A collectable silver Castle-Top card case, depicting the Royal Exchange in high relief, by the famous Nathaniel Mills. This castle-top is very fine quality, the relief design stands out 1 cm from the case, and the detail is superb.The case is finely chased with flowers, leaves and C scrolls, and the rear cartouche is monogrammed MRI. The cartouche is a old replacement - a new cartouche has been cut out and added, to accommodate the initials of a new owner. This has been well done and does not detract. The Royal Exchange is situated in London next to the Bank of England. It was opened for trading by Queen Victoria in 1845, this case was probably made to commemorate the opening. The Royal Exchange still exists today, but is now a luxury shopping centre. The hallmarks and makers marks are clear

A fabulous silver and enamel advertising cigarette case, featuring the famous English cricketer W.G. Grace. The case is rectangular, and is beautifully engraved with scrolling foliage, the quality is excellent. The interior is gilded, and has 2 elaborately pierced and engraved arms, both with hinges. The oval enamel plaque features Grace walking down the pavilion steps out to bat, carrying his bat, in striped MCC (Marylebone Cricket Club) hat, and the words "Like Grace" across his chest. Spectators can be seen in the background, the colours are superb. Both lid, base and 2 arms are clearly hallmarked, the makers mark A&J.Z is clear on both arms but worn on the case. The image is a very faithful copy of a Colman's Mustard advertising poster, which reads "Colman's Mustard, Like Grace, Heads the Field (see picture), circa 1895. This is a historic poster and image, as it represents the first time a sportsman had been used to advertise a general product. Colman's mustard was founded in 1814, and is one of the old...

A fabulous quality Victorian sterling silver dinner plate, beautifully engraved with an armorial for the Taylor family. The latin motto is "In Cruce Salus", translated "Salvation from the Cross". The engraving features a shield with 2 cockerels above a chevron and stag, below a knights helmet with a cross crosslet (cross with crossbar near the end of each arm). This is surrounded by scrolls with the latin motto on a ribbon. The plate itself is the usual circular shape with raised rim, the quality of the plate is excellent, as is the condition. The base is clearly hallmarked with London hallmarks for 1878, the makers mark is partially struck, only the second letter B is visible.

A Victorian silver commemorative trowel with ivory handle, of very good quality, with presentation inscription surrounded by scrolling foliage and flowers. The inscription reads "To commemorate the laying of the first stone of the New University of Cape Town by Mrs William Hawke, 28th February 1925". William Hawke of Hawke and McKinley was the architect responsible for the Groote Schuur campus of UCT, a magnificent set of buildings still in use today. UCT is ranked today as one of South Africa's leading universities. The hallmarks are very clear. Atkin Brothers was in business from 1853 to 1958, when they were taken over by CJ Vander Ltd. William Hawke and his partner W McKinley were trained and worked in the UK, Hawke worked in the London Admirality Office of Works, where he assisted with the design of the Simonstown sanatorium (now Naval Signal School). They had a flair for prize winning designs, and in 1905 they won first premium for the Cape of Good Hope University buildings (later UCT). They moved to Ca...

A double sided Castle-Top card case, depicting Windsor Castle on one side, and Kenilworth Castle on the other. Both views have very fine detail, and are set on an attractive engine turned background. The Windsor Castle view is of the East Terrace, showing the new garden created for King George IV. The Kenilworth Castle view has a right facing heraldic bear in the left hand foreground, which signify ownership by the Dudley family (Cameron, The First Castle Tops, Silver Society Journal 12, pg 65). The hallmarks are very clear. John Tongue, an established maker of boxes including Castle-Tops, worked between 1831 and 1865.

