A Georgian silver wine label, engraved "Madeira", by Daniel Hockly. The label is rectangular with a reeded border, and has its original chain. It is fully hallmarked, the hallmakrs are clear. Hockly emigrated to the Cape Colony as part of the 1820 Settlers, where he continued working as a silversmith, also using a DH makers mark. Hockly is mentioned as one of 5 wine label makers worthy of mention for the quality of their product amongst the new generation of specialists (Wine Labels, 1730-2003, pg 154)

A Scottish silver quaich of traditional shape, and medium in size. It is quite plain but very good quality, and a pleasing weight. The base is engraved "Brook & Son, 87 George St, Edinburgh", and the hallmarks, including makers mark B&S, are clear. The quaich is a traditional Scottish drinking vessel, the large sized ones were passed around at ceremonial occasions. They are popular christening presents in Scotland.

A novelty pincushion of a chick, with original pincushion intact, and generally in very good condition. The chick is realistically modelled with fine detail and is good quality, as is usual for items made by Sampson Mordan. The hallmarks are very clear, including makers mark SM&Co.

A Scottish Provincial sterling silver brooch from Aberdeen, with a silver rim surrounding a polished oval pink granite. Aberdeen is known as the "Granite City", with its' building stone quarried from Rubislaw Quarry. The brooch is hallmarked with makers mark R&S and ABD, the unofficial Aberdeen town mark. Rettie and Son worked between 1824 and 1892, and are well known for their jewellery with the local granite (Benjamin, Antique Jewellery, page 92). The book "Aberdeen Silver, A Collectors Guide, Michael Wilson, pg 56, describes Rettie & Sons as "famous for silver and granite jewellery" Wilson also explains that the salmon pink granite used in this brooch is from the Corrennie Quarry, granite from Rubislaw is grey (pg 14).

A very interesting silver gilt cast spoon, with a well modelled gentleman in 18th century period dress, complete with cane and hat. The figure stands on a pedestal on twisted stem which changes texture (almost bark like) as it joins the spoon bowl. The spoon is in it's original box, marked "By Appointment A. Stephen & Co, Manufacturing Jewellers, Calcutta", so this spoon is well travelled. The hallmarks are very clear, and include registration number "RD 179159", showing the design was protected at the patent office. The spoon was probably designed as a Christening present for a wealthy family We welcome opinions on the origin of the figure.

A lovely pair of rat tail Hanoverian tablespoons, with an armorial engraved on the back of each spoon. The spoons are very pleasing quality and weight, and in excellent condition. They were made in 1766 by John Lampfert, who worked between 1748 and 1769, he was predominantly a spoonmaker (Grimwade, London Goldsmiths, pg 574). The spoons are "out of period", their style is 1710-1730, so were probably made to match an existing set. The hallmarks are bottom marked, and are in excellent condition.The arms are those of the family of Ridge impaling those of the family of Brooke with the husband dexter (right), Ridge and the wife sinister (left), Brooke. We have commissioned a heraldic report (which accompanies these spoons), it identifies George Ridge and Elizabeth Brooke of Portsmouth, who were married in 1735. The Ridge family estate was Kilmeston Manor, Hampshire. Their son Captain William Ridge was Aide-du Camp to Lord Halifax, Lord Lieutenant of Ireland. He also served in America in the 60th Royal American Reg...

A rare and lovely early Scottish Provincial Hanoverian tablespoon, with excellent marks. This is a very fine spoon, good weight and condition, a pleasure to hold. The spoon has a long drop, and quite a wide end with an oval shaped bowl. The spoon is initialled with script letter K, this is contemporary, and is engraved on the back of the spoon. The spoon has four very clear hallmarks, makers mark IS struck twice in a distinctive shaped punch, with two indentations on each side of the punch. The third hallmark is the Dundee "Pot of Lilies" town mark, the shape of each lily clearly visible. The forth mark is a letter "M" with unusual shape, occasionally used by John Steven (Turner, Directory of Scottish Provincial Silversmiths, pg 62, and Jackson, pg 600). A similar spoon by John Steven, without "M" mark, was sold as Lot 192 of "Private Collection of Scottish Provincial Flatware, Woolley & Wallis, January 2009, pg 34". John Steven was a very fine silversmith, we have just seen a pair of cast candlesticks...

Mordan perfume bottle in fabulous condition, which has probably never left its original box. Attractive chased decoration of scrolling foliage. Initials TL. Original glass stopper in perfect condition. Gilt lid interior and very clear hallmarks.

