A pair of Scottish Arts and Crafts silver napkin rings, with a wonderful planished (hand hammered) surface. The rings are a very pleasing quality and weight, and the condition is excellent. Both rings are clearly hallmarked with small hallmarks on the interior, one is 2003, the other 2006 but they match perfectly. The are also marked "STERLING 925". The rings are accompanied with original box marked "Eric N Smith Goldsmith Designer". Eric Smith was an award winning designer and Jeweller, based in Glasgow for over 50 years until his retirement in 2018. He also completed a project to restore the Glasgow hallmark in 2013, which had not been used since 1963.
A Tottenham Hotspur (Spurs) Football Club sterling silver dish, celebrating the greatest event in the club's history, the winning of "The Double", the Football League and the F.A. Cup Final in the 1960-1961 season. The dish is circular with raised sides which are fluted or scalloped, with engraved crest of the cockerel with spurs standing on a football, above "T.H.F.C.", centrally positioned between the 4 hallmarks. The dish is small, but would be perfect for sweets or nuts. The hallmarks form part of the design, these include Birmingham anchor, Sterling silver lion passant, date letter N for 1962 and makers mark PP Ltd for Poston Products, who worked between 1951 and 1972. Spurs was founded in 1882, the first won the FA cup in 1901. They became the first club in the 20th century to achieve the League and FA Cup Double in 1960-1961, and collected at least one major trophy in each of the six decades from the 1950s to 2000s – an achievement only matched by Manchester United. The 1960-1961 team was captained b...
An unusual and beautiful antique Indian scallop shell dish, we are informed this is a rare design for Indian silver, and probably designed for colonial tastes, as it replicates a 18th century design made famous by Paul De Lamerie. The dish is the traditional scallop (or escallop) shape, with 10 ribs, each rib has repoussed (embossed) decoration, this includes numerous animals (elephant, antelopes, lions, dogs, hares and birds) interspersed with trees, flowers and foliage. The dish has 3 cast feet, lion claw under capped leaf scrolls, and rests evenly on a table. The dish is medium in size, so suitable for serving a variety of snacks. The quality is superb, clearly made by a master craftsman, it would have taken many hours to produce. As is usual for Indian silver of this period, no hallmarks are present. We welcome any comments or information on this wonderful dish.
A limited edition (no. 12 of 100) silver gilt Commemorative Coronation or Sovereign's orb, made to celebrate the wedding of Charles and Diana in 1981, commissioned for a Royal Family event, and made by leading silversmith Christopher Lawrence. The textured gilt orb is surmounted by the cross, and the orb is decorated with the armorials of Charles and Diana, the orb rests on a baluster support mounted on a polished green marble base, with felt base. The orb opens in half on 2 hinges to reveal back to back ovals on blue and red backgrounds with their family crests, beneath letters C and D, surrounded by cast gilt roses and silver leaves. The cross rises and falls slightly to open and close the globes. The interior circular frame is clearly hallmarked, and the interior of one globe is stamped "12/100". Christopher Lawrence is one of the 50 leading silversmiths in the book "Designer British Silver 1930-1985" by Andrew and Styles, in fact his work is featured on the main cover of the book (Reed Warbler Candelabra)...
A pair of octagonal engine turned napkin rings, with applied armorial of the city of East London, South Africa. The armorials are lovely, with 4 colours of enamel, and good quality and gilded, we assume a metal, possibly silver, but no hallmarks are visible (possibly hidden on the back which is glued to the napkin rings. The rings are a pleasing shape, with 2 engine turned panels each, both are clearly hallmarked. The armorial depicts the cross of St George, as with the original London, with sheaves of wheat and sheep depicting agriculture, below a rising sun signifying the east. The shield rests on a gold anchor, as per the Cape Colony arms. This armorial was granted in 1892, it was replaced in 1959 by a more heraldically correct version.
A sterling silver porringer, this is a replica of a Carolean porringer dateing back to Charles II. The porringer is beautifully made, a very pleasing quality. It is planished (spot hammered), so probably hand made. The porringer is embossed with acanthus leaves and the 2 scroll handles are decorated with dolphin heads. The hallmarks are clear. Samuel Walton Smith worked between 1886 and 1926, the partners included John Bodman Carrington of Carrington & Co. This was probably intended as a Christening gift, but has never been engraved.
