A Danish silver Skonvirke (Arts & Crafts) cream ladle, made by the respected Danish silversmith Evald Nielsen in 1924. The ladle is the No 4 pattern, which has organic flowing scrolls in relief, so quite pleasing to hold. The ladle is hand hammered, with the planish marks visible in the bowl and the stem. The ladle has a flat circular bowl with a narrow lip, about 0.7 cm deep. The ladle is 830 grade silver, as is usual for Danish silver. The well struck hallmarks include "Evald Nielsen" in an attractive script, with "No 4" indicating pattern, date letter "ANNO 1924", the letter "S" surrounded by dots in shaped punch for silver, and "830" in oval punch surrounded by dots for grade of silver. Evald Nielsen worked between 1905 and 1958 from Copenhagen, he designed all his own designs (as opposed to his contemporary Georg Jensen). He won numerous awards internationally, and his silver can be seen in numerous museums, including the Metropolitan in New York, V&A in London, and Kunstmuseum in Denmark. Nielsen produ...
A collection of 10 sterling silver Royal souvenir spoons. Six spoons have enamel finials, 1 has enamel bowl as well. Six spoons are English, 3 are Canadian and 1 is Dutch. 4 spoons commemorate coronations. The spoons include: 1. Edward VII in commemoration of the Coronation, Westminster Abbey 1902, Birmingham 1901, Henry Griffiths & Sons, Abbey in bowl 2. Edward VII, Birmingham 1901, S Blanckensee & Sons, Edward in bowl, pierced cast Edward handle, gilded, a lovely spoon 3. Victoria Queen and Empress, London 1898, Saunders & Shepherd, imported F mark, gilded 4. King George V, Mary Queen Consort, Crowned at Westminster June 22 1911, Birmingham 1910, BH Joseph & Co, coronation chair in cast handle 5. Elizabeth II, Crowned 1953, Birmingham 1952, Mappin & Webb, coronation hallmark, "Fire Triumphs over Materials" for JK Smit & Sons, diamond drilling company 6. Royal visit to South Africa, King George VI and Queen Mother, South African coat of arms, Dutch dagger hallmark and makers mark for Van Kempen 7. Roy...
A fabulous set of 6 Tiffany Sterling silver Indian Chrysanthemum tablespoons, in immaculate condition, they could not be better. The pattern is truly beautiful, it extends right down the back of the spoon bowls as well. All 6 spoons are clearly hallmarked "TIFFANY & Co STERLING PAT.1880.M, the M indicates these are early pieces (the pattern was produced from 1880-1934). This must be one of the most beautiful example of hallmarks, with the design wrapping over and through the hallmarks. Each individual spoon weighs 120 grams, certainly the heaviest tablespoons we have encountered (the very best quality English tablespoons can reach 100 grammes). Indian Chrysanthemum has been described as "one of the most magnificent and celebrated sterling silver designs of the 19th century. Chrysanthemum represents one of the last great designs of the Victorian period" -(www.replacements.com), it was designed by Charles Grosjean. "Master silversmith Charles T. Grosjean joined the Tiffany firm as the Superintendent of Silverwa...
A fine and heavy cast silver commemorative caddy spoon made to celebrate the investiture of the Prince of Wales in 1969. The caddy spoon bowl is made up of the 3 Prince of Wales feathers, joined to the handle with a Royal crown and the motto "ICH DIEN", translated "I Serve", the handle has a Welsh dragon. The bowl is quite deep, the feathers have been shaped, the detail of the feathers is also very fine. The spoon is fully hallmarked with clear hallmarks, including makers mark G&Co Ld. for Garrards, the Crown Jewellers (founded in 1722, it retained the Royal Warrant until 2007). The back of the caddy spoon is also marked "Garrard & Co Ltd 112 Regent St W". Another example of this caddy spoon is shown in the book "The Story of the Caddy Spoon 1775-2015" produced by the Society of Caddy Spoon Collectors, page 63. It also was part of the John Norie Collection, Part II, lot 384.