An unusual Russian silver kvass jug in Trompe L'Oeil style ("deceive the eye"), which is a type of chased decoration designed to imitate a surface or texture, to create a 3D impression. The jug is typically Russian in style, and the texturing imitates rush work or raffia (woven birch wood strips). The detail is amongst the best we have seen, the silversmith was definitely a true artist. The interior of the jug is gilded, and the hallmarks on the base are clear, although part of the makers mark is worn. The handle also has the St Petersburg hallmark. The assay master is Aleksandr Frans Fan der Flit (or van der Vliet), who worked in St Petersburg 1882 to 1894, his Cyrillic initials are AF, source www.925-1000.com. This assay master is described as unknown by Watts (Russian Silversmiths Hallmarks 1700-1917, Geoffrey Watts, pg 73). We are not experts on cyrillic makers marks, so are not certain we have correctly identified the maker - all opinions welcome. Kvass is a traditional Russian and Ukrainian fermented b...

Rare matching set of Cape Tableforks, in the Fiddle pattern, of good weight, and robust enough to be used. All 12 forks have very clear Pseudo English hallmarks and makers mark. The forks all have 2 sets of initials, but these are worn. These forks match the 6 Dessert spoons (item S1194), having the same maker and initials. Waldek, who produced silver from 1830 - 1877, took over Lawrence Twentyman's shop on Heerengracht street when Twentyman left the Cape.

A Military Victorian silver presentation snuff box, with an erotic engraving of an amorous couple hidden away from view on the base. This is a pleasing quality, substantial in size and weight, more of a table snuff box intended for a desk than the portable versions intended for a pocket. The box is rectangular, with raised lid and base, and is casket shaped with engine turned sides. It also has applied cast foliate rims (base, lid and around the presentation panel), these have exquisite detail, overall a very attractive box. The engraved inscription reads "PRESENTED TO GEORGE BOYD ESQr. by the 20th R.R.V. 1863", and is supported by scrolls (note engraving is 18 years later than box was made). The base is engraved with a erotic scene, very finely engraved with loads of detail, this is protected by the base rim, so perfectly preserved. The interior is gilded with a beautiful lemon gold original gilding, it does not appear this box has seen much use. The hallmarks on both lid and base are very clear, maker mark ...

A magnificent set of early Victorian Elkington silver plate wine coasters, with an attractive cast grape vine design with lovely detail. The coasters have turned wooden bases, with a vacant central silverplate boss. The wooden bases are covered in green felt. Both coasters carry a full set of marks, including makers mark "EP&Co in shield under crown", "E", "M", "&Co", being the makers mark used by Elkington, Mason & Co between 1842 and 1864. Josiah Mason invested in the Elkington firm in 1842, hence the addition of his name to the company name. The makers mark is followed by the date letter "T in lozenge" for 1858. The coasters are also stamped "Elkington & Co" and "R1126", a pattern registration number. Elkington & Co are one of the most important names in English silver. The firm was founded in 1836, in 1838 they patented a new way to electroplate, and in 1851 they exhibited at the Great Exhibition of 1851 (Crystal Palace in Hyde Park) with great success (www.ascasonline.org). The company held Royal warra...

An unusual and beautiful antique Indian scallop shell dish, we are informed this is a rare design for Indian silver, and probably designed for colonial tastes, as it replicates a 18th century design made famous by Paul De Lamerie. The dish is the traditional scallop (or escallop) shape, with 10 ribs, each rib has repoussed (embossed) decoration, this includes numerous animals (elephant, antelopes, lions, dogs, hares and birds) interspersed with trees, flowers and foliage. The dish has 3 cast feet, lion claw under capped leaf scrolls, and rests evenly on a table. The dish is medium in size, so suitable for serving a variety of snacks. The quality is superb, clearly made by a master craftsman, it would have taken many hours to produce. As is usual for Indian silver of this period, no hallmarks are present. We welcome any comments or information on this wonderful dish.

