A Danish modernist silver strawberry serving spoon, in Georg Jensen style. The spoon is beautiful, and is a good weight and quality. The spoon has a large circular bowl, with a pierced strawberry leaf design, to allow the juices to be drained before serving. The handle is cast, and has 2 well designed strawberries amongst foliage, these are embossed so provide a nice grip for the handle. This spoon is a useful size, suitable for serving other items besides strawberries. The spoon has 4 hallmarks, all of which are well struck and clear. The Danish 3 tower mark and date letter 33 for 1933 indicates purity of 826/1000, the SJ assay master mark (Stadtsguardein) for Johannes Siggaard (worked between 1932 and 1960). The 3rd mark is "Haandarbejde" indicating this item was made by hand, and the 4th mark is the script F surrounded by oval dots, the assay master mark for Frederik Fabritius, who worked between 1787 and 1823. The presence of this older assay masters mark is a mystery, it has also been observed on other D...

A collection of 10 sterling silver souvenir spoons, all from a different British town. The spoons were made in Birmingham, London, Chester and Sheffield, with dates ranging from 1893 to 1919. All 10 spoons have clear hallmarks. The 10 include: 1. Ripon, Birmingham 1912, Levi & Salaman, crest in bowl 2. Bideford, Chester 1906, John Millward Banks with flower trademark, engraved Bediiforde 1577 Sicillun Comvne De 3. Brighton, Birmingham 1918, Levi & Salaman, engraved In Deo Fidemus 4. Scarborough, Birmingham 1905, Levi & Salaman 5. Canterbury, Birmingham 1901, Turnbull Brothers, Cathedral in bowl 6. Oxford, Birmingham 1911, gilded armorial in bowl 7. Manchester Ship Canal, Sheffield 1893, Henry Wigfull, gilded armorial in bowl, cast handle with Navigation & Commerce 8. Unknown town, London 1899, Saunders & Shepherd, cast floral handle, lovely quality 9. Unknown town, Birmingham 1908, Joseph Cook & Sons 10. Oxford University, Sheffield 1919, Joseph Rodgers Note- The earlier spoons pre 1900 are notic...

A set of 6 sterling silver grapefruit spoons, with pointed bowls for easy access to the fruit. The spoons have a threaded border pattern with pointed terminals, sometimes referred to as French pattern. The spoons are very pleasing quality and weight, they have a solid feel in the hand, as is often the case with pre-war silver. All 6 spoons are clearly hallmarked with Sheffield hallmarks for 1939 and makers mark EV for Viners Limited, started by Adolphe Viner in 1901, the E refers to his son Emile. Viners was a leading 20th century British cutlery brand, known for good quality, they were acquired by Oneida in 2005. These spoons also have an additional set of 3 hallmarks, smaller but clearly struck, these are Irish import marks that were struck on foreign silver. These marks include the Dublin assay office Boujet mark, .925 sterling standard mark, and Dublin date letter X for 1939, meaning these spoons were exported to Ireland as soon as they were made. The Boujet mark is a stylized representation of a medieval...

A set of 4 Irish Georgian silver tablespoons in the Fiddle pattern, made by Samuel Neville of Dublin. The spoons have no initials or engraving, and no signs of removal. The hallmarks on all 4 spoons are excellent, all individually struck. They include makers mark SN, Hibernia, Crowned Harp and date letter I for 1805. Samuel Neville worked between 1795 and 1851, he was a respected member of the community, he was Warden between 1804 and 1807 and was also elected to the Dublin City Council in 1807. He was Master in 1807 and 1827.

A matching pair of nursery rhyme silver baby implements, a spoon and baby pusher, intended as Christening gifts. Both have short handles, the spoon with Jack and Jill picture, the pusher with Little Boy Blue. The detail on both is lovely, as can be seen from the photographs. Both are clearly hallmarked, the spoon was made in 1932, the pusher in 1936, but both by the same maker WH Collins, and both part of their nursery rhyme collection. The pusher has original owners initials MJ, lightly engraved so this could be removed. The pusher also has a registration number, indicating the design was protected.