A pair of rare Old English Feather Edge and Cartouche silver tablespoons, made by William Pinder in 1771. The spoons are lovely quality and in excellent condition, we really like these spoons. The cartouche has been chased and engraved by hand, you can see small differences between the 2, notably the size and orientation of the scroll underneath. The cartouches are engraved with a family crest, a Griffin's head erased, this is the family crest of the Nalder Family (Fairbairns crests). Whilst Old English Feather Edge is a common pattern, the addition of the Cartouche, first produced around 1770 by Thomas Northcote, is rare (Silver Flatware, Ian Pickford, page 105). The pattern was revived late 19th century by Carrington, who called it Carrington Shield. The hallmarks are bottom marked, and include clear makers mark WP, with the W and P co-joined for William Pinder, who worked from Bunhill road between 1770 and 1784 (Grimwade page 624). The crowned leopards head and lion passant are partially worn but still cle...
A rare Victorian silver Old English Military Thread and Shell pattern soup ladle, of exceptional weight and quality. The pattern has the regular Thread and Shell pattern, double struck (on both sides), but with scrolls instead of shoulders, as with all Military variants (Pickford, Silver Flatware, page 117). The ladle has an interesting engraved family crest, a collared lion between 2 horns. The hallmarks are very clear, including makers mark GA (George Adams, who took over the Chawner business in 1840), and also includes 2 journeyman's marks S and N (the silversmiths who made the ladle in the Chawner & Co workshop). Ian Pickford, in the book Silver Flatware, describes Old English Military Thread and Shell as "a rare pattern, illustrated in the Chawner & Co. Pattern book(appendix pg 218). Any services and pieces are rare" - page 107. Chawner & Co were the most important firm of silver spoon manufacturers in Victorian England (John Culme, Directory of Gold & Silversmiths, page 82).
A pair of Scottish Provincial silver tablespoons, made in Aberdeen by Peter Ross between 1819 and 1822. The spoons are Fiddle pattern, and have original owners engraved initials AGC. The spoons are in lovely condition, well preserved, and the hallmarks are clear. The hallmarks include makers mark PR between two A hallmarks for Aberdeen. Ross was admitted as an Aberdeen hammerman in 1819, but only lived for 3 more years until 1822 (Aberdeen Silver by Michael Wilson). His legacy is Fiddle pattern flatware, he is not known to have produced other silver items. Note - We have a matching single tablespoon S 1892.
An extremely rare Irish Provincial silver soup ladle from Limerick, made by Joseph Johns, Limericks "most accomplished, prolific and arguably most successful silversmith" (A Celebration of Limerick Silver, John Bowen & Conor O'Brien, pages 140 & 198 - a book we highly recommend). The ladle is in the Rococo style, with a fluted bowl and asymmetrical chased floral decoration on the handle and back of bowl, and has a hooked terminal (or end, described as a "crooked end" by Bennett - Irish Silver, pg 115). The ladle also has an engraved family crest, an armoured arm embowed holding an arrow. The bowl, which is fluted on both sides, is huge, over 10 cms in diameter, this is a substantial ladle with a good gauge. The fluted bowl was described by Douglas Bennett as "an alluring feature feature for the collector" (Collecting Irish Silver, pg 115). The join of bowl to handle has character, the drop has worn engraving, and also a semi circular strengthening plate, which unfortunately was not strong enough to prevent da...
A Danish modernist silver strawberry serving spoon, in Georg Jensen style. The spoon is beautiful, and is a good weight and quality. The spoon has a large circular bowl, with a pierced strawberry leaf design, to allow the juices to be drained before serving. The handle is cast, and has 2 well designed strawberries amongst foliage, these are embossed so provide a nice grip for the handle. This spoon is a useful size, suitable for serving other items besides strawberries. The spoon has 4 hallmarks, all of which are well struck and clear. The Danish 3 tower mark and date letter 33 for 1933 indicates purity of 826/1000, the SJ assay master mark (Stadtsguardein) for Johannes Siggaard (worked between 1932 and 1960). The 3rd mark is "Haandarbejde" indicating this item was made by hand, and the 4th mark is the script F surrounded by oval dots, the assay master mark for Frederik Fabritius, who worked between 1787 and 1823. The presence of this older assay masters mark is a mystery, it has also been observed on other D...
