A Cape Silver lemoen lepel, (orange spoon), in very good condition, and with very clear makers mark. This spoon is typical of the Cape lemoen lepels, with pointed terminal and bowl, the bowl itself eye shaped and quite deep. The spoon has typical Cape engraving, with a 4 petal flower and wrigglework along the edges of the handles. It also has a distinctive V joint connecting handle to bowl. The IC makers mark is well struck and clear (Welz mark 32 with canted corners). Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). As far as we are aware, only Jan Lotter and Johannes combrink made lemoen lepels, probably between 1800 and 1815. Note - this spoon matches the pair S 1922 and single spoon S1923, but with slightly more wear to engraving.
A Natal Mercury sterling silver Medal, awarded in 1928 by N.A.R.A. The medal has a winged Mercury, the Roman messenger of the Gods, running across a bridge, surrounded by "Natal Mercury 1928". The reverse has a laurel wreath, and is engraved "N.A.R.A. won by" - with no name engraved. The Natal Mercury is South Africa's oldest newspaper, established in 1852, and still running today, it still uses Mercury as it's logo. We are not sure what NARA stands for, perhaps Natal Amateur Running Association? The mercury logo is also used by the Comrades Marathon, the world's largest and oldest ultramarathon race, 89 km's between Durban and PieterMaritzburg, established in 1921. All finishers received a silver medal until 1931, we are not sure if this medal was intended for the comrades. We have also seen a 9 carat gold version of this medal.
A cape silver dessert spoon in the Fiddle pattern, made by Daniel Beets, but with previously unrecorded hallmarks, so a rare spoon. The spoon has no engraving, but the bowl is quite battered, so we can only describe the condition as fair, so this spoon is for hallmarking interest rather than use. The hallmarks include makers mark DB struck twice, interspersed with 3 bird hallmarks, in round punch, this bird punch has only previously been recorded as used by Lawrence Twentyman. As we said this is a rare combination of marks, not recorded in Cape Silver by Welz, where he shows Beets with star and circular devices, but not with the bird punch. Heller shows a Beets mark interspersed with pseudo kings head duty marks, also not shown in Welz, which shows Beets did also occasionally use pseudo punches. Daniel Beets worked between 1812 and 1828, he was the illegitimate son of German Balthus Beets and Cape slave Angana. His son, also Daniel Beets, also practised as a silversmith, but as he probably used his fathers p...
An interesting Royal Cape Golf Club silver commemorative medallion, celebrating it's 100 year anniversary in 1985. The obverse depicts 2 golfers with trees in the background, this is a faithful reproduction of the oldest known photograph showing golf being played in South Africa, which is owned by the Royal Cape Golf Club (see https://www.royalcapegolf.co.za/about). The medallion reads "LT. GEN SIR HENRY D'O TORRENS, FOUNDER OF THE CAPE GOLF CLUB, 14 NOV 1885, FIRST MONTHLY MEDAL, WATERLOO GREEN". The reverse has the logo of the Royal Cape Golf Club, with "100 CENTENARY 1885-1985". The medallion is hallmarked "SILVER", and has the number 115 stamped on the side. The medallion is perfectly preserved in it's original box, which reads "McCallum and Stevens Cape Town". The medallion is good quality and is also a good weight. Henry Torrens (1823-1889) was a British Army officer and Colonial Governor, he served in the Royal Welsh Fusiliers and was awarded the French Legion of Honour in the Crimean war. He served i...
A Cape silver tablespoon in the Fiddle pattern, with unascribed maker mark I.D. The spoon has original owners engraved initials, now worn, first letter probably A. The makers mark is very distinctive, I.D in serrated punch, between 2 five pointed stars. This mark is not described in any of the Cape silver textbooks. The reason for ascribing this maker to Cape is that 3 known examples have now appeared, and all were sourced in the Cape, hence the attribution. The first was posted in the WWW.925-1000 silver forum in 2012 by a Cape based South African dealer, where Dognose tentatively ascribed it to American silversmith Jabez Delano (1763-1848), see the post http://9251000.com/forum/viewtopic.php?f=3&t=31240. The photographs supplied have now been used on the ancestry website for Jabez Delano, in our view in error. A second tablespoon appeared on the website of South Africa's leading silver dealer, The Old Corkscrew, described as Cape but unascribed (we agree), item S373, www.theoldcorkscrew.co.za. This spoon is...
A Cape silver tablespoon in the Old English pattern, with rare Cape hallmarks not shown by Welz in his book "Cape Silver and Silversmiths". The spoon has been well used, and has a small split (see condition description). The spoon has original owners initials CW engraved on it, the C is larger than the W, so probably done by the owner himself (overall quite quaint). The hallmarks consist of makers mark IL co-joined in oval punch, in between 2 "birds foot" devices, these marks are well struck and clear. The IL makers mark is mark 71 Welz, but the birds foot device is not recorded (Lotter also used a floral hallmark which is recorded). However, the birds foot device used by Lotter is recorded by Morrison (Silversmiths and Goldsmiths of the Cape of Good Hope, 1936, page 57, where this makers mark is pictured). A variant of this mark is also recorded by Heller (History of Cape Silver, 1949, page 151, mark MM40, which shows an extra arm to the birds foot). We can only assume this is a rare mark that was not seen b...
