearly hallmarked with makers mark "EM*ESS" for Em-Ess silverware company, the largest South African silverware producer in the 1970's and 1980's, based in Johannesburg. It also has the Springbok head in U South African standard mark for sterling silver, 925 purity mark and date letter P for 1988. We are aware that this dish was also produced with London hallmarks, it looks identical in design, so we assume De Beers commissioned this dish both in London and South Africa, they were awarded to key customers, including site dealers in Antwerp.

A cast silver commemorative wine label engraved "RUM", made to celebrate the coronation of Queen Elizabeth in 1953. The label is curved rectangular shape, with central peak topped with the Royal crown, and beautiful applied lion supporters on each side. The label is lovely quality, quite heavy, a pleasure to hold. These wine labels were distributed by the wine merchants Saccone & Speed, as can be seen in the photograph of the advert (courtesy of www.steppeshillfarmantiques.com). The hallmarks are very clear, and include the coronation mark, and makers mark LGD for Leslie Durbin. Leslie Durbin was one of the most admired silversmiths of the 20th century, his silver is in the Royal collection, he was also honoured with a 1 man exhibition at the Goldsmiths hall entitled "50 Years of Silversmithing" in 1982. He produced the silver components for the Stalingrad Sword during WW II, he also designed British coinage. He apprenticed with Omar Ramsden, his students included Benney, Mellor and Robert Welsh. Durbin is a...

A Liberty Cymric silver matchbox holder, set with a single cabochon of turquoise, typical of the designer Archibald Knox for Liberty. The hallmarks are clear, although the makers mark is only partially visible, but clearly identifiable as Liberty. This box is not stamped "Cymric", although it undoubtably belongs to the Cymric range.

A lovely silver seal top spoon made by the Guild of Handicraft, to commemorate the Queen's Golden Jubilee in 2002. The spoon has a traditional seal top, hexagonal stem, hand hammered fig shaped bowl and a rat tail. Unusually the spoon has six hallmarks, including maker's mark G of H for the Guild of handicraft, sterling lion, 925 standard mark, leopard's head town mark, date letter C and the Queen's golden jubilee mark, only used in 2002. The spoon is handmade in the traditional manner, it is a pleasure to use and hold. The spoon would make an ideal Christening spoon, it could also be used as a jam spoon. The Guild of Handicraft is operated today by the Harts of Chipping Campden, "www.hartsilversmiths.co.uk". They have also published a book called: "The Harts of Chipping Campden - An insight into four generations creating fine silver in the Arts and Crafts tradition", we highly recommend this book.

A very interesting American sterling silver Arts & Crafts ladle, made by W. Depp in the 1950's. The ladle is the traditonal shape, but has 2 bars that join in a loop for the handle, with the base of the handle wrapped in a thick silver wire, we love this design! The bowl has been shaped by hand with a pouring lip on the side, so well suited for gravy, cream or even a toddy (the shape and size is very similar to Scottish silver toddy ladles). The ladle is clearly hallmarked with makers mark W Depp in a triangle (looks like V V rather than W), alongside "Hand Wrought" and "Sterling". W Depp is a mystery to us, he (or she) did produce some modernist hand wrought sterling silver jewellery, we have not been able to find any other flatware by this maker, or information about them (all assistance welcome). Note 1 July 2024 - Thanks to assistance from Susan who has a very similar ladle, we have identified the silversmith as Wesley Depp (1922-2002), of Saranac Lake, New York. Wesley was the son of John Depp and start...

A pair of sterling silver and jasper cufflinks, made by Kurt Jobst in Johannesburg circa 1950. The cufflinks are circular, with raised polished jasper insert, the sterling silver connectors are S shaped, and the connecting piece is square. Both the circular cufflinks and square connectors are clearly hallmarked, with JOBST, .925 and the circular cufflinks also have his characteristic KJ unicorn mark. Jasper is an opaque chalcedony, red in colour, it polishes well so is often used as a gemstone in jewellery. Jobst was born in Austria in 1905, he served his apprenticeship in Hanau, Germany, his influence was the Bauhaus movement. He emigrated with his family in 1936 from Austria to South Africa to escape Hitler, and became one of Johannesburg's leading silversmiths. He was commissioned by the South African Government to make the official wedding present for Queen Elizabeth in 1947 (a silver box with diamond necklace), he also made silver for Ernest Oppenheimer (cigar box, bowls and dishes). He died in a car cr...

