An interesting set of 6 Fancy back or Picture back sterling silver teaspoons, these are replicas or Georgian silver originals circa 1750 to 1770. Each spoon has a different die stamped bowl decoration, these 6 spoons are replicas of some of the rarest designs. They include: 1.Three masted Galleon at full sail, in wavy sea, thought to represent a British Naval engagement. 2. Milkmaid in period garb, with yoke and 2 pails. 3.Bird on a branch with leaves . 4. Shell with scrolling foliage and flower. 5. Birdcage with bird on top under "I LOVE LIBERTY", commemorating the release of John Wilkes from unjust imprisonment. 6. Basket of flowers, with a basket filled with flowers. All 6 pictures are well struck in perfect condition, with no wear. All 6 spoons are also clearly hallmarked with Sheffield marks for 1959, and makers mark CJV Ld for CJ Vander. C.J. Vander was established in 1886 by Cornelius Joshua VanderPump, the firm became "the last of England's preeminent silver firms, creating exceptional silver masterpi...

An interesting set of 6 Fancy back or Picture back sterling silver teaspoons, these are replicas or Georgian silver originals circa 1750 to 1770. Each spoon has a different die stamped bowl decoration, these 6 spoons are replicas of some of the rarest designs. They include: 1. Fleur de Lys, a stylised French lily used in heraldry. 2. Milkmaid in period garb, with yoke and 2 pails. 3. Fox and crop, with fox head above 2 crossed riding crops. 4. Stag, with antlers, running across grass. 5. Birdcage with bird on top under "I LOVE LIBERTY", commemorating the release of John Wilkes from unjust imprisonment. 6. Urn of flowers, with a Georgian garden urn filled with flowers. All 6 pictures are well struck in perfect condition, with no wear. All 6 spoons are also clearly hallmarked. The set comes with original leaflet entitled "Reproductions of Georgian Sterling Silver Teaspoons", with explanatory notes and explanation of hallmarks.

A lovely pair of rat tail Hanoverian tablespoons, with an armorial engraved on the back of each spoon. The spoons are very pleasing quality and weight, and in excellent condition. They were made in 1766 by John Lampfert, who worked between 1748 and 1769, he was predominantly a spoonmaker (Grimwade, London Goldsmiths, pg 574). The spoons are "out of period", their style is 1710-1730, so were probably made to match an existing set. The hallmarks are bottom marked, and are in excellent condition.The arms are those of the family of Ridge impaling those of the family of Brooke with the husband dexter (right), Ridge and the wife sinister (left), Brooke. We have commissioned a heraldic report (which accompanies these spoons), it identifies George Ridge and Elizabeth Brooke of Portsmouth, who were married in 1735. The Ridge family estate was Kilmeston Manor, Hampshire. Their son Captain William Ridge was Aide-du Camp to Lord Halifax, Lord Lieutenant of Ireland. He also served in America in the 60th Royal American Reg...

A set of fabulous quality antique silver teaspoons, in the Fiddle and Thread pattern, made by the leading silversmiths of the Victorian era. The teaspoons are quite large and a very pleasing weight, over 30 grammes each, they have engraved initials AMI. The hallmarks are excellent on all 6 teaspoons.

A lovely set of 12 sterling silver demitasse or coffee spoons, with baluster finial. The spoon size and shape are nicely balanced, we really like these spoons. The hallmarks on all 12 spoons are clear, including makers mark B&S in serrated punch for Brook & Son of Edinburgh. Brook and Son were leading Edinburgh silversmiths and retailers from 1891 to 1939, they succeeded William Marshall & Sons.

An interesting set of 6 Salisbury seal top silver coffee spoons, perfectly preserved in their original box. The spoons have gilded seal tops, flattened stems and fig shaped bowls, with the leopard's head town mark struck in the bowl. These are replicas of seal top spoons circa 1600. The spoons are good quality, we really like these spoons. The set is accompanied by an original pamphlet, depicting 7 seal top spoons, it reads: "The Salisbury Seal Top Spoons, actual copies of the seven spoons dug up in 1906, on Lord Pembroke's Estate, Netherhampton, reproduced as fruit, jam and teaspoons. The originals are now in the British Museum, and are valued at GBP 300-400, circa 1596-1632". Thomas Bradbury and Sons worked between 1736 and 1943, Frederick Bradbury was the author of "History of Old Sheffield Plate" (Culme, Gold and Silversmiths, page 57).

Mordan perfume bottle in fabulous condition, which has probably never left its original box. Attractive chased decoration of scrolling foliage. Initials TL. Original glass stopper in perfect condition. Gilt lid interior and very clear hallmarks.

