An interesting Cape silver tablespoon, that appears more Continental than Cape in style. It is Fiddle pattern, but without the shoulders seen in English Fiddle pattern, and the drop has a wide oval shape, another Continental silver feature. The spoon has a single hallmark, makers mark DC, well struck but by quite a crude, home made punch, with flaws in both letters. This punch is a different one from the one depicted in Welz (Cape Silver, pg 146, mark 21), but has been noted on other Cape Silver, so we are confident it is by Collinet (no other Cape silversmiths have initial DC). Collinet was born in Liege, Belgium, he worked in the Cape between 1810 and 1825. We assume he made this spoon early in his career, certainly before 1820 when a number of English silversmiths arrived in the Cape and dictated the style of silver.

A rare Cape silver Kings pattern (with diamond point} dessert spoon, by Fredrik Waldek. The spoon has original engraved initials HMC, and is very good quality and gauge, as is usual for Cape Kings pattern silver, very suitable for use. The hallmarks include makers mark FW with the Cape Stub mark (see article in our articles section) of 4 pseudo English hallmarks struck in a stub (Welz mark 165). Fredrik Waldek was also a chronometer, clock maker and jeweller. Heller (History of Cape Silver) commended Waldek for "excellent workmanship", this spoon is no exception. Only Waldek and Twentyman produced Kings pattern in the Cape.

A pair of Cape silver teaspoons in the Fiddle pattern, with excellent hallmarks. The spoons also have a very faint and crudely scratched owners initial S on the back above the hallmarks, barely visible. The individually struck hallmarks include makers mark JT for John Townsend, pseudo duty mark, pseudo date letter a, pseudo leopards head town mark and pseudo date letter J (Welz mark 122, but struck in a different order). John Townsend (1800-1875) was an interesting character, descibed by Heller as one of the top 5 Cape silversmiths. He arrived in the Cape in 1821 on the ship Duke of Marlboro, and was involved in a number of businesses, including a hotel and auctioneering business, in addition to being goldsmith, silversmith, jeweller and watchmaker. He was embroiled in a number of court cases, mostly due to bad debt, in 1849 he stated "insufficient means to support his 10 children". He moved to Okiep in Namaqualand in 1852 as Manager of Spektakel Copper Mine, but was insolvent by 1868. He died in 1875, and is...

A set of 13 sterling silver Apostle spoons, as follows: The Master, St. Peter, St. John, St. Matthew, St. Andrew, St. Philip, St. Jude, St. James the Greater, St. James the Less, St. Matthias, St. Simon, St. Thomas, and St. Bartholomew. The Apostles are well modeled, with lovely detail, as can be seen from the photographs. For example, St. Peter has keys, St. Simon a saw, St Andrew a cross, St. Jude an axe, and St. James a staff and bible. The spoons are from a set (no 97), issued by The Heritage Collection in 1978, limited to 1000 sets. The hallmarks are clear, and include maker mark CM (Cape Mint, part of the Pagliari Group), STG for Sterling silver, antelope head for South Africa, and date letter E for 1978. All the spoons have the Apostle's name engraved on the stem, and the set number 97. They come complete with original signed certificate. The original solid wooden box is also available, this is large and heavy (1.5 kilograms), so will require extra postage if required. Note - We now have another set a...

A rare Cape silver salt spoon, in the Fiddle pattern, struck twice with a makers mark not depicted in any of the Cape silver reference books (although Ince is recorded in both Morrison and Welz). The spoon is struck twice with makers mark INCE, which is very distinct. The spoon is quite crudely made, slightly out of shape, it appears hand made in primitive conditions, it has a strong Colonial feel. The makers mark INCE is recorded by Turner as unascribed Scottish Provincial (Directory of Scottish Provincial Silversmiths, pg 84). It was also recorded as "unascribed Scottish" by Jackson (2nd edition, pg 557, on a tablespoon circa 1770, owned by The Marquess of Breadalbane) - this had been corrected by the third edition. We believe that the possible Scottish attribution is incorrect, and should be corrected to Cape. A number of other Cape silver items made by Joseph Ince are known, including 3 items in the Mullne collection, now in a museum in Pretoria, all struck twice with INCE. In addition, a South Africa...

A Cape silver konfyt fork by the respected silversmith Johan Hendrik Vos, part of the Vos family of Cape Silversmiths. The fork is quite long and elegant, in the Old English pattern, and has no engraving. It has 3 tines, (later forks have 4 tines), so probably dates to before 1800. The fork also has a wide semi circular drop, also indicative of a date before 1800. The hallmarks are excellent, and consist of a square punch with 4 dots struck twice, either side of makers mark JHV in script in oval punch (Welz mark 152, Cape Silver and Silversmiths). Vos worked between 1766 and 1810, he apprenticed with Johann Hasse between 1761 and 1766. He married in 1770 and had 12 children, his wife Elizabeth continued his business after he died in 1810 by adding the hallmark Wed (Weduwee, or widow) next to his JHV makers mark (Welz mark 154). The Vos Family produced over 10 Cape Silversmiths between 1748 and 1862 (Heller, History of Cape Silver Vol 1, pg 66-71, and page 269 for a family tree). The 4 dot square punch was als...

