A pair of Cape silver dessert forks in the Kings pattern, by Fredrik Waldek. The forks are very good quality and gauge, but a little shorter than usual. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by 2 silversmiths, Twentyman and Waldek, who took over Twentyman's business. The hallmarks are very clear on both forks, and include pseudo Georgian duty, date letter a and crowned leopard's head, along with makers mark FW, which is slightly worn. The forks have no monograms or engraving, and none has been removed. Waldek had a long career as a Cape silversmith, chronometer, clockmaker and jeweller, he worked between 1830 and 1877. He took over Twentyman's shop and partnership on Heerengracht in 1836. The forks have shorter stems than other examples, see S 1866 for a comparative example.

A fabulous quality gold and Diamond World War II Sweetheart brooch, for the Gordon Highlanders Regiment. The brooch has a textured 9 carat gold stags head with impressive antlers, green cabochon eyes (we assume emerald) and two red faceted stone nostrils (we assume ruby). The stags head is surrounded in a wreath of 18 leaves (white 9 carat gold), each leaf contains a diamond, and sits above a crown (which also contains 5 diamonds, so 23 diamonds in total, all are present). The regimental motto "BYDAND", translated as "Stand and Fight", in gold letters set in blue enamel sits in a gold scroll at the base. The hallmarks are clear, and include makers mark J.W.B, 9 and .375 indicating 9 carat gold, anchor town mark for Birmingham and date letter R for 1941. The pin is also hallmarked 9 .375 indicating it is also 9 carat gold. John William Barrett was a manufacturing jeweller who worked between 1903 and 1953, a number of other high quality sweetheart brooches are known by him, so we assume this was an area of spec...

A set of 2 Cape silver dessert forks in the Kings pattern, one by Lawrence Twentyman and the other by Fredrik Waldek. These forks match S 1864 and S 1865, we have put these 2 together to show an unusual variance in length. Whilst both are Cape Kings pattern dessert forks, they have a 1.2 cm difference in length (the shorter fork is also lighter, 54 vs 62 grammes). The difference is the stem only, the decoration top and bottom is identical, as are the length of tines. It is believed that Twentyman imported dies for Kings pattern to the Cape circa 1830 and that Waldek took over the dies in 1836, but we cannot explain the difference in length, all suggestions welcome. We have carefully studied the forks, there is no evidence they have been lengthened or shortened. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by these 2 silversmiths, Twentyman and Waldek, who took over T...

A pair of Cape silver dessert forks in the Kings pattern, by Lawrence Twentyman. The forks are very good quality and gauge, a pleasure to hold. The forks are double struck (pattern on both sides), and have the diamond heel, as is usual with Cape silver Kings pattern. Cape silver in Kings pattern is quite rare, it was only produced by 2 silversmiths, Twentyman and Waldek, who took over Twentymans business. The hallmarks are very clear on both forks, and include pseudo lion passant, Georgian duty, date letter a and crowned leopard's head, along with makers mark LT. The forks have no monograms or engraving, and none has been removed.

A lovely and early George II double lipped punch ladle, with twisted whalebone handle, of extremely good quality. It is a good gauge and weight, much heavier than many we have seen. The bowl is fluted and is a generous size, and is joined to the handle with a double scroll. The base of the ladle is engraved "G over J+E", the engraving is contemporary and done by hand. The hallmarks are clear, and include the unregistered makers mark EA (Grimwade 3534) with 2 dots above and 1 below. Whalebone was heated under pressure with steam until malleable, and then twisted into ornate spirals, which hardened and retained their design after cooling (Helliwell, Collecting Small Silverware, pg 76). Aldridge worked between 1724 and 1765 in Foster Lane. He was tried at the investigation of the Goldsmith's Company for counterfeiting marks in 1742, but was acquitted by the jury (Grimwade pg 421).

An interesting 17th century style silver notched 2 pronged fork and matching spoon, the fork a replica of the earliest known English table fork. Both are faithful replicas of the puritan style, with 3 notches at the top of the flat stem. Both carry 2 family crests, the top a griffiths head and wings, the Montagu family crest, the second is a peacock in pride, the crest of John Manners, 8th Earl of Rutland of Haddon Hall, the owner of the original fork. This fork, made in 1632, is known as the Manners Fork, and is in the V&A museum in London. Frances Montagu was the wife of John Manners. The hallmarks are exceptionally well struck, they could not be better. They include makers mark "GOF Lo under star" for George Lowe & Son of Bridge Street, Chester, who date back to 1770 and who still trade today. They also include the Chester wheat sheaf town mark (struck in the spoon bowl as is usual for 17th century spoons), date letter and lion passant. The original box, marked "Lowe & Sons, Silversmiths, Bridge St Row, Ch...