A fabulous pair of Baltimore silver tablespoons, in the Kings pattern, by Samuel Kirk of Baltimore, and bearing Baltimore assay marks for 1824-1826. The spoons are very good quality and gauge, unlike many American spoons of the period, which were often thinner and lighter than their English counterparts. They are single struck (in Scottish fashion), the back of both spoons is engraved Lyon, we assume the original owner. In addition to makers mark S.Kirk in script in rectangular punch, the spoons have the oval Baltimore Coat of Arms quality mark, in rectangular punch with cut corners, and date letter C, used by Assay Master LeRoy Atkinson between 1824 and 1826 (see www.imperialhalfbushel.com for information on these marks). These date to an interesting period in American silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA, following the passing of the Assay Act by the State Legislature of Maryland in 1814 (it was unpopular so repealed i...

A rare pair of Cape silver tablespoons in the Old English pattern, engraved with the crest of the Cape Regiment. The spoons are engraved "CAPE.REG" above a bugle, suspended from a shamrock shape rope knot. This bugle was used as a crest for English Light regiments, currently still used by the Oxfordshire and Buckinghamshire Light Infantry (lightbobs). As is often the case with regimental silver, these spoons have been well used (and well polished), so the crest is worn, one is better than the other. Both spoons have clear Cape silver hallmarks, anchor, IC, anchor, mark 22 in Cape Silver by Welz, used by Johannes Combrink. The Cape Regiment was formed in 1795, and consisted of Khoisan and Coloured men under white officers, headquartered in Simonstown. In 1817 it was renamed the Cape Corps, it remained in existence until 1926. Major Matthew Richmond, a New Zealand Colonial administrator and politician, served with the Cape Regiment in 1817, so may have used these spoons. (note - we have 2 sets of these spoons)....

A rare pair of Cape silver tablespoons in the Old English pattern, engraved with the crest of the Cape Regiment. The spoons are engraved "CAPE.REG" above a bugle, suspended from a shamrock shape rope knot. This bugle was used as a crest for English Light regiments, currently still used by the Oxfordshire and Buckinghamshire Light Infantry (lightbobs). As is often the case with regimental silver, these spoons have been well used (and well polished), so the crest is worn, one is better than the other. Both spoons have clear Cape silver hallmarks, anchor, IC, anchor, mark 22 in Cape Silver by Welz, used by Johannes Combrink. The Cape Regiment was formed in 1795, and consisted of Khoisan and Coloured men under white officers, headquartered in Simonstown. In 1817 it was renamed the Cape Corps, it remained in existence until 1926. Major Matthew Richmond, a New Zealand Colonial administrator and politician, served with the Cape Regiment in 1817, so may have used these spoons. (note - we have 2 sets of these spoons)....

A collection of ten American sterling silver souvenir spoons, 5 of which have decorated bowls and 6 of which have decorated stems, 2 decorated front and back, and 2 are gilded. As is usual for these American souvenir spoons, the details are lovely. The spoons include: 1. California, by Gorham, Golden Gate bowl, Eureka, Sutters Fort and California on front, State Capitol, Mission Dolores and Golden gate on back - a lovely spoon 2. Honolulu, maker R in wing, Surf Rider 3. Boulder Dam 4. Philadelphia, Hamilton & Diesinger, Founding Father 5. Hawaii, 1959, maker EJTC, 50TH State, Aloha Tower, Hawaii front, Admitted to the Union Aug 21 1959, The Aloha State rear 6. Washington, Abram French Co, Tip Top House 1852, Washington 7. Detroit, Mechanics Sterling, Detroit Harbour bowl 8. Detroit, Mechanics Sterling, Belle Isle Bridge bowl 9. Detroit, Mechanics Sterling, Water Works Park bowl 10. Chicago, Whiting, Ft Dearborn bowl.

A set of 6 Irish Georgian silver dessert spoons in the Fiddle pattern, made by Samuel Neville of Dublin in 1804. The spoons have no initials or engraving, and no signs of removal. All 6 spoons have good hallmarks, makers mark SN for Samuel Neville (struck both ways). They also have Hibernia and Harp Crowned, and date letter H for 1804 (note absence of duty mark, only introduced in Ireland in 1807). Samuel Neville worked between 1795 and 1851, he was a respected member of the community, he was Warden between 1804 and 1807 and was also elected to the Dublin City Council in 1807. He was Master in 1807 and 1827.