A rare silver and green enamel annular brooch designed by Alexander Ritchie, the famous Iona silversmith. The brooch has a Gaelic inscription "A h-uile latha sona dhuit", translated "May all your days be happy". These brooches are traditional wedding presents to celebrate a marriage. The Alexander Ritchie website (see our links page) shows 2 similar brooches, one in blue and the other in red enamel, both are described as rare, they do not show a green enamel example. Ritchie began to use the Birmingham assay office in 1931, and he had close links to the Birmingham firm of Darby & Sons, who made items for him. After Ritchie's death in 1941, some of his original moulds were used by Darby until the 1950's, this is one of these (see Ritchie website). The hallmarks are small but visible, the pin is also hallmarked.

A stunning sterling silver nurses belt buckle, complete with original silver clasp and original black petersham belt. The buckle is very interesting, it features a Viking longboat with lion prow, and a serpent sail, beneath 2 maple leaves, above motto "Ratione Dirige Cursom", translated "Pursue Proper Studies", or "Govern your Course by Reason". This is the coat of arms of University College Hospital London, blazoned "an ancient galley, charged with a serpent nowed and in chief two maple leafs slipped", it was granted in 1907. The belt buckle is clearly hallmarked for London 1934, made by Frederick Smythe-Greenwood and Herbert Alwyn Watts, who worked between 1914 and 1934. The clasp is also hallmarked. University College Hospital (UCH), previously called North London Hospital, is a teaching hospital still working today. It was founded in 1834, Agatha Christie was a staff member, and the first amputation under ether was performed here in 1846 by Robert Liston. The Cruciform building was built in 1907, still in...

An interesting pair of cast silver sugartongs by Hester Bateman, the most famous 18th century female silversmith, she has also been described as the Queen of British silversmiths. The tongs are bow shaped, with attractive cast silver pierced arms, decorated with foliage, scrolls and flowers, and shell grips. The bow is shaped, and has a cartouche for owners initials, which has not been engraved. The side of the bow has faint remnants of owners initials, P/IM, now very worn. Cast sugartongs followed scissor style sugar nips (also called tea tongs), most date between 1770 and 1780, when they were replaced by standard sugar tongs. Cast sugar tongs were complex to make, the arms were cast separately and then soldered onto the bow (Hodges, Georgian Silver Sugar Tongs, page 11). This particular tongs was made from 5 separate pieces, the bottom thinner portion of the arms were cast separately, all the solder joints are visible. We believe this is how the tongs were originally produced, there is a possibility they we...

An interesting hand crafted silver spoon, made to commemorate the 500 Anniversary of the Worshipful Company of Carpenters in 1977 by Gerald Benney, one of the most influential British silversmiths of the second half of the 20th century. The spoon is a lovely shape, almost puritan in style, and is engraved with the coat of arms of the Carpenters company above the dates 1477 and 1977. The spoon is the size of a large teaspoon, these were awarded as gifts to Liverymen. The coat of arms can be read as "a field silver, a chevron sable (black) grailed and three compasses of the same", the compasses represent carpenters tools and the chevron a roof support. The hallmarks are excellent, they could not be better, and include makers mark AGB in cojoined circles and Silver Jubilee mark used in 1977. Gerald Benney is included as one of the top 50 British silversmiths of his era in the book "Designer British Silver 1930-1985", pgs 86-105, by Andrew & Pearson, a book we highly recommend. He is the only British silversmith ...

A Boer War silver Gentleman in Khaki (originally Kharki) sugar tongs, made in 1899 to support fundraising for the 2nd Anglo Boer War. The tongs have the cast image on both arms, the "Gentleman in Khaki beneath crown, with "JUSTITIA" above and "Souvenir" below. The tongs are not engraved. The hallmarks for London 1899 are clear, with makers mark GJ over DF for George Jackson and David Fullerton of Josiah Williams & Co of Bristol, one of the leading flatware manufacturers of the period. The Gentleman in Khaki, wounded but defiant, stands stalwart against the foe, with his head bandaged, this image by Richard Caton Woodville became associated with Kipling's Absent Minded Beggar poem, written for the Daily Mail to raise funds for the war fund (described as unprecedently successful, raising over GBP 250000).

An interesting Needham's Patent mechanical silver calling card case, with a ribbed sliding mechanism to push out a calling card. The case is rectangular, with a hinged lid, the sliding mechanism is easy to control with the thumb. Both the case and lid are clearly hallmarked, the lid is also stamped PATENT. These have also been described as vesta cases for long vestas, the slide being the matchstrike, we think this attribution is incorrect. Henry Williamson worked between 1894 and 1914, so a career cut off by the advent of World War I. Note - we have 2 similar examples of this needhams patent card case.