A collection of 10 sterling silver souvenir spoons, all from a different British town. The spoons were made in Birmingham, London, Chester and Sheffield, with dates ranging from 1893 to 1919. All 10 spoons have clear hallmarks. The 10 include: 1. Ripon, Birmingham 1912, Levi & Salaman, crest in bowl 2. Bideford, Chester 1906, John Millward Banks with flower trademark, engraved Bediiforde 1577 Sicillun Comvne De 3. Brighton, Birmingham 1918, Levi & Salaman, engraved In Deo Fidemus 4. Scarborough, Birmingham 1905, Levi & Salaman 5. Canterbury, Birmingham 1901, Turnbull Brothers, Cathedral in bowl 6. Oxford, Birmingham 1911, gilded armorial in bowl 7. Manchester Ship Canal, Sheffield 1893, Henry Wigfull, gilded armorial in bowl, cast handle with Navigation & Commerce 8. Unknown town, London 1899, Saunders & Shepherd, cast floral handle, lovely quality 9. Unknown town, Birmingham 1908, Joseph Cook & Sons 10. Oxford University, Sheffield 1919, Joseph Rodgers Note- The earlier spoons pre 1900 are notic...
A set of 6 sterling silver grapefruit spoons, with pointed bowls for easy access to the fruit. The spoons have a threaded border pattern with pointed terminals, sometimes referred to as French pattern. The spoons are very pleasing quality and weight, they have a solid feel in the hand, as is often the case with pre-war silver. All 6 spoons are clearly hallmarked with Sheffield hallmarks for 1939 and makers mark EV for Viners Limited, started by Adolphe Viner in 1901, the E refers to his son Emile. Viners was a leading 20th century British cutlery brand, known for good quality, they were acquired by Oneida in 2005. These spoons also have an additional set of 3 hallmarks, smaller but clearly struck, these are Irish import marks that were struck on foreign silver. These marks include the Dublin assay office Boujet mark, .925 sterling standard mark, and Dublin date letter X for 1939, meaning these spoons were exported to Ireland as soon as they were made. The Boujet mark is a stylized representation of a medieval...
A set of 4 Irish Georgian silver tablespoons in the Fiddle pattern, made by Samuel Neville of Dublin. The spoons have no initials or engraving, and no signs of removal. The hallmarks on all 4 spoons are excellent, all individually struck. They include makers mark SN, Hibernia, Crowned Harp and date letter I for 1805. Samuel Neville worked between 1795 and 1851, he was a respected member of the community, he was Warden between 1804 and 1807 and was also elected to the Dublin City Council in 1807. He was Master in 1807 and 1827.
A matching pair of nursery rhyme silver baby implements, a spoon and baby pusher, intended as Christening gifts. Both have short handles, the spoon with Jack and Jill picture, the pusher with Little Boy Blue. The detail on both is lovely, as can be seen from the photographs. Both are clearly hallmarked, the spoon was made in 1932, the pusher in 1936, but both by the same maker WH Collins, and both part of their nursery rhyme collection. The pusher has original owners initials MJ, lightly engraved so this could be removed. The pusher also has a registration number, indicating the design was protected.
A fabulous pair of Baltimore silver tablespoons, in the Kings pattern, by Samuel Kirk of Baltimore, and bearing Baltimore assay marks for 1824-1826. The spoons are very good quality and gauge, unlike many American spoons of the period, which were often thinner and lighter than their English counterparts. They are single struck (in Scottish fashion), the back of both spoons is engraved Lyon, we assume the original owner. In addition to makers mark S.Kirk in script in rectangular punch, the spoons have the oval Baltimore Coat of Arms quality mark, in rectangular punch with cut corners, and date letter C, used by Assay Master LeRoy Atkinson between 1824 and 1826 (see www.imperialhalfbushel.com for information on these marks). These date to an interesting period in American silver history, Baltimore between 1814 and 1830 was the only place and date where hallmarks were required on silver in the USA, following the passing of the Assay Act by the State Legislature of Maryland in 1814 (it was unpopular so repealed i...