A pair of Scottish sterling silver Millenium napkin riings, elliptical in shape, with the Millenium hallmarks struck as part of the design. The rings are good quality and a very pleasing weight, and do not appear to have been used. The hallmarks have been arranged around the special 2000 cross hallmark, used to celebrate the millenium. Eric Smith was an award winning designer and Jeweller, based in Glasgow for over 50 years until his retirement in 2018. He also completed a project to restore the Glasgow hallmark in 2013, which had not been used since 1963.
A sterling silver wine taster made by Anthony Elson, one of the 50 leading silversmiths featured in the book "Designer British Silver 1930-1985" by Andrew and Styles, a book we highly recommend. The wine taster has the traditional circular bowl with raised base, and a lovely cast silver handle of textured vine branches, with some pruned ends. The handle is a delight to hold, the thumb rests easily and the grip is secure, so very suitable for use. The taster is clearly hallmarked, including makers mark A.G.E, and also has an engraved number 278 on the base (we know this taster was a limited edition commissioned by the Heritage Collection in 1976, so perhaps each is individually numbered). Anthony Gordon Elson trained under Dunstan Pruden, he worked for William Comyns from 1964-1968 before establishing his own operation, ecclesiastical goods and also limited editions for leading retailers, including Asprey, Spink, Hennell's and Garrards, this taster is one of these. After the boom (he had around 30 staff) creat...
An Arts & Crafts English sterling silver cream or milk jug, at first glance it looks Scandinavian in design, with beautiful clean lines. This is typical of Eric Clements style, he is best remembered for his award winning Mappin and Webb tea and coffee service (this jug is a similar but different design). The jug is a delight to use, it pours beautifully. The hallmarks are excellent, and include "Designed by Eric Clements" facsimile signature, and "Mappin & Webb". Eric Clements is one of the 50 leading silversmiths profiled in the book "Designer British Silver, 1930-1985", by Andrew & Styles, a book which we highly recommend. "Clements was unusual in that he designed silver, and then had the designs manufactured by a craftsman, most silversmiths prefer to produce their own designs. He also had a dual career as educator and designer, he spent most of his career as Head of Industrial Design at Birmingham College of Art. Alongside his academic career he was consultant designer for Mappin and Webb, it is his desig...
An Ilias Lalaounis "Greek Gold" Arts & Crafts silver beaker, in 900 silver and gilded with a deep golden colour, with hand hammered planished surface. The beaker is a delight to hold, it is bulbous in shape, with flat bottomed base. This beaker (or small vase) is part of Lalaounis's Archaeological collection, where he made replicas of ancient Greek art, this piece dates to the Cycladic period, 3000B.C. The beaker is clearly hallmarked with Lalaounis makers mark and 900 silver standard mark. The beaker is also accompanied with it's original guarantee certificate, where it is described as a "silver gold plated cigarette vase of Cycladic Period 3000 B.C." This certificate shows a number of Lalaounis outlets, Athens, Mykonos, Rhodes and Corfu in Greece, but also Geneva, Zurich, Liberty's in London Regent Street, France, Vienna and Brussels - showing how successful Lalaounis was. Lalaounis opened a store in New York in 1979, so we know this certificate predates 1979. Wikipedia records that Lalaounis was internatio...
A sterling silver bowl with a genuine embedded diamond, made to commemorate the centenary of the De Beers diamond company in 1988. The bowl (or dish) is circular, and is engraved in the centre with "DBCMLd" in Gothic script (the logo of De Beers Consolidated Mines Limited), the rim is engraved with 4 bands. The edge is engraved 1888 - 1988, with the brilliant round cut diamond between the dates (diameter of the diamond is 3.5 mm, it sparkles beautifully). The dish is clearly hallmarked with makers mark "EM*ESS" for Em-Ess silverware company, the largest South African silverware producer in the 1970's and 1980's, based in Johannesburg. It also has the Springbok head in U South African standard mark for sterling silver, 925 purity mark and date letter P for 1988. We are aware that this dish was also produced with London hallmarks, it looks identical in design, so we assume De Beers commissioned this dish both in London and South Africa, they were awarded to key customers, including site dealers in Antwerp.