A rare early Cape Silver three pronged fork, in the Hanoverian pattern. The fork is a lovely shape, long and elegant, with long tines. The fork has makers mark DHS, with some wear but clearly visible, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). This fork also has a small Dutch ZII hallmark, for 835 purity, indicating the spoon was imported into the Netherlands at some stage. The fork also has a small owners cross hatch scratch mark next to the makers mark. Three pronged forks were common in the early 18th century, they were gradually replaced by 4 prongs after 1760, perhaps a little later in the colonies, but we believe this dates to the early part of Schmidt's career. Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape...
A Cape silver konfyt fork in the Fiddle pattern, with 3 tines. The fork is quite colonial in character, the tines have slightly different thicknesses, overall a little crude but clearly hand made. The fork has makers mark DBD between 2 five pointed stars (Welz mark 44), this is clearly struck with slight wear along the top. Dominique Baudouin Du Moulin worked between 1818 and 1833, he arrived in the Cape from Brabant (now Belgium) and married the sister of Cape silversmith Johannes Hendricus Beyleveld (Cape Silversmiths by Welz, page 131.). His work is only found occasionally.
A rare early Cape Silver spoon, in the Hanoverian pattern. The spoon is a lovely shape, long and elegant. The spoon has makers mark DHS, with some wear but clearly visible, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). The spoon also has a small Dutch ZII hallmark, for 835 purity, indicating the spoon was imported into the Netherlands at some stage. The spoon also has a small owners cross hatch scratch mark next to the makers mark. Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape Silver) as the "greatest Cape silversmith". Heller goes so far to describe Schmidt as a "master craftsman, whose work can be compared to Paul Storr" (History of Cape Silver, pg 79). Note - we have two matching forks, S 11124 and S11125.
A rare early Cape Silver three pronged fork, in the Hanoverian pattern. The fork is a lovely shape, long and elegant, with long tines. The fork has makers mark DHS, with some wear but clearly visible, along with a bunch of grapes with vine leaves in a circular punch (mark 109 in Cape Silver by Welz). The fork also has a small owners cross hatch scratch mark next to the makers mark. Three pronged forks were common in the early 18th century, they were gradually replaced by 4 prongs after 1760, perhaps a little later in the colonies, but we believe this dates to the early part of Schmidt's career. Schmidt arrived in the Cape from Strelitz, Germany, as a soldier in 1768. He worked as a sword cutler for the Dutch East India Company, and became a burgher and silversmith in 1779. He died in 1811 (Cape Silver by Welz, pg 139). He is described by David Heller (in his book History of Cape Silver) as the "greatest Cape silversmith". Heller goes so far to describe Schmidt as a "master craftsman, whose work can be compare...
A delightful Cape silver konfyt fork, one of the most charming we have seen. The fork is in the Hanoverian pattern, with turn up end, it has a form of feather edge engraving at the top of the handle, a long elegant stem (much longer than usual), and 3 tines. It has a v shaped drop, so overall quite different from many Cape silver konfyt forks. The fork is struck with makers mark IVC, this has no dots, the mark is clearly visible but the punch appears a little worn (hence the G being seen as a C). We believe this to be one of the marks used by Johann Voight, it is depicted in David Heller's book "History of Cape Silver", page 163. We have now confirmed 3 different IVG marks on Cape silver, which clearly come from 3 different punches, but probably come from 1 silversmith, or family of silversmiths as sons often took over the business of the father, and used the same punches. The other two IVG marks have different configurations of dots present, see Welz mark 171 with 2 dots, Welz described this maker as "unknow...
A fabulous quality Cape silver snuff box, in excellent condition, it has not seen much use (many Cape silver snuff boxes are worn from regular use). The box is rectangular, it has a lovely thumbpiece, similar in shape to a Cape Dutch gable. The engraving is typically Cape, with foliate and wrigglework borders, and stippling on the sides and base. The central cartouche is vacant, it has never been engraved with initials, which might explain its well preserved condition. The interior is gilded, and the original gilding is also extremely well preserved. The interior lid corner has a scratch cross, probably a mark of ownership. The hallmarks are also excellent, Welz mark 116, makers initials MLS set between 3 crown devices. Smith was a Dane who arrived in the Cape in 1757 age 35, so we assume already trained as a silversmith (his work is always good quality). He lived a long live, married 4 times, and had 10 children, he died in 1806 age 84.
A Cape silver konfyt fork in the Old English pattern, with 3 tines. The fork has engraved original owners initials MMR, quite quaintly engraved, possibly by an amateur. The makers mark is very well struck and very clear, makers initials ICL between 2 floral devices with 7 petals (Welz mark 78, page 150). Lotter worked at the Cape between 1811 and his death in 1823, he shared a name with his father Johannes Casparus Lotter, who was also a silversmith (12 members of the Lotter family practised as silversmiths).