A lovely Art Deco Norwegian silver spoon, made to commemorate the unveiling of the Mor Og Barn (Mother and Child) statue in Sandefjord. The spoon has an embossed copy of the statue, a naked mother holding her baby in front of her, standing on a plinth. The rounded bowl has a stunning embossed view of Sandefjord, the detail is exquisite, complete with boats in the harbour, church steeples, houses and trees, with "SANDEFJORD" underneath. The Art Deco look and feel of the spoon is completed with the 8 pillars at the top of the handle. The hallmarks include silver mark 830S (830 grade silver) and makers mark of a goblet in an oval punch for Thorvald Marthinsen of Tonsberg. The original bronze statue is by Norwegian sculptor Arne Durban (1912-1994), who was known for his naturalistic work, his work is featured in over 30 Norwegian towns. It was unveiled on 17 May 1950 (Norwegian Constitution Day), which celebrates Norway becoming an independent kingdom in 1814. This spoon has been described by the website www.spoo...

A pair of Art Deco silver serving spoons, made by the German firm of Lutz & Weiss in Pforzheim, circa 1930. The spoons have the classic Art Deco pyramid pattern design, repeated on both sides, and an unusual but very practical 4 sided bowl, with rounded edges and a pointed front. The hallmarks include 835S indicating silver of 835 purity, makers mark of intertwined LW in a shield, and a Dutch import mark used since 1906 (V in shaped shield with shaded background), indicating the spoons must have been imported into the Netherlands at some stage. Both sets of hallmarks are clear. Lutz & Weiss Silberwarenfabriek was founded in 1882.

A sterling silver caddy spoon, with the engraved armorial of the South African Mint (Suid-Afrikaanse Munt). The spoon is substantial, a pleasing weight and good quality. The armorial has the coat of arms of the Union of South Africa (1910-1961), with the symbols of the 4 provinces (Hope with Anchor for the Cape, 2 wildebeests for Natal, orange tree for Orange Free State, and wagon for Transvaal), with motto "Ex Unitate Vires", translated Union is Strength. This is surrounded by 2 wreaths with South African Mint in both English and Afrikaans (the 2 official languages at the time), a building which we think could be the SA Mint building, and strangely a small armorial which appears to be the old Transvaal Republic coat of arms. (explanations welcome!). This spoon is identical in shape and form to the caddy spoon produced by the Pretoria Royal mint between 1923 and 1941, (see examples on our website, S1362 and S 1652), when the Mint became the South African Mint, with the armorial replaced to reflect the change ...

A Canadian Coin silver tablespoon pair in the Fiddle pattern, with engraved initial H. The spoons have excellent hallmarks, comprising of makers mark IM, NB for New Brunswick, and pseudo hallmarks lion passant, anchor and Georgian duty mark bust (this last one sideways). Canadian Maritime silversmiths of the early 19th century favoured imitation hallmarks, dictated by competition from imported English silver. St John silversmiths adopted the NB hallmark for New Brunswick, following their colleagues in Halifax (Langdon, pg 22). John Munro was born in 1791, and freed in 1813, he took over his father's shop in 1819. His premises were destroyed twice by fire, first in 1837 and again in 1874. He used a number of different pseudo marks, and also used IM and JM as makers marks (Donald Mackay, Silversmiths and Related Craftsmen of the Atlantic Provinces, page 107). Note - we earlier attributed this makers mark to James Melick, see details below, based on the book "Canadian Silversmiths 1700-1900, published 1966, pag...

A set of four Early Georgian Dutch silver Hanoverian pattern tablespoons, made in Amsterdam in 1754 by Andries Vis. The four tablespoons (also called porridge spoons by the Dutch) have a central rib, and a very strong upturn, enough so it can hang from a finger. The spoons also have a double drop, with a prominent pip at the end of the second drop. The hallmarks are good on all 4 spoons, and include makers mark of a fish for Andries Vis, rampant lion with crown indicating first standard silver (925 sterling quality), town mark for Amsterdam (three crosses under crown) and date letter U for 1754. Andries Vis worked between 1741 and his death in 1799, he is known for his cast figural spoons. He was a very competent silversmith, in addition to spoons he produced teapots and other hollow-ware. His silver is well represented in museum collections, a very similar spoon to these is in the Boijmans museum.

