Fiddle pattern Cape teaspoon, with clear hallmarks (Welz no 27) including initials, 2 ladder device in ball, 2 shell device.

Cape Silver teaspoon in the Old English pattern, with very clear hallmarks, IC and shell. Combrink worked from Dorp Street.

A rare pair of Scottish Provincial gravy (or serving or basting) spoons in the Oar pattern, which is a scarce variant of Fiddle pattern (Fiddle without shoulders), only found in Scotland (Pickford, Silver Flatware, pg. 111). Both spoons are engraved in contempory style with the letter "M", and are in such lovely condition that they do not appear to have been used (note the lovely spoon tips). Both have clear Scottish Provincial hallmarks, makers mark RK struck 3 times, and the Perth double headed eagle town mark struck twice. Robert Keay worked in Perth between 1791 and 1825, from the style of these spoons they were made between 1800 and 1805, when Oar pattern was popular in Scotland. A very similar gravy spoon, also by Robert Keay of Perth, is depicted in Ian Pickford's Silver Flatware book, figure 145, pg. 111.

A rare Cape silver Basting (or Serving) spoon in the Old English pattern, this is a good quality spoon suited for use as a serving spoon. The spoon has a colonial feel, it has an unusual rectangular shaped drop, so was probably made before 1820 when English silversmiths arrived in the Cape and influenced styles. The spoon is quite plain, no crests or initials, but it is engraved "IV" on the back of the stem. This engraving is original and quite crude (typically colonial), perhaps done by the owner himself, possibly indicating it was once part of a set. The hallmarks are excellent, makers mark IC between 2 devices (flowers?), mark 27 in "Cape Silver" by Welz. Johan Combrink was a prolific and well regarded Cape silversmith, he worked between 1814 and 1853, and was based in Dorp street.

A lovely early Cape tablespoon in the Hanoverian pattern, with turn-up end. This spoon only has the makers hallmark, which is very worn but still faintly visible. Lotter generally only struck his makers mark, as is the case on this spoon. Lotter, who was part of a large family of silversmiths working in the Cape, was an extremely competent silversmith who made the Cape Town Lutheran Church chalice to match one made in Amsterdam in 1765.

A set of 4 Continental (probably German or Dutch) silver teaspoons with realistically modeled Boer soldier finial, complete with beard, hat, bandolier and rifle. The spoons are 835 grade silver. The Boer finial rests on a plinth, above a 4 sided and twisted stem with traditional mask head above the join to the bowl. The spoons also have a short rat-tail. All 4 spoons are hallmarked "835" and makers mark "B2V".

A set of 3 Cape silver tablespoons by Johannes Combrink, who worked in Cape Town between 1814 and 1853. These spoons are excellent quality and robust, well suited for use. The spoons resemble the Old English pattern, but are Continental in design, with a V shaped drop, strong lip on tip and flattening to the top half of the handles. Given the Continental style of these spoons, which is confined to early Cape flatware, we can assume they were made early in Combrink's career, probably between 1814 (when Combrink started producing silver) and 1820, when the English 1820 settlers arrived in the Cape, bringing with them English styles. Each spoon has a small identification nick on the back at the top of the handle (1-2 mm). The makers mark IC (Welz mark 32) is clearly struck on all 3 spoons.

An interesting Roman reproduction Scottish silver tea strainer, with a stylised dolphin handle. The bowl is circular, with holes in radiating circles, and has a substantial rim. The handle is lovely, the dolphin tail is cleverly curved, to allow it to loop over a finger whilst the thumb holds the tail in place. The dolphin has a large mouth, 3 fins around the head, and the body is decorated with dots. The strainer is very good quality, and is a pleasure to use. The hallmarks are very clear, makers mark B&S in serrated punch, Scottish thistle, Edinburgh castle and date letter U. An additional hallmark is present, a stylised "S" in a diamond punch. Brook and Son were the leading Scottish silversmiths in the early 20th century, they operated between 1891 and 1939 from 87 George Street (Hamilton and Inches today). This strainer is a reproduction of a Roman spoon that was part of the Traprain Law treasure hoard, which was discovered by George Pringle at Traprain Law, East Lothian, in 1919. The hoard dates from 40...

Set of Russian silver Fiddle pattern tablespoons, with very clear hallmarks on all 6 spoons. These are very good gauge, suitable for everyday use. The makers name is in cyrillic, our best translation is A. Schenker or Shenker. The assaymaster is Nicholai Stradomsky (HC in cyrillic, NS in English), who worked in Moscow and Vilnius (Geoffrey Watts, Russian Silversmiths' Hallmarks, pg 84).

A lovely Edwardian Christening present, made by the specialist spoonmaker Francis Higgins. It is a replica rattail trefid spoon with ribbed rattail, very distinct notches, and very clear hallmarks. The spoon has no engraving, so would be suitable to be engraved. The spoon is excellent quality, and is a joy to hold. Replicas of 17th century silver items were popular during Edwardian times, the replicas are usually very good quality, as is this trefid spoon. Francis Higgins carried a hammer with him in the workshop to destroy any items not up to his standards (Culme, Gold and Silversmiths). He also commented "it should last more than a lifetime, boy" - he would have been proud of this spoon. This spoon is very similar to one we have already sold (S 1327), which was made 4 years earlier, also by Higgins.

A beautiful Tiffany sterling silver Berry spoon, in the Flemish pattern, with notched scroll end finial, and rat-tail. The spoon is a lovely shape, with the bowl at right angles to the stem. The shape of the spoon is also described as a casserole spoon, indeed it is suitable as a serving spoon. It is a good weight and lovely quality, and is still in its original felt bag, marked "Tiffany & Co, Paris, New York, London". The hallmarks are very clear, "Tiffany & Co Sterling PAT 1011M". The M date stamp indicates a date between 1907 and 1947, when John C. Moore II was president. The Flemish pattern was issued in 1911, hence we can date the spoon to between 1911 and 1947.