A Cape silver konfyt fork in the Fiddle pattern, with 3 tines. The tines are different from most konfyt forks, these are quite fat, widely spaced and short (3.3. cm). The fork has original owners initials TFM, the engraving in an unusual script, quite pleasing overall. The fork has makers mark I.B in oval punch, with the I and B co-joined. This is depicted in the book "Cape Silver and Silversmiths" by Stephan Welz as mark 20, page 146, for Johan Anton Bunning, a German soldier who arrived in the Cape in 1758 and died in 1793. He mark is confirmed as he made silver for the Dutch Reformed Church, whose records confirm him as maker, but the Fiddle pattern style of the fork is problematic, as it was only introduced circa 1800, so it is unlikely he made this fork. A number of alternatives exist, it could have been made by a son (Cape silversmiths regularly carried on using punches created by fathers). More likely is that this is the mark of another Cape silversmith, whose mark has not yet been attributed. IB or JB...
A rare pair of Cape silver tablespoons in the Old English pattern, engraved with the crest of the Cape Regiment. The spoons are engraved "CAPE.REG" above a bugle, suspended from a shamrock shape rope knot. This bugle was used as a crest for English Light regiments, currently still used by the Oxfordshire and Buckinghamshire Light Infantry (lightbobs). As is often the case with regimental silver, these spoons have been well used (and well polished), so the crest is worn, one is better than the other. Both spoons have clear Cape silver hallmarks, anchor, IC, anchor, mark 22 in Cape Silver by Welz, used by Johannes Combrink. The Cape Regiment was formed in 1795, and consisted of Khoisan and Coloured men under white officers, headquartered in Simonstown. In 1817 it was renamed the Cape Corps, it remained in existence until 1926. Major Matthew Richmond, a New Zealand Colonial administrator and politician, served with the Cape Regiment in 1817, so may have used these spoons. (note - we have 2 sets of these spoons)....
A Cape silver konfyt fork, in the Old English pattern with feather edge decoration and 3 tines, dating it around 1790 to 1800. The fork is struck with a makers mark only, i:V:G in an unusual shaped punch, which moulds around the dotted i. This fork matches S 1787, the main difference being longer tines (we believe original, these have not been shortened) and a makers mark that is good but not as clearly struck as the other. Welz describes this maker as unknown, but Heller (History of Cape Silver Vol I, pg 163) lists this maker as Johann Voigt? Both authors depict a different IVG punch from this one, with an additional fish hallmark (see our tablespoon S 1571 by the same maker to see the different punch and fish hallmark). Overall we agree with Welz and are not convinced by the attribution to Voigt, it seems far more likely to belong to a "van G" maker (for example van Graan, a known Cape name). Overall an interesting hallmark that requires further research. Note - a matching konfyt fork by the same maker is a...
A pair of Cape silver Fiddle pattern table forks, with traditional pseudo English hallmarks, which are clear on both forks. 5 hallmarks are present (Welz mark 4 in his Cape silver book, although struck in different order), they include makers mark LB, pseudo lion passant (quite fat with "camel hump"), pseudo Georgian duty mark, pseudo 3 turreted castle town mark (copy of Edinburgh town mark), and date letter a (which is struck upside down). Lodewyk Beck worked between 1847 and 1867 from Shortmarket Street and Greenmarket Square (still a vibrant market today), he was one of 6 Cape silversmiths who used pseudo English hallmark punches.
A Cape silver konfyt fork, in the Old English pattern with feather edge decoration and 3 tines, dating it around 1790 to 1800. The fork is struck with a makers mark only, i:V:G in an unusual shaped punch, which moulds around the dotted i. This mark is well struck, and is clearly different from the I:VG mark depicted in Cape Silver by Welz (mark 170, pg 158), the key differences being the shaped punch above i and the second : between the V and G. Welz describes this maker as unknown, but Heller (History of Cape Silver Vol I, pg 163) lists this maker as Johann Voigt? Both authors depict a different IVG punch from this one, with an additional fish hallmark (see our tablespoon S 1571 by the same maker to see the different punch and fish hallmark). Overall we agree with Welz and are not convinced by the attribution to Voigt, it seems far more likely to belong to a "van G" maker (for example van Graan, a known Cape name). Overall an interesting hallmark that requires further research. Note - a matching konfyt fork ...
A mixed and interesting set of 6 Cape silver Old English pattern teaspoons, all made by members of the Lotter family of Cape silversmiths. It consists of 3 matched spoons by Gerhardus Lotter, 2 spoons by his cousin Carel David Lotter, and 1 spoon by his brother Willem Godfried Lotter. The 3 spoons by Gerhardus are marked by makers mark GL (Welz mark 68), one spoon by Carel has makers mark CDL (Welz mark 63), the other Carel spoon has CDL between 2 stars (Welz mark 64). The Willem spoon has WGL between 2 L shaped devices (Welz mark 94), all marks are clear. One Carel spoon has original engraved initials DJLR, the other 5 have no engraving. The spoons have very slight differences in style and length, but they are close enough to be used as a set.