A Scottish Provincial silver Fiddle pattern dessert spoon, by a very rare maker, with excellent hallmarks. The spoon is engraved with initial F in contemporary style, a single initial as is often the case in Scotland. The hallmarks are excellent, well struck and very clear, and include makers mark CT, Gothic A, incuse Fleur De Lys, Gothic A, makers mark CT, for Charles Torchetti, who worked in Aberdeen from 1825 until his death in 1840. In the book "Aberdeen Silver" by Michael Wilson, he is described as a "rare maker, with occasional Fiddle pattern spoons and forks". He was described as a picture framer, optician and looking glass maker in the Aberdeen Trade Directory (Wilson pg 34), he worked from Queens Street. Wilson also notes that Alexander Grant used the same Gothic A and incuse Flear De Lys, and that they came from the same punch, so surmises that Torchetti bought spoons from Grant and applied his own makers mark. The provenance of this spoon is also interesting, it has spent the last 40 years as part...

A Coin silver American tablespoon in the Fiddle pattern, made by A F Burbank in Boston, Massachusetts, made around 1853. The spoon is the usual American Fiddle pattern, quite different to English Fiddle pattern, with flat broad handle and pointed bowl. The spoon has very clear hallmarks, A.F. Burbank. and Boston, which are both well struck and very clear. This is the earlier Burbank mark, the later one is incuse, hence we believe this spoon was made early in his career. The spoon has a 3rd hallmark, a very small swan in oval punch (tiny but very clear), this is a French import mark used between 1893 and 1970, indicating legal fineness, so this spoon spent some time in France (Tardy, international Hallmarks, pg 208). The term "Coin Silver" is used for American silver flatware made before 1870 that is not Sterling, slightly lower grade at 90% silver (sterling is 92.5%), made from melted coins, prior to discovery of silver in the USA.

An interesting early Georgian Irish Hanoverian tablespoon, made by Alexander Richards in Dublin 1764. The spoon has a frontal rib, strong turn-up and a very narrow oval bowl. It is engraved with a Griffin crest on the back of the spoon, showing this spoon was placed on the table bowl down. The spoon is bottom marked, the date letter is very clear, but the makers mark , crowned harp and Hibernia are are worn, but still discernable. Alexander Richards, a noted Irish spoonmaker, worked between 1724 and 1768 (Bennett, Irish Silver, pg 152).

A Dutch silver Hanoverian pattern tablespoon (or porridge spoon as referred to by the Dutch) made in Utrecht in 1805 by Sebastiaan de Mare. The spoon has the traditional Hanoverian central rib with turn up end, and a wide drop. The spoon has the original owners initials BI engraved on the back of the spoon, dating back to when spoons were placed on the table bowl down (with initials displayed). The spoon has 5 clear hallmarks, including an excellent makers mark of a laying deer for Sebastiaan Gijsbert de Mare, this mark is a lovely makers mark and exceptionally well struck and clear. The spoon also has the Utrecht city coat of arms mark struck twice, indicating first standard ( Grote Keur), or 925 sterling standard. The date letter is slighty obscured, we believe X for 1805 but could also be K for 1793. The final mark is the Dutch Crowned O second assay mark, quite rare as only used between 1807 and 1810, used as a re-examination mark of earlier silver when resold, or for imported articles without payment of ...

A magnificent Arts and Crafts silver Apostle spoon, one of the finest we have seen. The spoon has a well cast Apostle complete with Nimbus in flowing robe, with one hand raised in blessing. The detail is lovely, including the full beard and flowing hair. He stands on an attractive pedestal with scrolls and foliage. The stem is very unusual, with an open pear shaped loop at the base and central groove (front and back), it is hand hammered and is wrapped in an applied entwined scroll. The bowl is also hand hammered, circular but tapered as it joins the stem, with a fascinating drop (or join), the tapered bowl splits into two strands which are curled into rolls, held in place by 2 silver balls - we have never encountered this before in a spoon. The hallmarks are clear, including makers mark F.C in quatrefoil punch for Frederick Courthope. Courthope took over the business of respected George Angell in 1884. he started trading in his own name in 1889, he worked until 1912. He was a master silversmith, who hand mad...