An interesting pair of circular trencher salts, made to commemorate the coronation of Edward VII in 1902 by Elkington. The quality is superb, and they are a good weight. The salts are an exact replica of Carolean salts made in 1684, engraved "Ex Dono Edw Norman 1684" (donation of Edward Norman 1684). They have star crests, presumably that of the donor, and the crest of the "Worshipful Company of Innkeepers" (St Juliens cross sable and chevron between 3 oatsheaves) on the other side. The company, whcih still exists today, was created in 1514. The company has the original salts (a set of 12) and presumably commissioned the replicas to commemorate the coronation. The original salts are described in the article "The Old English Silver of the Innholders Company, London" by Arthur Butler (The Connoisseur Illustrated Vol 1 pg 236, Sept - Dec 1901). Butler believes they deserve "special distinction", due to their "graceful shape". The top of both salts are engraved "Edward VII, 1902", and the base is engraved 101 and...

An interesting silver standing salt made to commemorate the coronation of Edward VII in 1902 by Elkington, who are known for their fine replicas of earlier styles. The quality is superb, and it is a very good weight. The salt is an exact replica of a salt made in 1626, engraved "This Salt is the Gifte of John Waterworth 1626". It has the crest of the "Worshipful Company of Innholders", with St Julien's Cross sable and chevron between three oatsheaves. The company, which still exists today, was created in 1514, and is no. 32 in order of precedence of the 107 London companies. The Company of Innholders has the original Waterworth salts (a pair), we assume the replica was commissioned by them in 1901. The originals are described in an article entitled "The Old English Silver of the Innholders Company, London" by Arthur Butler, in "The Connoisseur Illustrated Vol 1, pg 236, Sept - Dec 1901." Butler describes them as "of very massive silver, the well turned moulding and sensible proportions amply compensate for th...

An antique Essex crystal brooch, set in an attractive 18 carat gold setting with rope border. The brooch contains the burgee (yacht club pennant) of the Royal London Yacht Club, with the London crest under a crown. The brooch is of extremely good quality, and is in immaculate condition. The crystal is convex, polished into a cabochon, the image itself is carved and hand painted, and the viewer is given a 3 dimensional view. The Royal London Yacht Club was founded in 1838, and is now based in Cowes on the Isle of Wight. The hallmarks are very clear, and include the crown and "18" indicating 18 carat gold, Chester wheatsheaf town mark, date letter gothic "S" for 1881, and makers mark R.N. for Richard Nevill, who was a manufacturing jeweller based in Birmingham (Chester Gold and Silver Marks, Ridgway and Priestley, pg 360), they worked between 1880 and 1917. The rim has additional 18 ct hallmarks, and the gold pin is also hallmarked.

A Chinese export silver tablespoon by Sunshing, with excellent hallmarks, they could not be better. The hallmarks include makers mark SS, both of the S's are very distinctive with a t junction at the end of the letter. Hallmarks also include English pseudo marks including lion passant (with fringes on the head), crowned leopard's head townmark, date letter C and duty mark.

A highly unusual Chinese Export silver tablespoon in the Fiddle pattern, complete with "pseudo English" hallmarks, used by Linchong of Canton, alongside Indian Colonial silver hallmarks, used by R.S. of Calcutta. The hallmarks are clear, and include the pseudo lion passant, crowned leopards head, date letter L and duty mark as used by Linchong of Canton, who made silver in the Georgian style. The Indian Colonial marks include makers mark RS (unidentified) and a tallymark (No. 18, Indian Colonial Silver, Wilkinson), the tallymark is thought to identify the journeyman who completed the piece. One possible scenario is that the spoon was produced in Canton, and imported into Calcutta, India by RS, who was possibly a retailer only. We would be interested in hearing other opinions on this unusual spoon. This very spoon and it's hallmarks is depicted in the book "Indian Colonial Silver" by Wynyard Wilkinson, page 116, where the author noted the lack of connection of the marks, but did not identify the maker Linchong...

A Chinese export silver dessert spoon and fork, in the Fiddle, Thread and Shell pattern. This pair is exceptionally good gauge, this is probably the heaviest dessert spoon and fork we have ever encountered, over 80 grams each, in fact heavier than many tablespoons and forks. They are typical of the good quality, early Chinese export silver that imitated the plain English Georgian silver styles. The hallmarks are clear on both, and include "pseudo English" crowned leopards head, duty mark and lion passant, along with makers mark CC. The lion hallmark punch is quite distinctive, the right hand edge merges with the back leg of the lion. CC is an unidentified silversmith who worked from Canton between 1800 and 1850, generally producing good quality silver.