A fabulous quality Georgian silver dinner plate or dish, in the traditional shape with applied gadroon border and contemporary family armorial and Royal coronet indicating a son of the Sovereign. The armorial is the Marital arms of Evans-Freke and Gore, the Royal Cypher is for HRH Prince Augustus Frederick, Duke of Sussex. Whilst these are called plates, it is more of a dish or bowl in shape, and is the smaller diameter, so probably used for a starter dish - but very suitable for use as a bowl today. It must have belonged to a large set, as the base is engraved "No 64", along with 18.10. The hallmarks are clear, the makers mark has been partially double struck with a partial repeated G and pellet above, but still clearly Grimwade mark 852 for George Methuen. He was freed as a large worker in 1743, he worked until 1761, so this dish was produced in his last year of work. Grimwade notes his principal output was salvers, dinner plates and dishes, and notes "his work shows a high standard of design and finish, i...
A sterling silver stirrup cup with cast foxes head, on bell shaped cup. The fox has good detail and texture, the cup is a pleasing quality and weight. The cup is designed to stand both ways, so can stand upright on a tray when filled. This is a modern version, with clear hallmarks for Sheffield 1979, and is in excellent condition. Stirrup cups originated in the late 18th century, they are drinking vessels which were presented to riders on horseback prior to leaving or arriving home from a hunt, this happened whilst their feet remained in their stirrups. Most stirrup cups were crafted in shapes that were relevant to the hunt, such as a hound or fox head, as is represented here. Francis Howard was established in 1900 and still trades today from Sheffield.
A rare Carolean silver flat lidded tankard, made in London in 1668, which was part of Oxford's University Magdalen College silver plate. The tankard is the traditional shape of the period, tapering cylindrical with reeded borders, the flat lid with single step and single peak (lip). The flat hinge and hinge plates are cast, designed to withstand wear and tear. The thumbpiece is a double cusp. The massive scroll handle has underside curved into a half round, with hole, these handles were made in two pieces (myth has it that the hole was a whistle to call for more beer!, Waldron, Price Guide to Antique Silver, item 620, page 196). The tankard has been later engraved with the Magdalen College armorial, it reads "Magd: Coll: Athletic Sports, March 1861", and the lid is engraved with a wheatsheaf between wings armorial, the engraving is excellent quality and is beautifully preserved. The tankard has a full set of hallmarks on lid and base, Leopards head crowned and lion passant in irregular punch, date letter L fo...
A rare solid silver version of the Voortrekker Aandenking (memorial) 1838 - 1938 bowl, in 835 grade silver. The circular bowl with foot is well modeled, with ox wagons on trek, with Boer (farmer) on horse, cattle in the foreground and mountains in the background, framed by trees. The other image is of the Voortrekker Monument in Pretoria, and in between are two lit candles in a candlestick, surrounded by chains, with Zulu shields above and ox horns below. One candle reads "VOORTREKKER AANDENKING", the other "1838 - 1938". This design was done by the famous South African artist JH Pierneef (1886-1957), probably South Africa's greatest landscape artist. The hallmarks are clear, and include makers mark V over moon for Zilverfabriek Voorschoten, and 835 indicating the grade of silver (835/1000). Zilverfabriek Voorschoten is a brand name of Koninklijke Van Kempen & Begeer, founded in 1764 and still in existence today, they moved from Utrecht to Voorschoten in 1858. The Voortrekker Aandenking bowls were made in a v...