A set of 6 teaspoons and matching jamspoon in original box, designed to commemorate the inauguration of the Voortrekker Monument in Pretoria on 16 December 1949. The front of the spoons have the Boer oxwagon wheel and powder horns, along with the Zulu shield and assegaai (spear). The rear has an outline of the Voortrekker Monument, with inscription "1949 SVK UWB". These spoons are good quality, with cast design. SVK stands for Sentrale Volksmonumente Komitee (Central Peoples Monument Committee) which was formed in 1931, with the aim to build a monument to honour the Voortrekkers (Pioneers) who left the Cape Colony in 1835. The spoons were sold to assist raising funds for the building of the monument, which cost GBP 350000. The hallmarks are clear on all spoons. The spoons were designed by the famous South African artist W.H. Coetzer, the original design is in MuseumAfrika in Johannesburg, and depicted in " Catalogue of Pictures in the Africana Museum", vol 6, pg 157, C1113. Willem Hermanus Coetzer also design...

A magnificent set of 13 gilded silver Italian apostle spoons, featuring the 12 apostles on the smaller spoons and the "Master" on the larger spoon - all in their original box. They are extremely good quality and well made, the cast finials have very fine detail. The stems are twisted with a beaded design, and a winged female angel joins the bowls to the stems. Each apostle is named on the back of the finial in Italian - (S. Pilip, Giag, Paol, Luca, Mat, Bart, Piet, And, Tom, Mar, Giov, Sim). The spoon bowls are all made of silver coins (Piastra's) from the Papal States (which included most of central Italy in the 18th century) dated between 1676 and 1802. The coins have the Papal Arms for the following Popes: Innocento XI (1676-1689), Alessandro XIII (1689-1691), Innocento XII (1691-1700), Clement XI (1700-1721), Clement XII (1730-1740), Clement XIV (1769-1774), Pius VI (1775-1799) and Pius VII (1800-1823). Two of the coins, dated 1691, are "Sede Vacante" - translated "The Seat is Empty", meaning they were m...

A lovely set of Art Deco silver grapefruit spoons, with unusual and decorative pierced terminals. The spoons are good quality and a pleasing weight, a pleasure to use on a grapefruit. The piercing is robust, these spoons are very suitable for use. The hallmarks are clear on all 6 spoons. The spoons also have a registration mark, RD 787919, which indicates the design was registered and protected by the patent office. Cooper Brothers worked between 1900 and 1979.

A very rare Cape silver tablespoon in the Old English pattern, by a very rare maker whose work is seldom seen. The makers mark FLH is excellent, very well struck, this is accompanied by an anchor mark in a circular punch (mark 51 in Cape Silver by Welz). Herman (or Hermann) was born in the Cape in 1778, he worked between 1810 and 1811 from 38 Long Street. He was regarded as "one of the finest of all Cape silversmiths" by David Heller, in his book History of Cape Silver. He made a very fine covered sugar bowl, which is depicted on pg 101 of Cape Silver by Stephan Welz.

A Scottish provincial silver basting (or gravy) spoon in the Fiddle pattern, made by Alexander Cameron in Dundee, with Edinburgh hallmarks for 1824. The spoon is good quality and has a good feel, it is suitable for use as a serving spoon. The hallmarks are excellent, and include the "CAM over ERON" and "DUN over DEE" marks used by Cameron, along with very clear Edinburgh marks. Cameron was apprenticed to Robert Keay of Perth, and worked between 1818 and 1849. Following the re-imposition of duties in Great Britian in 1784, a duty mark had to be struck on silver, which in Scotland could only be done in Edinburgh. This meant that the provincial silversmiths had to submit their silver to Edinburgh - often a long arduous journey, so few did. By the 1820's when this spoon was made, provincial silversmiths such as Cameron submitted a portion of their silver to Edinburgh, to satisfy the authorities.

A rare Scottish Provincial pointed end tablespoon, with excellent hallmarks by a scarce maker. The spoon has script initial M (contempory) above the number 8, we assume its position in its original set. The spoon has some overall wear, but is a good weight, still a lovely spoon. Pointed end spoons are uniquely Scottish, the style was never adopted in England. The hallmarks are well struck and very clear, makers mark S.L struck twice, with the Dundee pot of lilies and date letter m. Similar makers can be seen on lot 190, Woolley & Wallis sale of a private collection of Scottish Provincial Flatware, January 2009.

Lovely scottish provincial tablespoon with characteristic celtic point, with the silversmiths surname incised. Initial A. The hallmarks include the crowned shield and "flaming heart" used by Douglas.

Beautiful ladle by the famed maker Alwyn Carr, one of the leading silversmiths of the Arts and Crafts period. It dates from the period after the dissolution of his partnership with Omar Ramsden, which occurred in 1918 when Carr returned from the Great War as a wounded Captain. The ladle is double lipped, spot hammered, has a rattail and a heart shaped terminal. The hallmarks are very clear. Carr died in 1940.

A Scottish provincial antique silver toddy ladle, in the Fiddle pattern, engraved with script initials TIR. The bowl is quite wide (5.0 cm) and oval in shape. The hallmarks are very clear and well struck, makers mark R&S and the A,B and D of Aberdeen struck separately. Middleton Rettie and Sons worked in Aberdeen between 1824 and 1891, they are known for their very fine silver.