A very rare set of 4 Palm pattern soup spoons, made by George Adams of Chawner & Co, who were the most important mid 19th century firm of spoon makers (Pickford, Jacksons Hallmarks, pg 56). The spoons are exceptional quality and weight, just under 100 grammes each, they are a joy to hold. The spoons are engraved with the original owners initials, "JK & CK". The Palm pattern is described as "very rare, produced by Chawner & Co, in whose pattern book it appears" by Pickford in his book "Silver Flatware, pg 148". The book also has a photo of a Palm pattern fork and spoon from the V&A museum. The spoons are beautifully made, with good detail on the palm leaves. The hallmarks on all 4 spoons are extremely clear, marked on the bowl to prevent damage to the pattern. Two interesting journeymans marks are also present, 3 dots and K, probably the craftsmen involved in making the spoons. A Palm pattern tablespoon sold as lot 73, Finial postal auction January 2012. Please note we also have a Palm pattern butter knife, S1...

Attractive set of antique Tiffany sterling flatware in the rare Tiffany pattern, comprising matching set of Tablespoons, Tableforks, Dessertspoons and Dessertforks (6 of each). The Tiffany pattern (pattern No 1 in the book "Tiffany Silver Flatware, 1845-1905) was designed by Edward C Moore, and was the first pattern he designed. The pattern is lovely, described as "Renaissance Revival, with modified Greek double scroll with shell like antefix and honeysuckle blossom" in the Tiffany Flatware book. It was produced between 1869 and 1917. In 1956 this pattern was re-introduced as the Beekman pattern, which does not have the intriguing scrolls that protrude halfway up the stems. Each piece has a monogram JHC, and each is clearly hallmarked "C Tiffany & Co, Sterling, PAT 1889". They are of exceptional quality, as you would expect from Tiffany, and are all a good weight. The Tiffany Silver Flatware book describes this pattern as "rare, seldom seen" (page 171). This pattern was the first flatware pattern that Tiffany...

A rare set of 6 Victorian Military Fiddle Thread antique silver table forks, each over 90 grammes in weight, they have a lovely feel in the hand. The forks have an engraved family crest of a lion rampant, this is crisp and very clear. The hallmarks on all 6 forks are excellent, and include makers marks GA (George Adams) for Chawner & Co, the most important firm of silver spoon and fork manufacturers in Victorian England, known for excellent quality (these fine forks are no exception), See Culme, Gold & Silversmiths, page 82. Military Fiddle and Thread pattern has scrolls instead of shoulders, as do all military variants, this pattern is described by Pickford (Silver Flatware pg 117) as "a scarce variant of the Fiddle Thread pattern, building a service would be difficult".

An interesting Scottish Provincial silver snuff box, presented in Wick in 1868. The box is rectangular, the construction is unusual with a solid wedge shaped lid, overall the box has a hand made feel, slightly crude in finish, the hinge is a little wonky. The box is quite heavy and solidat 82 grammes. The box is engraved with worn scrolls on the lid and front side, this contrasts with the clearer engraving, we assume the box was made earlier and the engraving added later in 1868. It reads "From LJB, Wm Bremner, New Harbour Works, Wick, 1868". No hallmarks are present. This box has an interesting history, Wick was once the world's largest herring fishery port. The harbour was improved and expanded in 1831, James Bremner (we assume father to William), the notable Scottish naval architect, completed the work using ingenious near vertical flagstones, still visible today. Between 1863 and 1868 the harbour was improved again (the New Harbour Works) by adding a breakwater comprised of stone Jennies, it was designed...

A magnificent Victorian cast silver Cherub salt, a replica of a style introduced by Paul de Lamerie. The salt have a cast vine leaf bowl, supported by a cherub with arm outstretched, and two dolphin feet supporting the bowl. This is fabulous quality, and the condition is excellent. The cherub (also called amorini and putti, but not cupid as no wings present) is naked except for a small loincloth, he is well modelled, note the detail of his hair. The bowl is a cast vine leaf, also well modelled, and the 2 stylised dolphin feet are copies of those used by Lamerie. The salt is solid, and stands well on the table, no wobble at all. Traces of original gilding are still visible, especially on the harder to reach areas on the body of the cherub (we imagine much of the gilding has been polished off over the years. The cherub is hollow, the casting hole visible under his bottom. The salt is clearly hallmarked on the vine leaf, with makers mark WS in distinctive punch for William Stocker, along with Victorian duty mark...