A lovely set of 6 single struck Kings pattern with shoulders (Kings Front French Shoulder, Pickford, Silver Flatware, pg 123) Newcastle silver teaspoons. The spoons are the larger size teaspoons, and have a good gauge, over 20 grammes each, these are pleasing quality. Single struck flatware is usually found in Scotland, it is unusual in England, where the patterns were usually double struck (pattern on both sides) The hallmarks on all 6 teaspoons are excellent, and include makers mark TS for Thomas Sewell I, who worked between 1846 and 1875. They include an additional 5 hallmarks, uncrowned Victoria duty mark, lion passant, three castle town mark, leopards head uncrowned, and date letter I in circular punch for 1847. It is clear the date letter and makers mark were struck individually, the other 4 marks struck together in a stub (the date letter punch overlaps slightly on 2 spoons). These are interesting hallmarks, the uncrowned leopards head was only used for 5 years between 1846 and 1850, when it reverted b...

An interesting antique silver trophy, the Douglas Trophy, made by the highly regarded firm of Mappin & Webb, presented for Light Weight Hill Climbing. The trophy has an applied medallion of an antique Douglas motorcycle with rider in flat cap, this medallion has a registration number (526485), so the design was protected. The trophy lid features a cast finial, a wheel with 2 feathered wings, very similar to the Bicycle playing cards emblem, this is attached with a silver nut (both finial and nut are hallmarked as well). The trophy has 2 attractive handles, and is engraved "Douglas Trophy, Presented by the Agents, Light Weight Hill Climbing CPT, won by J. van Reenen 25.7.14, F.A.R. Zurcher 5.4.19 and again 28.2.20". As can be seen, the race was interrupted by the Great War of 1914-1918. The trophy is clearly hallmarked (Mappin & Webb, Sheffield 1913), the lid, finial and nut are also hallmarked. Fritz Zurcher was an interesting character, he won the DJ Run in 1920 (the Durban to Johannesburg motorcycle race,...

A Military Victorian silver presentation snuff box, with an erotic engraving of an amorous couple hidden away from view on the base. This is a pleasing quality, substantial in size and weight, more of a table snuff box intended for a desk than the portable versions intended for a pocket. The box is rectangular, with raised lid and base, and is casket shaped with engine turned sides. It also has applied cast foliate rims (base, lid and around the presentation panel), these have exquisite detail, overall a very attractive box. The engraved inscription reads "PRESENTED TO GEORGE BOYD ESQr. by the 20th R.R.V. 1863", and is supported by scrolls (note engraving is 18 years later than box was made). The base is engraved with a erotic scene, very finely engraved with loads of detail, this is protected by the base rim, so perfectly preserved. The interior is gilded with a beautiful lemon gold original gilding, it does not appear this box has seen much use. The hallmarks on both lid and base are very clear, maker mark ...

Delightful silver handled (hook is steel) boot button hook, shaped as a leopard's head, of exceptional quality. The cast leopard's head has fine detail, including the 4 teeth and tongue. Buttonhooks were an essential Victorian accessory, used for buttons on boots and tight fitting clothing. The only hallmark present is an English Lion passant, which is worn, but still visible.

A rare Liberty Cymric toothbrush, with silver handle set with two turquoise cabochons, and wooden (ebony) toothbrush set with bristles. The hallmarks are clear, including L&Co makers mark, but the CYMRIC mark is not present (as is usual on small items). This toothbrush matches the Liberty Cymric vanity set (S1360).

A Cape silver basting (or serving) spoon in the Fiddle pattern, by Willem Godfried Lotter, one of the members of the famous Lotter family of Cape silversmiths. The spoon is engraved with initials CIT in fancy script, this is original. This is a good solid spoon, very suitable for use, the bowl is a good gauge and the tip is excellent. The hallmarks are clear, and consist of makers mark WGL between 2 diamond devices (actually square with a cross in the middle), mark 89 in Cape Silver by Stephan Welz. Willem Lotter worked between 1810 and 1835, his work is represented in the Paarl musuem. David Heller (History of Cape Silver) regarded Lotter as one of the top Cape silversmiths.

An interesting sterling silver replica of a Charles II trifid or lace back spoon, circa 1680. The stem is notched and decorated in traditional style, as is the back of the bowl, complete with rat-tail. The spoon is teaspoon sized, and very good quality, quite heavy to hold. The spoon is in it's original Mappin & Webb box, complete with Royal appointments to the Queen and Prince of Wales on the lid interior. The spoon also has it's original card, describing the origin of the spoon, it's decoration and an explanation of the hallmarks, making it an ideal Christening present.