A pair of Arts and Crafts antique silver serving spoons, with raised shell finial and planished (hand hammered) bowls, both the front and the back of the bowls. These are good quality, a pleasing weight, and a useful size for use. The hallmarks are clear on both spoons, and include a registration number, indicating Atkin Brothers protected the design.

Unusual set of 6 Arts and Crafts coffee spoons, made by Liberty, each set with different semi precious stones - malachite, amethyst, sodalite, turquoise, garnet and a green stone we cannot identify. The spoons are still in their original box, showing they were retailed by Mappin and Webb, Regent St, London. The spoons were made the year after Liberty closed their Cymric business (1901 - 1926), which was a partnership with William Haseler. The hallmarks are very clear on all spoons.

A Danish silver Skonvirke (Arts & Crafts) cream ladle, made by the respected Danish silversmith Evald Nielsen in 1924. The ladle is the No 4 pattern, which has organic flowing scrolls in relief, so quite pleasing to hold. The ladle is hand hammered, with the planish marks visible in the bowl and the stem. The ladle has a flat circular bowl with a narrow lip, about 0.7 cm deep. The ladle is 830 grade silver, as is usual for Danish silver. The well struck hallmarks include "Evald Nielsen" in an attractive script, with "No 4" indicating pattern, date letter "ANNO 1924", the letter "S" surrounded by dots in shaped punch for silver, and "830" in oval punch surrounded by dots for grade of silver. Evald Nielsen worked between 1905 and 1958 from Copenhagen, he designed all his own designs (as opposed to his contemporary Georg Jensen). He won numerous awards internationally, and his silver can be seen in numerous museums, including the Metropolitan in New York, V&A in London, and Kunstmuseum in Denmark. Nielsen produ...

A sterling silver wine taster made by Anthony Elson, one of the 50 leading silversmiths featured in the book "Designer British Silver 1930-1985" by Andrew and Styles, a book we highly recommend. The wine taster has the traditional circular bowl with raised base, and a lovely cast silver handle of textured vine branches, with some pruned ends. The handle is a delight to hold, the thumb rests easily and the grip is secure, so very suitable for use. The taster is clearly hallmarked, including makers mark A.G.E, and also has an engraved number 278 on the base (we know this taster was a limited edition commissioned by the Heritage Collection in 1976, so perhaps each is individually numbered). Anthony Gordon Elson trained under Dunstan Pruden, he worked for William Comyns from 1964-1968 before establishing his own operation, ecclesiastical goods and also limited editions for leading retailers, including Asprey, Spink, Hennell's and Garrards, this taster is one of these. After the boom (he had around 30 staff) creat...

A Dutch Arts & Crafts silver bowl, with hand hammered (planished) texture, which creates a very appealing finish. The bowl is circular, on a small base, with decorative band 2/3rd's of the way up (slightly wider here). The handles are circular, with tapered thumbpiece on top, with turn up at end for good grip. The top of the handles are planished as well. The bowl is very similar in shape and style to English porringers, but could also be used as a sugar bowl. The hallmarks are clear, Minerva mark with clear C for The Hague, Lion 835 standard mark, date letter Y for 1933 and makers mark V over moon for Zilverfabriek Voorschoten. This mark was used by Koninklijke Van Kempen & Begeer, founded in 1764 and still in existence today. This bowl would make an ideal Christening present.

An interesting Arts & Crafts silver 2 pronged fork, hallmarked by Harry Warmington of the Guild of Handicraft, run by the Hart's of Chipping Campden. The fork has 2 flat tines, with shaped ends replicating an earlier style, the handle has 2 bumps, similar to Scottish Fiddle pattern of the 18th century. The fork is hand hammered, as you would expect from this studio, with individual hammer marks visible, and is engraved with initial T (also done by hand). The fork has a pleasant feel, and would be very suitable for serving cold meats. Harry Warmington was "an integral member of the Guild of Handicraft workshop for some 50 years, he was one of the best silversmiths to have worked in Campden, he was also a fine engraver. Despite his abilities, he never applied to become a Freeman of the Goldsmith's Company",quote from the book "The Harts of Chipping Campden, pg 31. Harry was recruited by George Hart in 1912 from the local grammar school, he joined the infantry in 1914 on the outbreak of World War I, then the Roy...