Beautiful set of heavy, elegant grapefruit spoons with classic art deco design. Cased in original box marked "By appointment, Mappin and Webb Ltd, Oxford Street, London". The hallmarks are very clear.

Lovely set of Art Deco cakeforks, of good quality and gauge, suitable for everyday use. The town, sterling and date marks are clear on all forks, the makers mark is poorly struck and only faintly visible, but still identifiable as Lanson Ltd, who used this mark between 1933 and 1961.

Attractive Art Deco cake forks of good gauge, these are solid and pleasant to hold, unlike many flimsier cakeforks we have seen. Hallmarks are very clear on all 6 forks.

A lovely set of Art Deco silver grapefruit spoons, with unusual and decorative pierced terminals. The spoons are good quality and a pleasing weight, a pleasure to use on a grapefruit. The piercing is robust, these spoons are very suitable for use. The hallmarks are clear on all 6 spoons. The spoons also have a registration mark, RD 787919, which indicates the design was registered and protected by the patent office. Cooper Brothers worked between 1900 and 1979.

A lovely set of classic deco coffee spoons, in original box. All 6 spoons are clearly hallmarked.

A lovely set of six Art Deco coffee spoons, with unusual pierced design, celtic in appearance. They were retailed by Boodle & Dunthorpe, Goldsmiths of Lord Street, Liverpool, and are still in their original box. Boodle and Dunthorpe (Boodles) was founded in 1798 in Liverpool, and are still in the Lord Street premises in Liverpool. Boodles is a highly respected firm, they made the octagonal silver wedding cake stand for HRH Princess Elizabeth, now Queen. The spoons were made in 1939, just before the outbreak of World War II. The hallmarks on all 6 spoons are perfect.

An interesting German silver gravy boat, both Arts & Crafts and Art Deco in style. The gravy boat is oval with a raised lip, and is on a fixed oval base to prevent drips. Both the boat and base are hand hammered, which creates an appealing texture. The handle is shaped bone, fixed to the boat with attractive silver rivets. The gravy boat is lovely quality, quite heavy, and very well made. The boat is hallmarked with the German silver moon and crown (used post 1888), 925 sterling silver standard mark, and makers mark IA for Josef Arnold. The base is also stamped "Arnold" Josef Arnold (1884 - 1960) worked in Hamburg, Germany, he trained with his father at Bruckmann & Sohne (Art Nouveau & Art Deco Silver, Annelies Krekel-Aalberse, pg 145 and 251). He initially taught in Erbach, Hanau and Hamburg, and opened his own workshop in Hamburg in 1931.

Beautiful set of 6 classic Art Deco teaspoons, made by the highly regarded firm of Elkington. The spoons were made early in the Second World War, before production was halted in favour of the war effort. The hallmarks are clear on all 6 spoons.

An interesting set of good quality sterling silver teaspoons, with an unusual Art Deco stylised floral design. The design has 3 leaves on a long stem between 2 bars, with balls (berries?) above and below the bars, oval above and round below. The top of the spoons has an oval shield and pointed terminal, this is quite an elegant design. All 6 spoons have clear hallmarks on the back of the bowl, with makers mark O.W&S, we believe Owen Williams & Sons of Sheffield. Any information about this design would be most welcome.

A rare set of Georg Jensen Beaded pattern ice cream (or sorbet) spoons (6), made in very limited quantities. The spoons are small teaspoon size, and have flat oval bowls for eating ice cream, the bowls are planished (hand beaten marks, hand forged). The beaded pattern (Kugle in Danish, Jensen pattern # 7) has a beaded pattern around the lower edge of the handle, it was designed by Jensen himself in 1916, described as "an elegant composition, that remains contemporary in design while imparting a timeless quality" - Georg Jensen, Tradition of Splendid Silver, page 267. All 6 spoons are hallmarked with Danish marks GJ in circular bead with 925 standard mark, and English import marks for 1925, with importers mark GS for George Stockwell & Co, (imported Jensen silver between 1909 and 1931).