An interesting Cape silver snuff box, an unusual convex shape which gives it a lovely feel in the hand and pocket. The box has a part hinged lid, as is usual with this form, with just a slight overlap creating the thumbpiece. The decoration is typically Cape, a 8 petalled flower with wrigglework border, which is extremely well preserved due to the shape of the lid. The box also has original owners engraved initials AWJP, also with wrigglework border. The hinge is also decorated with cross hatch engraving. The original gilt interior is a lemon yellow colour, and the IC makers mark struck in the lid is very clear and distinct ( Welz mark 32). Convex shaped snuff boxes, given the more challenging construction in relation to the rectangular boxes, are rare in the Cape, this demonstrates that Combrink was a master craftsman.

A silver quaich of traditional shape, with 2 flat lug handles, and quite a large size. It is quite plain, which accentuates its lovely shape. The base is engraved "H.H. Plante, 12 Bury St, St James, S.W.", and the hallmarks are very clear. Quaiches are traditional Scottish drinking vessels, one's this size were passed around at ceremonial occasions. They are popular christening gifts in Scotland. The firm of H.H. Plante (Henry Hudson Plante) worked between 1907 and 1980.

A delightful antique silver Christening present, a child's feeding spoon decorated with a scene from J.M. Barrie's Peter Pan, depicting Captain Hook, complete with hook and pistol, running away from the crocodile, with the Jolly Roger pirate ship in the background. The handle, which forms a circle (traditional baby feeding spoon), is also decorated with Peter Pan playing his flute, and 2 scenes with rabbits. The detail is lovely, as can be seen in the photos. The hallmarks are very clear, and include a registration number "Rd No 611912", indicating the design was registered to prevent copying by other firms. Levi & Salaman was established in 1870, and was merged into Barker Brothers in 1921 (Culme, Directory Gold and Silversmiths). They were highly regarded, particularly for good quality souvenir spoons. They made a number of variations of these nursery rhyme spoons, including "this little pig (S 1535) and "hey diddle diddle (S120) featured on our website. They also made a "little miss muffet" version.

A Cape silver salt spoon, in the Fiddle pattern, with original gilded bowl, and original owners initials TB. The original gilding is a light lemon colour, worn and scratched from use, but still clearly visible and quite charming. The hallmarks are clear, and include makers mark PD for Peter Clarke Daniel, alongside pseudo hallmarks date letter B in indented punch and Georgian duty mark (Welz mark 42, page 148, Cape Silver). Peter Clarke Daniel was born in Dublin, he arrived in the Cape with the 1820 settlers as a child.

A matching set of crested Georgian silver flatware, including 12 tablespoons, 2 sauce ladles, 2 saltspoons and butterknife, all of very good gauge and quality. The pattern is Fiddle and Thread, and all pieces have an interesting double crest, indicating a marriage between 2 noble families. The first crest is of a head and shoulders of a bearded man with unruly hair, the second a raised fist holding a halbeard. The saltspoons have gilded bowls to prevent corrosion. The butterknife is a later addition to the set (made in 1895), and only has the bearded man crest. The makers mark on the butterknife has been removed, possibly to allow the retailer to overstamp. Chawner was a prolific spoonmaker, he ran a large workshop of journeymen, whose individual marks can be seen on the spoons (devices include stars, bars, circles and triangles).

Colonial silver child's fork and spoon, probably a Christening gift. It is very crudely made, and the pattern is a mix between Old English and Fiddle, more Continental than English, particularly the rounded shape of the drop . The set is finely engraved with the initials GPJ in elaborate script, and Madagascar. The hallmarks are clear, and consist of the makers mark I*D struck 3 times, in an irregular outline, so the punch was probably also handmade. One mystery is the combination of very crudely made flatware, made by an amateur in possibly difficult conditions, with the fine engraving - so possibly added later. We welcome thoughts on their origin or identification of the I*D makers mark.

A set of four French liqueur sterling silver wine labels, for Benedictine, Chartreuse, Cointreau and Grand Marnier. The labels are rectangular with canted corners, the engraved names have been filled with black enamel, and the fronts have a matt finish. The labels are bordered with a zig-zag pattern, which has been engraved by hand, as it does not go all the way around the Grand Marnier and Chartreuse label, as the lettering does not leave sufficient size. The labels are attached to silver chains with eyelets. All 4 labels are clearly marked with makers mark W.J.W, and "Sterling Silver", we have not been able to identify the maker (all suggestions welcome, thanks). We believe the labels could be American from their style and hallmarks, but are open to correction, thanks. This is an interesting set, we have not seen a set specifically of French liqueurs before. Benedictine is a herbal liqueur, an interesting fact is that the Burnley miners club in Lancashire are big consumers (thanks to Lancashire regiments di...