A magnificent Arts and Crafts silver Apostle spoon, one of the finest we have seen. The spoon has a well cast Apostle complete with Nimbus in flowing robe, with one hand raised in blessing. The detail is lovely, including the full beard and flowing hair. He stands on an attractive pedestal with scrolls and foliage. The stem is very unusual, with an open pear shaped loop at the base and central groove (front and back), it is hand hammered and is wrapped in an applied entwined scroll. The bowl is also hand hammered, circular but tapered as it joins the stem, with a fascinating drop (or join), the tapered bowl splits into two strands which are curled into rolls, held in place by 2 silver balls - we have never encountered this before in a spoon. The hallmarks are clear, including makers mark F.C in quatrefoil punch for Frederick Courthope. Courthope took over the business of respected George Angell in 1884. he started trading in his own name in 1889, he worked until 1912. He was a master silversmith, who hand mad...

A rare and unusual Victorian silver double lidded twin stamp box, one of the most practical designs we have seen on a stamp box. The box is rectangular, and is good quality, a pleasing weight, with gilded interior with 2 sloped compartments, and twin lids on separate hinges. The lids have separate silver frames which hold the glass in place covering the representative stamp. The box is clearly hallmarked, both lids and both frames are hallmarked as well. Cohen & Charles worked between 1890 and 1974, founded by Albert Cohen and Charles Solomon. They were the sole English agents for the leading French firm of Baudet Freres & Cie, so were a prestigious firm (Culme, Gold & Silversmiths, pg 88).

A ceremonial Indian Colonial Victorian silver trowel, used to commemorate the laying of the foundation stone of a L.M.S (London Missionary Society) church in India. The trowel is the traditional shape but quite small and dainty, it has a turned wooden handle, and a rounded blade. The handle has a silver band around the handle where it joins the silver blade, this has the same decoration as the blade. The band and top of the trowel is engraved with scrolling flowers, in addition the top of the blade has been finely prick engraved with a flowing pattern (each prick is triangular), probably added by a local craftsman. The trowel has no hallmarks at all. The back of the trowel is engraved "WITH THIS TROWEL A. SPICER ESQ LAID THE FOUNDATION STONE OF THE L.M.S. CHURCH AT SUNKE RYDROOG SALEM S. INDIA ON THE 25 th NOVr 1882". As you can see from the photographs, the engraving is very quaint, with uneven sized letters, and words flowing into one another, we assume it was done by a local silversmith who did not speak E...

A rare set of Old English Military Thread and Shell pattern (also called Military Shell) tableforks and dessertspoons (3 of each). These are good quality, the forks around 90 grammes each and the spoons over 60. All 6 have an engraved family crest, a raised lion facing right between 2 horns. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). Pickford describes this pattern as "a rare pattern illustrated in the Chawner & Co Pattern book, Appendix page 218", where the Chawner book shows this pattern, termed as "Military Shell". Pickford did not illustrate a photographic example of this pattern , a further indication of its rarity. The hallmarks on all 6 items are very clear, makers mark GA for George Adams of Chawner & Co, and London date letter P for 1870. In addition, all pieces carry additional journeyman's marks (Y, K, 3 petal flower, O), so the particular silversmit...

A delightfully decorative chamberstick, realistically modelled as a flower bud, stem and leaves, one of the finest chambersticks we have seen. The flower stem forms the ring grip, and the bud holds the candle, and the pan is octagonal. It is beautifully made and decorated, and is very good quality - truly the work of master craftsmen. Chambersticks were traditionally used to light your way to bed at night. The Angell's are described by Pickford as "very fine 19th century family of goldsmiths" (Jackson's Hallmarks). The hallmarks are clear, and include the duty mark of William IV (even though Victoria was already on the throne), indicating this piece was made between 29 May and 20 June 1837. Both the pan and one of the leaves are hallmarked, even the silver wingnut underneath is hallmarked. The makers mark is poorly struck and only partially visible, but sufficient can be seen to leave no doubt as to the makers identification.