Art Deco sugartongs with a classic cast silver deco design on both arms. The tongs are well made, and feel heavy and solid to hold. The hallmarks are clear, and a facsimile Charles Boyton signature is also present. Boyton broke away from the family firm of Charles Boyton & Sons Ltd in 1934, setting up his own business emulating Omar Ramsden in the "decorative style". A number of pieces by Charles Boyton are featured in the book " A Personal Touch - The Seawolf Collection, late 19th and 20th century silver, pages 126-130", published by Museum Boijmans van Beuningen Rotterdam (which we highly recommend). He opposed the industrial methods of the family firm, and established a craft workshop, where hand made objects were engraved with his signature. He was inspired by Georg Jensen and Jean Puiforcat.

A rare solid silver version of the Voortrekker Aandenking (memorial) 1838 - 1938 bowl, in 835 grade silver. The circular bowl with foot is well modeled, with ox wagons on trek, with Boer (farmer) on horse, cattle in the foreground and mountains in the background, framed by trees. The other image is of the Voortrekker Monument in Pretoria, and in between are two lit candles in a candlestick, surrounded by chains, with Zulu shields above and ox horns below. One candle reads "VOORTREKKER AANDENKING", the other "1838 - 1938". This design was done by the famous South African artist JH Pierneef (1886-1957), probably South Africa's greatest landscape artist. The hallmarks are clear, and include makers mark V over moon for Zilverfabriek Voorschoten, and 835 indicating the grade of silver (835/1000). Zilverfabriek Voorschoten is a brand name of Koninklijke Van Kempen & Begeer, founded in 1764 and still in existence today, they moved from Utrecht to Voorschoten in 1858. The Voortrekker Aandenking bowls were made in a v...

A beautiful set of 6 art deco gilded sterling silver and enamel coffee spoons, with seal top finials. The gilding is a deep yellow colour, which provides a lovely contrast to the enamel. The back of the spoon bowls are beautifully decorated with fan shaped guilloche enamel, in 6 different bold colours (green, red, yellow, purple and light and dark blue). Guilloche enamel is a technique where a precise pattern is engraved on the silver base using a rose engine lathe, also called engine turning. The hallmarks on all 6 spoons are clear, including makers mark SLd for William Suckling Ltd, who worked between 1922 and 1955.

An interesting set of 6 Art Deco sterling silver sandwich flags, perfectly preserved in their original box. The silver flags are accompanied by 20 double sided interchangeable plastic flag names, these include: - caviare, tomato& cheese, smoked salmon,beef, cucumber, sardine, anchovy,chicken, egg& anchovy, egg, ham, cheese, tomato, lobster, cress, smoked roe, crab, banana, tongue and fish. The flags themselves are good quality, ivory in colour (sometimes described as ivorine, certainly intended to imitate ivory) with clear black lettering, all 20 are in good condition. The flags can be interchanged according to the menu. It is interesting to see what would have been on the sandwich menu in 1929, caviare, smoked roe and lobster, but also banana! All 6 flags are fully hallmarked, clearly legible on 5 flags, one flag has indistinct marks. All 6 flags are also marked "Made in England", alongside a provisional patent number "Pro/ Pt 33279/28" and design registration number "Rd 742069". Adolph Scott worked between...

A sterling silver circular salver in the Art deco style, with 6 panels of incurved decoration (3 parallel lines on the exterior), and 3 silver button feet. The salver has a raised border, slightly wavy, overall the decoration is quite understated, but makes a big impact. The salver is a superb weight and quality, unlike many light and flimsy copies made at this time. This excellent quality is what we have come to expect from the Barnard's, who are the oldest manufacturing silversmiths in existance, the business being founded in 1773 (Culme, Gold and Silversmiths, pg 29). The hallmarks are very clear, as good as they get, with excellent detail. An almost identical salver, also by Barnards in 1937, but with ivory bun feet, can be seen on the AC Silver website (www.acsilver.co.uk).