A Cape silver snuff box, with an intriguing later inscription with both Bedfordshire and Boer War connections. The snuff box is rectangular with a shell thumb piece, and has typically Cape wriggle work engraving around the sides, which is worn from use. The interior is gilded, and has a later engraved inscription "Frank Pym from Frank Shuttleworth Xmas 1911". The box has a very clear JML makers mark on the lid. The box is well made, has very pleasing snug closure, very suitable for use. Frank Shuttleworth (of Old Warden, Biggleswade) was High Sherriff of Bedfordshire in 1891, he was followed by Francis Pym (of Hassells Hall, Sandy) in 1903. Shuttleworth (Colonel) raised the Bedfordshire Imperial Yeomanry in 1901 for service in the Boer War, we assume he acquired this Cape Silver snuffbox during his service in South Africa, answering the question why a Cape silver snuffbox has a Bedfordshire inscription. The Bedfordshire Yeomanry also served later in both World Wars. The Shuttleworth name today is known due ...

A rare pair of Cape Silver lemoen lepels (orange spoons), with an interesting provenance, they featured in the book Cape Silver and Silversmiths by Stephan Welz, pg 93. The spoons are the traditional lemoen lepel shape, with narrow, pointed boat shaped bowl, and triangular terminal, and Cape prick engraving. The spoons have a very elegant shape, the bowls deep and curved, the drop is distinctly v shaped, they have a lovely feel in the hand. Both spoons are clearly hallmarked with makers mark IL in rectangular punch for Jan Lotter, and also are punched with initials HB, we assume the original owner. Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Jan Lotter, who died young after a short career (1813-1817), was part of the Lotter family of Cape silversmiths, he ma...

A rare pair of Cape silver teaspoons in the Fiddle pattern, with excellent hallmarks. They include the rare Masonic "Square and Compasses" symbol, the single most identifiable symbol in Freemasonry. This hallmark is very well struck on both spoons. The other hallmarks include makers mark TT for Thomas Lock Townsend (struck twice), and pseudo Georgian duty mark (Kings head) - see Welz, Cape Silver, mark 126. Thomas Lock Townsend arrived in the Cape in 1815, the first of the English silversmiths to arrive. He was followed in 1819 by his half brother John Townsend, who joined him in a brief partnership between 1824 and 1825. Thomas Lock Townsend found business difficult in the Cape, he was declared insolvent in 1819, and when he died in 1849 left insufficient estate to cover his funeral costs. Besides being registered as Goldsmith and Jeweller, he practised as mechanical dentist, lodging house keeper, and had an equipment store and fitting out warehouse (Welz, pg 141) We are selling these 2 spoons individually...

A Cape silver snuff box by Daniel Beets, oval in shape with a three quarter hinged lid, which is well made as it is perfectly flush with the lid, and a small but practical thumbpiece. It is a pleasing design for a snuff box, has a very nice feel in the hand, easy to take in and out of a pocket. This is a fairly rare design for Cape silver snuff boxes, most were rectangular, or had a protruding hinge. This box has been well used, as can be seen from the considerable wear to the engraving, and has been repaired more than once in its lifetime. The lid has remnants of engraved wreath surrounding owners initials and date, no longer legible. The box also has 3 worn engraved stars, typically Cape in style, one either side and on the fixed portion of the lid. The interior has original gilding, a lovely golden yellow colour, quite well preserved on lid and hinge, but only some still present in base and sides, the rest has been lost during repairs. The base shows signs of repairs and splits, so has been re-attached at ...

An early Cape silver Hanoverian pattern soup ladle, by Daniel Heinrich Schmidt, described as the greatest of Cape silversmiths by David Heller (History of Cape Silver). The ladle is a very pleasing gauge, very heavy to hold, and has a long drop. It also has the central Hanoverian rib on the front, and a strong turn up. The ladle is hallmarked with makers mark DHS, which is clear, but struck by a worn punch (mark 174 in Welz, described as unknown by Welz, but now known to be Schmidt's mark). Schmidt had a long career (1768-1811), his makers mark punch must have become worn over time. The second hallmark is larger and circular, but worn, probably the bunch of grapes hallmark often used by Schmidt. the third mark nearby does not appear to be a hallmark, but an imperfection in the silver.

A pair of Cape silver dessert forks in the Fiddle pattern, with contemporary engraved initials "WHG". The initials are engraved on the back of the forks, indicating the fashion to place forks with tines down at that time. The forks are very good quality, a pleasing weight and are in excellent condition. The hallmarks are clear, and include makers mark WM and the "Cape Stub" mark, with 4 pseudo English hallmarks (see our articles section for a description of the Cape Stub).