A rare pair of Chinese Export silver Fiddle pattern tablespoons, with a good set of pseudo-English hallmarks. The hallmarks include pseudo sterling lion, pseudo crowned leopard's head, makers mark YS and pseudo Georgian duty mark. One spoon has excellent marks, with good detail, the other spoon marks are still good, but have some wear. Chinese Export silver is "stylistically Anglo-American, of the late Georgian period, of fine workmanship and exceptionally heavy weight" - (Kernan, China Trade Silver - Checklists for Collectors Nov 1965) - these spoons are no exception. The website www.chineseexportsilver.com also notes that "Yatshing silver is always of a high standard".

A fabulous pair of Cape silver tablespoons in the old English pattern, with a beautifully engraved contemporary family crest, a rabbit or hare jumping over a rock. The spoons are good quality and weight, and are well preserved. Both are struck with makers mark IC for Johannes Combrink, one is very clear, the other is slightly worn. The spoon terminals have a strong turn and rib on the back, and an unusual shaped drop, very colonial in style. We have not identified the family crest (suggestions welcome), perhaps Haas or Haasbroek? This pair are amongst our favourite Cape silver items, they are lovely spoons.

An interesting collection of York silver teaspoons, with well struck and interesting York silver hallmarks. The oldest spoon is Old English pattern, the other 5 are Fiddle pattern. The spoons are as follows: 1. Old English, Robert Cattle & James Barber, 1809, Mark 16, Baggott, pg 89 (An Illustrated Guide to York Hallmarks 1776-1858) 2. Barber, Cattle & North, 1828, mark 21 Baggott, pg 89 - half moon journeymans mark, engraved "Kathleen". 3. Barber, Cattle & North, 1831, mark 23 Baggott, pg 90, engraved initials ED in script, contemporary. 4. Barber & North, 1835, mark 24 Baggott pg 90, defect to corner of punch. 5 & 6). Pair, Barber & North, 1844, mark 25 Baggott pg 90, defect to edge of punch. As can be seen form the photographs, the marks are well struck and quite varied. Robert Cattle, originally in partnership with George Cattle, John Hampston and John Prince, took James Barber into partnership in 1808. The partnership was dissolved in 1814. Robert Cattle was Lord Mayor in 1840, he died in 1842 (Mu...

A lovely Queen Anne Dognose (also called wavy end) spoon in Brittania silver. The Dognose was popular during the Queen Anne period, and the transition between the earlier Trefid and later Hanoverian can clearly be seen. This spoon is engraved "KH" on the back of the spoon, which is correct as spoons were placed bowl down on the table at this time. The spoon has a very pronounced rat-tail, and is quite good quality, this spoon has a nice feel. The hallmarks are quite clear but squashed, as is usual for this period, as the stem was shaped after the hallmarks were struck. The hallmarks include Britannia, lions head erased, and date letter O for 1709. The makers mark is partially worn, but enough is present to positively identify Henry Greene (Grimwade 878, Jackson pg 160), with the R, distinctive shaped shield and pellet below. Greene was apprenticed to Thomas Allen (one of the First Fifteen spoonmakers), and freed in 1700. He was one of the London goldsmiths who signed the petition against "necessitous strange...

A rare pair of American Coin silver Fiddle pattern sugar tongs, made by John Ewan of Charleston, South Carolina, circa 1830. The tongs are plain, with no engraving, and have traditionally shaped rounded bowls. The tongs have very clear hallmarks on both arms, makers mark "J Ewan" in serrated rectangle, and pseudo English crowned leopards head and lion passant (both very quaint!). John Ewan lived between 1786 and 1852, he is believed to have produced silver between 1823 and 1852 (Ensko, American Silversmiths and their Marks, pg 294). Of interest is that these hallmarks are depicted in Wyler (The Book of Old Silver), where he incorrectly describes them as Jamaican (pg 207). Coin silver is the term used to describe silver produced in America from early Colonial times until just after the Civil war, when the Sterling standard was adopted. As the name describes, the source was European silver coins, which were melted down.

A Cape silver tablespoon in the Old English pattern, with rare makers mark, which is very well struck. The tablespoon has a long drop, and initials "TA" on the back of the spoon, dating this spoon to the 18th century. The marks include makers mark "IVC" struck twice, either side of a very clear fish hallmark, complete with mouth, eye, fins and scales, this hallmark is very well struck. This is mark 171 in Cape Silver by Welz, who lists it as an unknown makers mark. The fish in Welz is not as clear as this actual hallmark. Welz also depicts the mark as "I:VG", so it must be a different punch - the dots are not present here, but the C could easily be a G. This mark is also depicted by Heller (History of Cape Silver, Vol 1) on page 163, where the fish detail is clearly visible - he attributes this mark to Johann Voigt (?), indicating the attribution had not been proved. Overall an interesting and rare Cape silver mark, extremely clear, this needs further research.