A rare pair of Cape silver tablespoons in the Old English pattern, engraved with the crest of the Cape Regiment. The spoons are engraved "CAPE.REG" above a bugle, suspended from a shamrock shape rope knot. This bugle was used as a crest for English Light regiments, currently still used by the Oxfordshire and Buckinghamshire Light Infantry (lightbobs). As is often the case with regimental silver, these spoons have been well used (and well polished), so the crest is worn, one is better than the other. Both spoons have clear Cape silver hallmarks, anchor, IC, anchor, mark 22 in Cape Silver by Welz, used by Johannes Combrink. The Cape Regiment was formed in 1795, and consisted of Khoisan and Coloured men under white officers, headquartered in Simonstown. In 1817 it was renamed the Cape Corps, it remained in existence until 1926. Major Matthew Richmond, a New Zealand Colonial administrator and politician, served with the Cape Regiment in 1817, so may have used these spoons. (note - we have 2 sets of these spoons)....
A collection of ten American sterling silver souvenir spoons, 5 of which have decorated bowls and 6 of which have decorated stems, 2 decorated front and back, and 2 are gilded. As is usual for these American souvenir spoons, the details are lovely. The spoons include: 1. California, by Gorham, Golden Gate bowl, Eureka, Sutters Fort and California on front, State Capitol, Mission Dolores and Golden gate on back - a lovely spoon 2. Honolulu, maker R in wing, Surf Rider 3. Boulder Dam 4. Philadelphia, Hamilton & Diesinger, Founding Father 5. Hawaii, 1959, maker EJTC, 50TH State, Aloha Tower, Hawaii front, Admitted to the Union Aug 21 1959, The Aloha State rear 6. Washington, Abram French Co, Tip Top House 1852, Washington 7. Detroit, Mechanics Sterling, Detroit Harbour bowl 8. Detroit, Mechanics Sterling, Belle Isle Bridge bowl 9. Detroit, Mechanics Sterling, Water Works Park bowl 10. Chicago, Whiting, Ft Dearborn bowl.
A set of 6 Irish Georgian silver dessert spoons in the Fiddle pattern, made by Samuel Neville of Dublin in 1804. The spoons have no initials or engraving, and no signs of removal. All 6 spoons have good hallmarks, makers mark SN for Samuel Neville (struck both ways). They also have Hibernia and Harp Crowned, and date letter H for 1804 (note absence of duty mark, only introduced in Ireland in 1807). Samuel Neville worked between 1795 and 1851, he was a respected member of the community, he was Warden between 1804 and 1807 and was also elected to the Dublin City Council in 1807. He was Master in 1807 and 1827.
A lovely Art Deco Norwegian silver spoon, made to commemorate the unveiling of the Mor Og Barn (Mother and Child) statue in Sandefjord. The spoon has an embossed copy of the statue, a naked mother holding her baby in front of her, standing on a plinth. The rounded bowl has a stunning embossed view of Sandefjord, the detail is exquisite, complete with boats in the harbour, church steeples, houses and trees, with "SANDEFJORD" underneath. The Art Deco look and feel of the spoon is completed with the 8 pillars at the top of the handle. The hallmarks include silver mark 830S (830 grade silver) and makers mark of a goblet in an oval punch for Thorvald Marthinsen of Tonsberg. The original bronze statue is by Norwegian sculptor Arne Durban (1912-1994), who was known for his naturalistic work, his work is featured in over 30 Norwegian towns. It was unveiled on 17 May 1950 (Norwegian Constitution Day), which celebrates Norway becoming an independent kingdom in 1814. This spoon has been described by the website www.spoo...
A pair of Art Deco silver serving spoons, made by the German firm of Lutz & Weiss in Pforzheim, circa 1930. The spoons have the classic Art Deco pyramid pattern design, repeated on both sides, and an unusual but very practical 4 sided bowl, with rounded edges and a pointed front. The hallmarks include 835S indicating silver of 835 purity, makers mark of intertwined LW in a shield, and a Dutch import mark used since 1906 (V in shaped shield with shaded background), indicating the spoons must have been imported into the Netherlands at some stage. Both sets of hallmarks are clear. Lutz & Weiss Silberwarenfabriek was founded in 1882.