A beautiful Dutch silver chestnut vase, possibly made in the late 18th century by Hendrik Jurrien Wolters in Zutphen. The vase is urn shaped, on a stepped and reeded oval base, with matching reeded rim. The lid has an ivory oval baluster finial, capped with a silver ball, and the faint remains of an engraved crest and owners initials. The interior of the lid is gilded. The base interior has no gilding or engraving. The base has 3 hallmarks, cross (possibly Zutphen town mark), head or tree mark (similar to English Georgian duty mark), and makers mark HI or IH, or possibly even HP. We have tentatively identified this as Zutphen, given the similarity of the cross to the Zutphen town mark, and Hendrik Jurrien Wolters, who used a mark HIW (all assistance welcome). Previously this vase was described as Indian Colonial or Cape Silver by a Cape Town based auction house, we prefer the Dutch attribution, we even considered the vase could be Dutch Colonial in origin. This vase was also previously described as a tea cad...
An interesting open salt in triangular form, with central circular salt, and 3 cast hoof feet. The salt is decorated with 3 male busts, with high collars and long flowing hair, completed with hanging swags, which are repeated in the hand chased pierced border, which is very intricate with gadrooning and balls. The triangles on top have a floral design. Three hallmarks are present, small crown, large Fleur De Lys, and small device (possibly flower in pot?). We are not able to positively identify these hallmarks, one possibility in Neisse on the Polish border, but all assistance welcome, thank you. We have found similar examples of this triangular formed salt in the V&A museum, hence our tentative attribution to 17th century Germany, they are described as "Small triangular salt cellars mounted on three feet were common pieces of tableware in affluent homes in late 16th-century Germany. The cities of southern Germany dominated the goldsmiths craft there from the 15th to the early 19th centuries. Their goldsmiths...
A beautiful sterling silver and blue enamel dish, with a stylised viking ship complete with vikings, spears, shields and a fish. The dish is sterling silver with engraved rim, which reads "AIR VICE MARSHAL L.O. BROWN, C.B., C.B.E., D.S.C., A.F.C. DEC. 1943 - NOV. 1944, FROM NORWEGIAN PERSONNEL OF No. 132 (N) WING". The enamelling is fabulous quality, different tones of blue with different, intricate patterns, the pattern is also raised. The base is clearly hallmarked "DAVID-ANDERSEN NORWAY STERLING". Air Vice Marshal Leslie Brown was a South African who served with the Royal Air Force (RAF) in both World Wars, he was born in 1893 and died in 1978. He commanded 84 Group during the Allied advance across Noth West Europe. 132 Wing consisted of 2 Norwegian Squadrons (331 and 332) flying fighter spitfires, formed by exiled Norwegian pilots, they fought with distinction first with Fighter Command in the Battle of Britain and later with D-Day, the liberation of Holland and crossing the Rhine, as part of 84 Group und...
A magnificent 18th Century Dutch silver sugar caster (strooibus), made in The Hague in 1761 by Pieter van der Kruyf. The caster is large, just under 24 cm, and heavy at 511 grammes, the quality is superlative, this is a museum quality piece. The caster is the traditional baluster shape, but the main body has four twisted ribs, beginning at the foot, which swirl upwards, a very pleasing design feature. The roughly octagonal and cast base has 4 raised leaf like designs. The caster lid also has an attractive design, with very intricate piercings (rococo scrolls) and textured engraving. The finial is a cast flower bud. The hallmarks on the caster lid are clear, crowned lion rampant standard mark (fineness 934), The Hague (Den Haag or S Gravenhage) city mark (stork holding eel below coronet), date letter P crowned for 1761, all 3 of the marks are well struck. The 4th mark is makers mark PK in rectangular punch, the P is worn but the K is clear. There are no hallmarks on the base. A very similar sugar caster, made ...
A fabulous set of six antique sterling silver goblets, perfectly preserved in their original box. The goblets are very pleasing quality, over 30 grammes each, and are quite small, so we imagine used for sherry or liqueur. The shape is lovely, a traditional goblet shape, with spreading foot and baluster stem. The goblets are perfectly preserved in their original wooden box, with blue velvet and silk interior, also in remarkable condition, with hinges and clasp in full working order. All 6 goblets are clearly hallmarked for Birmingham 1911, and makers mark W&F.R, for Walter Hayes and Frank Rabone, who worked between 1911 and 1916, with the partnership dissolved in 1918, we assume sadly interrupted by World War 1.