An Arts & Crafts silver caddy spoon, with a round bowl, curved fish tail handle, and planished (hand hammered) finish. A very similar caddy spoon is depicted in the book "The Caddy Spoon in the 20th Century", page 15, illustration d, which was made by George Hart of the Guild of Handicraft in 1977 (our spoon lacks the thread decoration). The spoon is clearly hallmarked for London 1963, with makers mark W.H.W. for William Henry Warmington (Harry). Harry Warmington was "an integral member of the Guild of Handicraft workshop for some 50 years, he was one of the best silversmiths to have worked in Campden, he was also a fine engraver. Despite his abilities, he never applied to become a Freeman of the Goldsmith's Company", quote from the book "The Harts of Chipping Campden, pg 31. Harry was recruited by George Hart in 1912 from the local grammar school, he joined the infantry in 1914 on the outbreak of World War I, then the Royal Flying Corps in 1916, he was based at Farnborough at an aircraft repair depot, he rej...

An interesting pair of cast silver acorn spoons, very good quality, with lovely naturalistic detail. The spoons have cast acorn bowls, the bowls are quite deep, the stems are modelled as a textured branch with nodes of baby acorns, the finial is also an acorn between 2 leaves. With the texture these spoons are pleasing to hold, they could be used for condiments, they could also be used as coffee spoons (although they are quite long). The hallmarks on both spoons are very clear, including makers mark G.W in diamond punch for Graham Watling. Watling began his career as a Royal Marine Commando, then moved to teaching Arts & Crafts, before becoming a silversmith around 1970, based in the National Trust village of Lacock in Wiltshire. He died in 1996, his children have continued the business in Lacock (www.watlings.com). Watling is represented by no less than 8 pieces in the Pearson Collection of post war British silver (www.pearsonsilvercollection.com), a testament of his ability. Watling features in the newly pu...

A novelty pincushion of a chick, with original pincushion intact, and generally in very good condition. The chick is realistically modelled with fine detail and is good quality, as is usual for items made by Sampson Mordan. The hallmarks are very clear, including makers mark SM&Co.

A set of 6 Art Nouveau silver buttons, with a typical Art Nouveau style female head with long flowing hair. The detail is good, and the hallmarks are clear on all 6 buttons. The buttons are still in their original fitted case, which is intact and in working order, but scuffed on the outside and faded and worn in the interior.

Interesting double lidded snuffbox with trellis and diaper engraving and a crest, by well known silversmiths. Both the box and both lids are clearly hallmarked.

A fabulous pair of Garrard silver napkin rings, of exceptional quality and weight, amongst the heaviest we have encountered, at 85 grammes each (3 ounces each). They are plain, and are engraved with a family armorial and motto "FUGIT", which translates as "It passes". The armorial has 2 parts, the first 3 nags (or horses) heads, with 3 stars and crescent moon, the second a sunflower on barred background (indicating a marriage between 2 families). The napkin rings are perfectly preserved in original box, which reads "By Appointment to HM THE QUEEN, Goldsmiths & Crown Jewellers, Garrard & Co Ltd, 112 Regent Street W1". The hallmarks are very clear on both rings. The arms are those of the family of Borwick impaling Sola, described as "Argent three escarbuncles fesswise sable between three bears' heads erased of the last muzzled or a crescent for difference (Borwick), and Azure a sunflower proper (de Sola)". The armorial commemorates the marriage of The Honourable George Borwick (1922-1994) to Ester Ellerman (nee...

A set of 4 Queens (also called Rosette) pattern egg spoons, 2 made by William Chawner in 1825 and the other 2 by George Adams in 1870 (of Chawner & Co.). The 4 spoons match perfectly, double struck with honeysuckle heel. All four spoons have the same engraved family crest, a leopard with whiskers above a a coronet, so belonged to the same family, but the crests were engraved at different times (so we assume the 1870 spoons were added to the earlier set). The spoons are fabulous quality, just over 30 grammes each, a pleasure to hold and use. The egg spoons have the traditional shovel shaped bowls with distinct shoulders, where they meet the stem, so quite different to teaspoons. The bowls are gilded, as is usual for egg spoons, to prevent corrosion from salt associated with egg. The hallmarks are clear on all 4 spoons. Queen's pattern is similar but heavier to Kings pattern, the shell at top front is convex (Pickford, Silver Flatware, page 124).