A set of 5 Cape Silver tablespoons in the Fiddle pattern, with initials GHJ which are clearly engraved. The spoons have a chamfered edge (very Continental in style), and all 5 spoons have clear hallmarks (Welz mark 135). The marks include crowned leopards head, date letter a, duty mark and lion passant.

A rare Cape Silver lemoen lepel (orange spoon) and matching konfyt fork (preserve), we have not encountered a matching set before, none are recorded in the Cape silver reference books. The spoon is the traditional elegant lemoen lepel shape, with narrow, pointed boat shaped bowl, v shaped drop, and triangular terminal. The matching fork has 4 tines, both feature traditional Cape prick engraving with a 4 petalled flower. Both are clearly hallmarked with makers mark IC in rectangular punch with canted corners for Johannes Combrink, and also are punched with initials IFS, we assume the original owner. Welz describes orange spoons as"probably the most attractive type of spoon made at the Cape, derived from Dutch spoons", pg 95. He also notes that all known examples are by Cape born silversmiths of the early 19th century (so not made by the more prolific English immigrants who arrived after 1815). Heller, in his book History of Cape Silver, describes orange spoons as "exquisite". Johannes Combrink of the famous Co...

A rare Cape silver mustard spoon, in the Fiddle pattern with gilded bowl, and excellent hallmarks. This is a lovely, well made spoon, with a marked angle at the drop, and pleasing proportions. The hallmarks include makers mark JT in damaged punch (Welz mark 123), and 4 pseudo marks (Georgian duty, lion passant, date letter a and tree mark). Heller does record Cape made salt and mustard spoons, and depicts 6 salt spoons in his book "History of Cape Silver" (pg 202, plate 67). Cape mustard spoons appear to be be much rarer than salt spoons, this is the only known example we have encountered. Note: We have now acquired an additional 3 Cape silver mustard spoons by John Townsend, see S 1971 (pair) and S 11082, which brings the total of known Cape silver mustard spoons to 4, all by Townsend.

A pair of Cape silver Fiddle pattern konfyt (preserve) forks, with 4 tines, by Johannes Combrink. Both forks have excellent hallmarks, maker mark IC between 2 devices (possibly pomegranite?), see Cape Silver by Welz, mark 27, pg 147 - although on these forks the device has been reversed, with ball on inside, showing Cape silversmiths were not too concerned how hallmarks were struck. Johnannes Combrink worked between 1814 and 1853, he was a fine silversmith who produced good quality work.

A Cape silver teaspoon, in the Fiddle pattern, by Johannes Combrink. The spoon has original owners initials HV engraved on the stem, the engraving is most attractive. The teaspoon has an unusual drop with incised curve. The spoon is marked with makers mark IC (Welz mark 30, Cape Silver, pg 147), this is very well struck and clear. Note faint scratch mark JER near hallmark, we presume a previous owner, visible in photo, not really visible normally unless you look close in good light.

A pair of Fiddle pattern Cape silver teaspoons, with original engraved initials "RHL". The teaspoons are a pleasing weight, and are well made, good quality spoons, well preserved. The spoons have a Colonial feel, the Fiddle is more flattened than English examples. The engraving of the initials is lovely, they also has a Colonial feel. The hallmarks are excellent on both spoons. The include makers mark JJV in an unusual 6 sided punch (Welz mark 161), pseudo sterling lion, and pseudo duty mark (Queen Victoria's head with good detail, and hair bun). Jacobus Vos worked from 127 Long Street, unfortunately he died young, age 27, unmarried, which is a pity as he produced good quality silver.

A Cape silver Fiddle pattern tablespoon, with a set of extremely rare Cape silver hallmarks. The hallmarks include makers mark LT, and pseudo marks that include date letter A, lyre and duty mark. These marks are shown by Welz in his book Cape Silver (mark 144, page 156), they are also shown by David Heller in his book History of Cape Silver (mark MM84, page 156). The makers mark, A and lyre mark are well struck and very clear, the duty mark is worn at the top. The date letter A is quite distinctive, with one arm much thicker than the other.

A pair of Cape silver dessert forks in the Kings pattern, by Fredrik Waldek. The forks are very good quality and gauge, but a little shorter than usual. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by 2 silversmiths, Twentyman and Waldek, who took over Twentyman's business. The hallmarks are very clear on both forks, and include pseudo Georgian duty, date letter a and crowned leopard's head, along with makers mark FW, which is slightly worn. The forks have no monograms or engraving, and none has been removed. Waldek had a long career as a Cape silversmith, chronometer, clockmaker and jeweller, he worked between 1830 and 1877. He took over Twentyman's shop and partnership on Heerengracht in 1836. The forks have shorter stems than other examples, see S 1866 for a comparative example.